Collecting the Marvellous
The Surrealist art of four private collections – those of Roland Penrose, Edward James, Gabrielle Keiller and Ulla and Heiner Pietzsch – was brought together for an exhibition mounted jointly by galleries in Edinburgh, Hamburg and Rotterdam. With essays on Surrealism and its collectors, this catalogue presents 158 reproductions, among them, many less familiar paintings by artists such as Mark Rothko and Picasso as well as works by the great Surrealists including Dalí, Duchamp, Magritte, Miró and Ernst.
Rubens and Company
Flemish Drawings from the Scottish National Gallery
Due to their fragility, the prints held by the Scottish National Gallery can only be displayed on rare occasions, and some of those in the Gallery’s 2016 exhibition of Flemish art had never been shown before. Following an introductory essay on the Rubens and van Dyck paintings in the exhibition, this accompanying catalogue reproduces and discusses its 26 prints, many of which are preparatory sketches that offer an insight into studio practice.
Britain's Discovery of the Master
Although Rembrandt van Rijn (1606–1669) lived and worked in the Dutch Republic, his work became famous across Europe, and particularly in Britain during the 18th century, when a huge number of his paintings, drawings and prints entered British collections. Bringing together key works that remain in Britain, this volume tells the story of how Rembrandt’s art inspired British collectors, artists and writers over almost four centuries. The book originally accompanied an exhibition at the Scottish National Gallery, Edinburgh. Slightly off-mint.
The Two Roberts
Robert Colquhoun & Robert MacBryde
In the immediate post-war period, lifelong partners Robert Colquhoun and Robert MacBryde were, with Freud and Bacon, among the most admired artists of their generation but during the 1950s their work fell out of fashion and alcoholism and poverty hastened their decline. Published to accompany the exhibition at the Scottish National Gallery of Modern Art, this retrospective charts their careers and turbulent private lives, and includes reproductions of their most significant paintings, prints and drawings.
In the 1960s, when the fashion in art was towards the abstract and conceptual, John Bellany (1942–2013) focused on the figurative, paying homage to Old Masters in his depictions of the fishing communities of the east of Scotland, among which he had grown up. This retrospective reviews his entire oeuvre, from these early large canvases, through the phantasmagoric, expressionist paintings of the following decades, to the more optimistic landscapes and allegorical compositions of the 21st century.
From Death to Death and Other Small Tales
Masterpieces from the Scottish National Gallery of Modern Art and D.Daskalopoulos Collection
Taking the theme of the human body, the sometimes-provocative art in this exhibition catalogue includes installations, paintings and sculpture by 20th-century giants such as Duchamp and Magritte, as well as prominent contemporary artists including Rachel Whiteread and Sarah Lucas.
Facing the World
Self-portraits from Rembrandt to Ai Weiwei
Actually starting long before Rembrandt, with Palma Vecchio (c.1480–1528), this catalogue of 150 self-portraits accompanied a collaborative exhibition by the National Galleries of Scotland and galleries in Karlsruhe and Lyon. After three essays discussing the motivation and progress of the self-portrait from a medieval goldsmith inserting himself in an altar to the ubiquitous selfie, the book brings together an extraordinary range of paintings, drawings, photographs and sculpture, with commentary on each artist and how they pictured themselves.
Published to coincide with Elizabeth Blackadder’s 80th birthday retrospective at the Scottish National Gallery in 2011, this catalogue reproduces 94 examples of her work, from a self-portrait in 1951 to watercolours of crabs and shells in 2011, revealing the intuitive nature of her art and its diverse range. A chronology of her life is accompanied by essays from Philip Long and John Leighton.
Impressionism in Scotland
At the end of the 19th century, the prosperous manufacturers of Glasgow and Edinburgh were among the earliest collectors of Impressionist paintings. This catalogue of an exhibition at the National Gallery of Scotland, featuring more than 150 colour plates, brings together paintings that were once, or are still, in Scottish collections. Major works by Manet, Degas, Renoir, Pissaro, Sisley and Cezanne are juxtaposed with those of Scottish artists such as Guthrie, Lavery and Orchardson who were influenced by them.
Van Gogh's Twin
The Scottish Art Dealer Alexander Reid, 1854–1928
Alexander Reid was 'a prince among dealers' whose energy, enthusiasm and judgement shaped the artistic tastes of his day. A friend and champion of Whistler and Van Gogh - to whom the red-bearded Glaswegian bore such a resemblance that the Dutch artist's painting of him was long mistaken for a self-portrait - he went on to promote the Glasgow Boys and the Scottish Colourists. With 94 colour illustrations, this first-ever biography charts the life and work of this important and influential figure.