Animal Prints from the British Museum
A rampaging elephant, a giant fish, an amorous goat and a monstrous pig are some of the fabled creatures featured in this collection of British Museum prints from the 15th to the early 19th century. The prints, which include woodcuts, engravings and etchings by Lucas Cranach the Elder, Goya, Stubbs and Bewick, are accompanied by insightful commentary on the history and symbolism of the depicted beasts.
A Catalogue Raisonné of Prints and Multiples, 1971–2007
American conceptual artist John Baldessari began taking photographs in the 1960s as references for his paintings, but from the 1970s, photographs – often found images – increasingly became the building blocks of his exhibited work. He later developed a series of 'multiples', arranging and juxtaposing selections of prints, and experimented with three-dimensional prints. This catalogue raisonné features over 175 works, made between 1971 and 2007, with comprehensive information about each and a contextual essay analysing the development of Baldessari's printmaking.
Monograph and Catalogue Raisonne 1974 –2004
These magnificent volumes present a descriptive catalogue of 2,215 works by the Nicaraguan painter, draughtsman and lithographer Armando Morales (1927–2011). The catalogue starts in 1974, at which time Morales had moved away from abstraction to painting the human form, still life and tropical landscapes. The volumes include a number of essays in French, Spanish or English, but all technical notes in the catalogue are in English. Slipcased.
Marie-Louise von Motesiczky
1906–1996: A Catalogue Raisonné of the Paintings
Forced to flee her native Vienna by the Nazis, the artist Marie-Louise von Motesiczky (1906–1996) spent the rest of her life in London, where she continued to paint prolifically. This magnificent catalogue charts her background, influences and career, and presents her substantial oeuvre in its entirety, reproducing some 350 paintings, including still lifes, landscapes and portraits of her family and friends, among them the writers Elias Canetti and Iris Murdoch.
For nearly 4,000 years Egyptians skilfully embalmed both human and animal bodies in accordance with beliefs about their destiny in the afterlife; many mummies are still so well preserved that we can extract evidence about ancient people's lives and even gaze on their faces. Presenting examples of the embalmer's art now in the British Museum, Taylor explains the mummification and burial processes and the techniques used to study mummies today.
Rembrandt and His Time
Masterworks from the Albertina, Vienna
This catalogue accompanied a Milwaukee Art Museum exhibition of 112 works on paper from the Albertina in Vienna - one of the finest collections of graphic art in the world. Although centred on Rembrandt, with reproductions and commentary on 27 works, the catalogue includes drawings by his near contemporaries, including Aelbert Cuyp and Jan Lievens; and covers a great variety of subject matter, with sections on figures, genre and portraiture, landscape and topography.