When Europe Was a Prison Camp
Father and Son Memoirs 1940–1941
Otto Schrag and his son Peter fled Nazi-occupied Belgium in 1939, yet both have very different stories to tell. Otto fled to the South of France where, as a Jew, he was interned in a French concentration camp at Saint-Cyprien; ten-year-old Peter, meanwhile, escaped to Boulogne with his mother and grandmother, sheltering in a cellar while the city was bombed. This book combines Otto’s novel-like recollections, written in 1941, with Peter’s thoughtful memoir compiled 40 years later.
Witnessing the Robbing of the Jews
A Photographic Album, Paris, 1940–1944
When the Germans occupied Paris in 1940, it was not only the city’s art treasures that aroused their greed, but the belongings of ordinary people, especially Jews. A photograph album discovered in German archives systematically recorded the pillage. Reproduced here with an informative commentary, it offers a chilling insight into the relation between greed and mass destruction, as furniture, toys, saucepans and bedlinen are loaded into crates and trucks by Nazi officers, French collaborators and prisoners from the camps.
The Symphonic Repertoire
Volume 1 The Eighteenth-Century Symphony
A vast amount of symphonic music survives from the 18th century, when Haydn, Mozart and many ‘minor’ composers across Europe created the formal conventions that would long govern the writing of symphonies. In chapters organized by country to reflect the development of regional styles, this volume’s 22 contributors address issues such as the correct attribution of works, the importance of patronage, orchestration techniques and early performance contexts. The book comes with a CD featuring recordings of music by eight little-known composers.
A History of Paleontology Illustration
Jane P Davidson brings an art historian’s eye to the development of scientific illustration since the 15th century, focusing on the ways in which artists and paleontologists have collaborated to produce drawings of fossils and reconstructions of prehistoric plants and animals. The author considers how such work is influenced by the desire for detail and accuracy, and asks whether there is an artistic theory or aesthetics of style unique to this type of illustration.