The Authentic Voice
As well as 21 papers originally given at the William Carleton Summer Festival, this volume on the great pre-Famine Irish writer contains contemporary writings, letters and documents about Carleton (1794–1869), a chronology and a publication history of his writings.
Shaw, Lady Gregory and the Abbey
A Correspondence and a Record
Bernard Shaw, who made his reputation in London, and Augusta Gregory, founder of Dublin’s Abbey Theatre, are often seen as belonging to different worlds. But when Shaw’s play The Shewing-up of Blanco Posnet was banned in England, it was to the Abbey that he turned. This complete edition of the witty, informal letters that passed between him and Lady Gregory sheds light on the politics of the day, and emphasizes Shaw’s important yet unrecognized contribution to the Irish theatre.
A Play in Three Acts by Sean O'Casey
Set in 1913, a year of industrial turmoil in Ireland, O’Casey’s play focuses on the workers’ strikes and riots as they converged on a Dublin church busy with its harvest festival preparations. Written around 1918–19, but never performed, this is O’Casey’s earliest extant play, published for the first time in this 1979 edition, with an introduction by John O’Riordan. Slightly off-mint.
Hail and Farewell!
Ave, Salve, Vale
In 1901, George Moore, the celebrated author of Esther Waters , returned to his native Dublin at the height of the Irish Literary Revival. First published in 1911, his monumental Hail and Farewell! profiles the movement’s leading figures, including WB Yeats, Lady Gregory and JM Synge, charts the development of the Abbey Theatre, and illuminates the literary, artistic and musical tastes of the period. This new edition provides notes explaining many references familiar to the book’s original readers but now obscure.