Every People Under Heaven
In Jerusalem, the cultural crossroads of the known world, the first centuries of the second millennium were a period of great artistic fertility. Almost 200 works of art are discussed in this volume, including maps and manuscripts, metalwork, textiles and Crusader sculpture. Essays set the objects within their social and religious contexts, covering subjects that range from patronage, trade and tourism to different faiths’ beliefs about the Holy City as the gateway to heaven.
Dawn of Egyptian Art
The objects made during the Predynastic and Early Dynastic periods (ca. 4400–2649 BCE) provide the best means of examining how the ancient civilization in the Nile Valley gave rise to Pharaonic Egypt. Discussing 183 items, from a bowl inscribed for King Djet (ca. 3050 BCE) to the stela of King Raneb (ca 2880 BCE), this volume reflects on the early Egyptians’ representations of people, animals and the landscape, and their reasons for making these objects.
Ancient Egypt Transformed
The Middle Kingdom
Egypt’s Middle Kingdom (c.2030–1650 BCE) brought new developments in religious beliefs, political systems and artistic conventions. This volume comprises essays by an international team of scholars, covering such topics as the court and royal women, Egypt’s expanding relations with foreign lands and the themes of Middle Kingdom literature. Nearly 300 examples of the period’s art are featured; they demonstrate how artists were adapting older forms and iconography in work of great subtlety and originality.
Richard Cumberland and Natural Law
Secularisation of Thought in Seventeenth-Century England
Linda Kirk examines the life and work of Richard Cumberland, the Bishop of Peterborough and author of De Legibus Naturae (1672), who devoted his philosophical work to establishing a cosmology that would refute Hobbes.
The Mirror of Salvation
An Edition of British Library Blockbook G.11784
Speculum Humanae Salvationis ('The Mirror of Salvation') is a blockbook dating from 1470, with 116 woodcut illustrations, each accompanied by a Latin caption and commentary. It was intended for use as a sourcebook and reference for sermons and religious instruction. The illustrations are reproduced here with translations of their commentaries, followed by Labriola and Smeltz's detailed interpretations, providing valuable information and insights into the interaction of visual and verbal elements in medieval religious works.
You Looked at Me
The Spiritual Testimony of Claudine Moine
A refugee from the Thirty Years War, the French dressmaker Claudine Moine lived in Paris in the middle of the 17th century. Under instructions from her spiritual director, she kept a detailed account of God's action in her life during the three years from 1652 to 1655. The result is a work of extraordinary spiritual and theological richness, made available in English for the first time in Father Gerard Carroll's fine translation. With an introduction and notes.