Impressionists in London
The EY Exhibition: French Artists in Exile 1870–1904
This finely illustrated catalogue to the Tate Britain and Petit Palais exhibitions of 2017–18 celebrates the numerous French artists who fled the Franco-Prussian War and Paris Commune of 1870–71 for exile in London. Here they absorbed London’s architecture, society and skylines into their socially conscious artworks. Stellar talents such as Monet and Pissarro feature alongside less well known artists including James Tissot, Charles-François Daubigny and Jean-Baptiste Carpeaux.
Laughter Is a Devastating Weapon
Born Helmut Herzfeld in 1891 and anglicizing his name in protest against German nationalism in 1916, John Heartfield became a political artist unrivalled in the 20th century, who pushed political satire to surrealist extremes in anti-Nazi and anti-capitalist graphic art and photomontage. This volume presents a short biography of Heartfield and reproductions of his finest work, setting the original artworks alongside the published versions.
The Photographs of Paul Nash
Paul Nash was 41 in 1930 when his wife Margaret gave him a Kodak pocket camera; between then and his death in 1946, Nash took around 1,200 photographs. Some were snapshots, some were studies for paintings, most display what fellow artist John Piper described as Nash’s ‘economical and obsessive’ eye. This book explores this aspect of the artist’s work, with 138 photographs depicting subjects as varied as standing stones, wrecked aircraft, fallen trees and the White Horse at Uffington.
Turner and Constable: Sketching From Nature
Works from the Tate Collection
In two illustrated essays this volume explores the emergence, development and variety of the landscape oil sketch and painting en plein air in Britain, as pioneered by Turner and Constable. The essays accompany 59 reproductions of sketches from nature, cityscapes, views of rivers and coasts, and rural scenes by 25 artists, including George Stubbs, Alexander Cozens, John Linnell and John Sell Cotman, as well as Turner and Constable.
Poetry and Film
Artistic Kinship Between Arsenii and Andrei Tarkovsky
Arsenii Tarkovsky’s first collection of poems was published in 1962; the same year, his son’s first feature film won the Golden Lion at Cannes. This collection of Arsenii’s poems, with introductory essays, explores the relation between poet and filmmaker.
Mondrian and His Studios
Colour in Space
Piet Mondrian (1872–1944) developed his abstract geometrical idiom in dialogue with the spaces that surrounded him, from urban architecture to the interiors of his studios. Published in conjunction with a major exhibition at Tate Liverpool, this book reproduces 44 of his paintings in colour, alongside vintage photographs. Essays by noted Mondrian scholars, original texts by the artist and contemporary descriptions of his working spaces reveal the aesthetic philosophy that gave rise to his distinctive, instantly recognizable style.
The Performance of Style
Most associated with the music of artists such as David Bowie, glam was an extravagant and subversive movement of the early 1970s that has received much attention recently for its influence on later music and fashion and for the wider social impact of its experiments with androgyny and artifice. This catalogue, published to accompany the exhibition at the Tate, Liverpool, presents a collection of illustrated essays exploring the music, fashion, art and politics of glam.
On Art's Romance with Design
An Eames chair or a Mies van der Rohe building, although functional designs, transcend their purpose to occupy a space between design and art, a category designated in this study as 'design art'. Charting 20th-century design across a range of media including furniture, interiors and architecture, Alex Coles explores the multi-disciplinary work of artists such as Matisse and Sonia Delaunay and examines examples of decorative or craft design work that could be considered art.
To this day, William Blake (1757–1827) remains a controversial figure, seen as either an inspiring genius or an unsettling eccentric, whose work is arresting for both its beauty and its strangeness. In a study that follows the stages of the artist’s development, William Vaughan explores the pictorial power of Blake’s art and his ‘ability to see things anew, to read new meanings into old forms’.
Terry Frost (1915–2003) was one of Britain’s great abstract painters. His career spanned seven decades, starting with his introduction to art in a Second World War prisoner-of-war camp and stretching into the 21st century. First published in 2000, this was the first book to present the extent of Frost’s art, placing it within historical context and in relation to the work of his international contemporaries.
Clarrie Wallis reassesses the influences and legacy of Patrick Caulfield (1936–2005), who came to prominence through The New Generation exhibition at the Whitechapel Art Gallery in 1964 and whose iconic and vibrant paintings of modern life reinvigorated the subject matter of traditional still life, interiors and landscape.
With his ‘naked portraits’ and his aim to ‘make the paint work as flesh’, Lucian Freud (1922–2011) was able to reinvent portraiture. Although often controversial, his reputation grew to the point where Freud was hailed as the ‘greatest living realist painter’. In this survey, Virginia Button considers his life and work from a more distanced perspective than the many studies written during his lifetime.
While much writing about Constable focuses on his depictions of rural life and his ‘Englishness’, Vaughan’s study looks instead to ‘the sense of passionate observation and daring expression that gives so much excitement to his work’. The book draws extensively on the artist’s own correspondence to provide a fresh understanding of his artistic aims and achievements and reassess his role in the birth of modern art.
