Roger Fenton, Julia Margaret Cameron
Early British Photographs from the Royal Collection
With an introduction and individual commentaries, Sophie Gordon presents 14 photographs by Roger Fenton (1819–1869), six portraits of writers and artists by Julia Margaret Cameron (1815–1879), and portraits of Queen Victoria and Prince Albert by John JE Mayall (1813–1910).
Portrait of the Artist
This well-illustrated volume focuses on works from the Royal Collection to consider how the image of the artist – both in reality and in perception – has been developed, represented and mythologized over time. Self-portraits by influential artists including Dürer, Rubens, Rembrandt, Reynolds and Freud are examined thematically, alongside artworks created by their friends, relatives and pupils, including the most reliable surviving likeness of Leonardo Da Vinci by his student Francesco Melzi.
For The King's Pleasure
The Furniture and Decoration of George IV's Apartments at Windsor Castle
George IV’s refurbishment of Windsor Castle was one of the costliest decorative projects in history. Drawing on unpublished documents, this pioneering book charts the king’s relations with the artists and decorators, and is illustrated with original sketches and modern photographs of furniture, fixtures and fittings.
The Conversation Piece
Scenes of Fashionable Life
Deriving from the secular compositions of Dutch art, the conversation piece – typically an informal scene of a family in conversation or a group engaged in an activity – became highly fashionable in 18th-century England. Published to accompany an exhibition at the Queen’s Gallery, this volume traces the development of the genre and discusses examples from the Royal Collection, including works by Stubbs, Gainsborough, Hogarth and the master of the genre, Jan Zoffany.
The Art of the Garden
Presenting works ranging from Leonard Knyff’s panoramic View of Hampton Court (c.1703) to Fabergé’s enamelled and jewelled flowers (c.1900), this volume draws on the Royal Collection to trace the changing design and function of gardens through the art they have inspired. After a short chapter on early Islamic gardens, the history traces royal and aristocratic garden style from medieval sacred gardens to the 19th-century ‘horticultural garden’, with a final chapter on ceramics and ornament. Foreword by Sir Roy Strong.
The Royal Portrait
Image and Impact
What constitutes a royal portrait? Jennifer Scott discusses visual portrayals of kings, queens, princes and princesses, from the portrait of Richard II by an anonymous 14th-century artist to Annie Leibovitz’s photograph of Elizabeth II in 2007. Illustrated with 157 examples, including works by great artists from Hans Holbein to Lucien Freud, the study explores the factors that contribute to a royal portrait: its accuracy of appearance, the artist’s aspirations, and the intended location and audience of the work.
The Comic Art of Thomas Rowlandson
Portly squires and foppish dandies, Jane-Austenesque heroines and their grotesque chaperones, dashing young officers and corrupt politicians… Thomas Rowlandson (1757–1827) skewered the follies and vices of his age better than any satirist since Hogarth. This catalogue brings together 100 of his scabrous engravings, largely from the Royal Collections. Mercilessly lampooning King George III, his troublesome offspring, and politicians such as William Pitt, they form a rogues’ gallery of Georgian England, and remain an inspiration to cartoonists today.
This study of the Genoese artist Giovanni Benedetto Castiglione (1609–1664) is the result of a collaboration between the Denver Art Museum and the Royal Collection, with its unrivalled holdings of Castiglione’s works in the Royal Library at Windsor Castle. Reproducing over 90 paintings and dry-brush drawings and illustrating a further 30 details, the catalogue offers a new appraisal of the artist’s works, his life and volatile personality, and his position within 17th-century art.
Cairo to Constantinople
Francis Bedford's Photographs of the Middle East
In 1862 the Prince of Wales invited photographer Francis Bedford to accompany him on a royal tour of the Middle East. The resulting images, which captivated the British public, document not only the ancient landscapes and iconic monuments of biblical times, including Jerusalem’s Temple Mount and Hebron’s Mosque of al-Khalil, but also the devastation caused by sectarian conflict, particularly in Damascus. As well as Bedford’s striking photographs, this collection includes a chronology and catalogue, plus essays by four Middle East specialists.