Native North American Art
From prehistoric pottery to contemporary paintings and prints, the collection of Native American art at the University of North Dakota reflects the institution’s long interest in American indigenous cultures. With more than 230 illustrations, this book examines how the collection is understood and appreciated within its campus setting, including efforts to reinforce a sense of greater cultural understanding and the changing philosophy behind the way that such works are displayed.
A Pioneer of American Abstraction
Esphyr Slobodkina (1908–2002) emigrated to New York in 1928. In the 1930s and 1940s, she helped to translate European modernist art into an American idiom, and continued painting and illustrating into her nineties. Published to accompany a centennial exhibition, this volume comprises six illustrated essays along with reproductions of over 90 works.
The Lure of Painted Poetry
Japanese and Korean Art
For some 2000 years, the educated elites of Japan and Korea learned classical Chinese poetry and adopted the Confucian aesthetic that informed it. Illustrated with almost 100 works from the collection of the Cleveland Museum of Art, this catalogue explores the ways in which these poems were reflected in the decorative arts, including landscape and figure painting, ornamental screens, ceramics, metalwork, lacquerware and calligraphy, and the cultural links between the nations of Southeast Asia.
Monograph and Catalogue Raisonne 1974 –2004
These magnificent volumes present a descriptive catalogue of 2,215 works by the Nicaraguan painter, draughtsman and lithographer Armando Morales (1927–2011). The catalogue starts in 1974, at which time Morales had moved away from abstraction to painting the human form, still life and tropical landscapes. The volumes include a number of essays in French, Spanish or English, but all technical notes in the catalogue are in English. Slipcased.
Rembrandt and His Time
Masterworks from the Albertina, Vienna
This catalogue accompanied a Milwaukee Art Museum exhibition of 112 works on paper from the Albertina in Vienna - one of the finest collections of graphic art in the world. Although centred on Rembrandt, with reproductions and commentary on 27 works, the catalogue includes drawings by his near contemporaries, including Aelbert Cuyp and Jan Lievens; and covers a great variety of subject matter, with sections on figures, genre and portraiture, landscape and topography.