Both profoundly original and astonishingly prolific, JMW Turner helped transform landscape painting into an expressive art form of enormous range and power. This study, covering all aspects of Turner’s work, reveals the extent to which he wanted his paintings to communicate intellectually as well as emotionally; and how he used landscape as a vehicle for ruminations on society, politics and the human condition.
Andrew Brighton describes his account as seeking ‘to inform how one might experience, think about and value Bacon’s work’. His book casts fresh light on Bacon’s formation as an artist in gay, aristocratic and bohemian London circles; it examines his working methods and technique; and it reveals the ideas, the beliefs and the life that together formed one of the most successful artists of the 20th century.
This widely acclaimed critical introduction to the potter Bernard Leach (1887–1979) was first published in 1998, long before Edmund de Waal achieved such renown as a potter and author of The Hare with Amber Eyes. Reissued unrevised, this text explores Leach’s years in Japan, the duality in his career as maker and writer, and the complexities of his ceramic work.
One of the most radical British artists of the 20th century, Ben Nicholson (1894–1982) first came to international prominence with his remarkable ‘white reliefs’ of the 1930s and formed links with Picasso, Braque, Mondrian and others of the European avant-garde. This study explains his central role in the establishment of a modernist art community in St Ives, and why his importance to the development of modern art practice in Britain cannot be overstated.
Penelope Curtis, a Director of Tate Britain, describes the life and work of Barbara Hepworth (1903–1975) and provides an up-to-date survey of the contexts in which her art can currently be understood. The book examines the impetus behind the formal clarity of Hepworth’s sculpture and her attempt at ‘holding the beautiful thought’ through the difficult times in which she lived.
After he retired from his work as a fisherman, Alfred Wallis spent nearly 20 years painting until his death in St Ives in 1942. Now, he is recognized as one of the most original British artists of the 20th century. This book revises previous accounts of Wallis’s life, traces the development of his painting, looks at the mythology that grew up around him and examines mid-20th-century ideas of the ‘primitive’.
Missing Artworks of the Twentieth Century
Over the past century, many important works of modern art have disappeared through war, theft, disaster or carelessness. Based on the award-winning online exhibition The Gallery of Lost Art , this thought-provoking book tells the stories behind 40 lost pieces, from Epstein’s 1908 BMA sculptures to the present. Featuring work by Kandinsky, Miró, Bacon, Beuys, Duchamp, Kahlo, Whiteread and others, it examines the way loss has silently shaped art history, and how transience has become an accepted feature of contemporary practice.
The Picasso Book
In this volume from Tate Publishing's Essential Artists series, Professor Cox provides an overview of the full range of Picasso's art and career by examining his relationship to the themes of poetry, war, the 'disfigurement' of the human form, play, and the figure of the artist. A significant addition to recent Picasso literature, the book offers both an accessible introduction for those coming fresh to Picasso's work and a source of new insights for those already familiar with his career.
James McNeill Whistler
In this study of the hugely influential American-born artist James McNeill Whistler (1834-1903), Robin Spencer shows how profoundly the painter was influenced by the poetry and literature of his time. The famous libel trial with Ruskin is also discussed and, for the first time, many of the paintings are illustrated in the original frames created by Whistler himself.
Since its opening in 2000, Tate Modern has become one of the world's most visited museums of modern art and has helped transform the way art is presented and how audiences experience it. This book offers a full account and appreciation of the collections and displays, with six essays, including contributions from Nicholas Serota and Andrew Marr, and an A–Z of over 150 artists, with commentary and reproductions of their work and additional entries on art movements and concepts.
Published in the Tate Introductions series, this authoritative and well-illustrated account of the life and work of Andy Warhol (1928–1987) is accompanied by a gallery of 60 reproductions. Arranged chronologically from The Nation's Nightmare (1951) to the famous black and red Self Portrait (1986), the paintings, drawings and prints include iconic works such as the Velvet Underground and Rolling Stones LP covers and Thirty are Better than One (1963).
250 Years of British History Painting
With short essays by Greg Sullivan and Mark Salber Phillips, an interview with artist Dexter Dalwood and reproductions of 34 paintings, Fighting History explores the enduring significance and emotional power of British history painting. From vast 18th-century allegorical works to artworks reacting to recent political events, it examines how artists have chosen to capture and interpret the past. Accompanied an exhibition at Tate Britain in 2015.
Man Ray in Paris
Man Ray arrived in Paris from New York in 1921 and was to stay there until 1940. As a painter he sought out the Parisian avant-garde and soon became an influential figure in the Dada and Surrealist movements; and as a photographer he was able to earn a living. Following an illustrated introduction, this book reproduces 74 photographs, including portraits, ‘rayographs’ and experiments such as solarization, that illustrate Man Ray’s seminal role in elevating photography to an art form.