Printmaking in Paris
The Rage for Prints at the Fin de Siècle
Between 1890 and 1905, prints became extremely popular in Paris, and leading artists such as Bonnard, Gauguin and Toulouse-Lautrec embraced the medium. Published in conjunction with an exhibition at the Van Gogh Museum, Amsterdam, this catalogue reproduces more than 160 prints, posters, theatre programmes and book illustrations from the period. The accompanying essays examine how the fashion for printmaking developed, describe the various techniques and explore the numerous applications of this ‘new notion’ of art.
1000 Years of Terracotta Statuary in Mali
The Djenné-Jeno culture flourished in the Niger delta, in what is now Mali, from around 700 to 1700 CE, and throughout that period produced powerful renderings in terracotta of the human figure. The product of 30 years’ field research, this authoritative study depicts more than 300 of these statues, charts the rediscovery of this lost art, explores the culture that produced it, establishes a chronology of styles, and sets the works in their historical context.
Theo van Doesburg
A New Expression of Life, Art, and Technology
Accompanying an exhibition devoted to the work of the Dutch painter, architect, poet and designer Theo van Doesburg (1883–1931), and the work of the leading artists he brought together by founding the De Stijl movement and its magazine, this catalogue comprises reproductions of 145 paintings, designs and architectural drawings and six illustrated essays on various facets of van Doesburg’s career, including Dada, De Stijl, abstract cinema and Art Concret.
Art and Culture in Times of Conflict
At Museum Leuven in 2014, the exhibition entitled Ravaged explored the devastation of art and cultural property, whether by burning, bombing, iconoclasm or looting, and the depiction of that devastation by artists. This accompanying volume reproduces the 78 artworks exhibited but expands on the theme with over 30 illustrated essays on topics ranging from the loss of the Library of Alexandria to the destruction of the Bamiyan Buddha statues in 2001.
The Glory of Saint George
Man, Dragon and Death
Saint George and the Dragon have captured the popular imagination for centuries, not least for their capacity to represent human power over adversity. This catalogue to a 2015–17 exhibition about the myth of Saint George, held in the Musée des Arts Contemporains in Hornu, Belgium, surveys drawings, icons, illuminations, paintings and sculpture of the saint, including those by Albrecht Dürer, Lewis Carroll and Andy Warhol, and features seven essays on his cultural legacy.
The rare monkey figurines created by the Baule of West Africa have puzzled historians since the 19th century. Rough-hewn and fearsome – with jutting jaws and bared teeth – the bowl-bearing monkeys seem quite unlike the Baule’s more delicate ancestor figures. In the first survey to focus exclusively on the monkeys, the authors explore their origin, creation and role in Baule society, and examine their ritualistic function as objects charged with invisible powers.
Olga Mohler Picabia
Started in 1936, four years before her marriage to Francis Picabia (1879–1953), and left unfinished two years before his death, this album of photographs, sketches and cuttings was compiled by Olga Picabia (1905–2002) and chronicles the life of the French avant-garde artist and poet. Reproducing 207 pages of the album, this book offers a unique view of a great romantic and artistic partnership.