The Drawings of G.F. Watts
In the late nineteenth century George Frederic Watts was the first living artist to stage a solo exhibition at the Metropolitan Museum of Art, New York and it attracted over a million visitors. ‘England’s Michelangelo’ was even described as the ‘greatest painter since the old masters’. In this illustrated volume, art historian Chloe Ward draws on the extensive collection of his works, studies, sketches and paintings at the Watts Gallery near Guildford to take a detailed look at his illustrious career.
The Art of Ancient Greece
The Walters Art Museum
Bequeathed to the city of Baltimore ‘for the benefit of the people’, the major collection of Greek art assembled by Henry Walters (1848–1931) is rich in small-scale works. This volume presents the collection’s highlights in chronological order, from a Cycladic female idol (c.2500 BCE) to jewellery and cast bronze statuettes of the Hellenistic age. Each period is introduced by an essay tracing the development of artistic themes and techniques; an appendix provides an overview of Greek pottery.
Abstraction and Reality
The Sculpture of Ivor Roberts-Jones
In this first in-depth study and catalogue raisonné of the work of Ivor Roberts-Jones (1913–1996), the authors explore the career of this exceptional British sculptor in a number of essays, beginning with a biographical sketch. The essay topics include Roberts-Jones’s most familiar work, the statue of Winston Churchill that stands in Parliament Square; other portraits of Churchill in Oslo, New Orleans and Prague; and the portrait heads; while the catalogue illustrates and comments on over 156 works, with sketches and variants.
A City in the Jazz Age
Cathy Ross describes London in the 1920s as a city ‘shot with diversity and criss-crossed with nervous energy as it stared at an uncertain future’. Her book explores the cultural currents that circulated in the city, drawing on the Museum of London’s collections to examine the influence of America and Russia, trends in art, design and fashion, and the architecture and character of the city itself, while also discussing the social and political ideas of the decade.
The Paintings of Richard Harrison
Richard Harrison enrolled at Chelsea School of Art in the 1980s to study product design but soon turned to painting. His style was essentially abstract until he developed a more figurative approach through a fascination with the landscape and Biblical and mythical subjects favoured by the old masters. This retrospective of his work includes a biography and appreciation of his oeuvre and reproductions of over 200 of his paintings.
In the Realm of Gods and Kings
Arts of India
This updated and finely produced edition of the 2004 exhibition catalogue celebrates Indian art from 1000 BCE to the 20th century. The images of the sculpture, painting, manuscripts and decorative arts created for the courts and temples of India, and photographs of Sadhus, illustrate the diversity of style and culture that has emanated from the sub-continent over the last 1,000 years. On each spread has the object or image is accompanied by authoritative and detailed explanations of its cultural significance and history.
Fans in Spain
This illustrated guide to Spanish fans offers a comprehensive overview of their origin, development and use, from the gem-encrusted status symbols of the wealthy to the mass-produced, disposable paper trifles used to advertise goods and services. The various religious and cultural influences that inspired their design are considered, along with the range of materials used to construct them and the artists who decorated them.
Fernando Gallego and His Workshop
The Altarpiece from Ciudad Rodrigo
Created around 1480–88 by the Spanish artists Fernando Gallego and Maestro Bartolomé, the 26 panels from the main altarpiece of the cathedral in Ciudad Rodrigo, Castile, are among the most important and iconographically ambitious art works produced in late 15th-century Spain. Beginning with a history of the paintings, which are now in the University of Arizona Museum of Art, this volume comprises essays on the two artists, technical studies of the paintings and a catalogue of the altarpiece.