Part of the Introductions to Chinese Culture series, this book covers the great variety of unique festivals that have evolved over the course of China's long history, describing a representative selection of 42 traditional and statutory events. Like all the books in the series, it is written by a noted expert in the field, well illustrated with colour photographs and offers an ideal introductory survey for both students and general readers.

Part of the Introductions to Chinese Culture series, this book provides a fascinating insight into the ancient culture of Chinese tea; the trade, tradition, literature, philosophy and ceremony associated with tea in China; and its popularization around the world. Like all the books in the series, it is written by a noted expert in the field, well illustrated with colour reproductions and photographs and offers an ideal introductory survey for both students and general readers.

In this volume, 15 leading scholars offer a critical evaluation of Mao Zedong, from the historical and political context of his emergence as a revolutionary in the early 20th century to his legacy.

Examining Chinese art over several millennia, this unconventional volume presents reproductions or photographs of a vast range of artefacts and paintings, each one juxtaposed with another work on the facing page, and producing unexpected dialogues across time, culture and genre. Shitao's Riverbank of Peach Blossoms (c.1700), for example, is paired with a 2006 installation, Sketch the Sketch Lesson by Qiu Xiaofei, but the volume includes sculptures, ceramics, calligraphy and photographs ranging in date from prehistory to the 21st century.

There are more than 50 ethnic minorities in the People's Republic of China, most of them living in remote regions of the country. Photographer Alessandra Meniconzi has journeyed across China following the trail of traditional cultures and lifestyles from Yunnan's endless rice terraces in the deep south to the historic trading hubs in north-western Xinjiang. This magnificent collection of her colour photographs documents many traditional ways of life that could soon cease to exist.

Challenging Eurocentric theories of international relations, Kang analyses how the East Asian system functioned from the founding of the Ming dynasty in 1368 to the start of the Opium Wars in 1841, a period which saw only two large-scale conflicts between China and its neighbours. After explaining how the 'tribute system' fostered diplomatic and commercial exchange, he ends by considering the contribution of the region's formal hierarchy to the increasing stability and integration of the modern East Asian world.

The unique art inspired by Tibet's cultural amalgam of Shamanism and Buddhism is meant to be of specific use and spiritual benefit to everyone. Rawson discusses a wealth of photographs which depict not only the artistic productions of the past but also the activities of the present-day monks who continue ancient traditions, with their mandalas, mantras and meditation offering 'powerful, untarnished and coherent alternatives to Western egotistical lifestyles'.

Dispersed across India, Pakistan, Nepal, Bangladesh and Sri Lanka, midnight's descendants – the generations born since the midnight partition of British India in 1947 – are the world's fastest-growing population. This first comprehensive history of this complex and inter-connected region charts its uneven and often fraught path to modernization; the volatile relationship between India and Pakistan; the rise of religious fundamentalism; the bitter wars in Kashmir and Sri Lanka; and the area's increasing influence on global economics and geopolitics.

China is both the oldest continuous civilization on Earth and an emerging economic superpower. This impressive volume assembles a team of leading scholars from Asia and the West to provide an accessible introduction to the natural, historical and cultural wonders of this vast nation. Illustrated with colour photographs throughout, the book celebrates China's rivers, mountains and deserts; its cities ancient and modern; its monuments such as the Great Wall; and its myriad art forms, from porcelain to jade carving.

Mount Fuji, with its majestic cone and snow-capped summit, has inspired artists and writers for centuries. This lavish volume, with an embossed foil cover, discusses its continuing influence, and focuses on the series of views of the mountain by the giants of Japanese woodblock art, Katsushika Hokusai (1760–1849) and Utagawa Hiroshige (1797–1858). Hundreds of reproductions show this emblem of perfection, symmetry, spiritual balance and endurance in all its many guises, while the text follows the evolution of the artists' work.

Covering three millennia of Chinese history, this book comprises 96 short biographies of people from as wide a range of regions, ethnicities, eras and achievement as possible. Illustrated with portraits and other artworks, the listing begins with a woman - Fu Hao, a royal consort and female warrior of the 13th century BCE - and includes people from every sphere of political, military, cultural, artistic and scientific life, up to the end of the 20th century.

One of the world's foremost historians of China, Jonathan Spence presents a concise biography of Mao Zedong, deflating myths and showing how, through relentless energy and ruthless self-confidence, Mao was able to attain so much power and hold on to it for so long. Spence likens him to a 'Lord of Misrule', turning traditional Chinese society upside down in 'a long drawn-out adventure in upheaval'.

Beginning with the reign of the Yongle emperor (1403–1424), this richly illustrated catalogue presents over 120 artefacts once owned by princes of the Ming dynasty during the period up to the death of the Jiajing emperor in 1566. Indicative of the fabulous wealth of the Ming rulers, the pieces described and photographed include gold and silver vessels, jewellery and jade, paintings, porcelain and clothing. The volume also contains essays on aspects of Ming art history and recent archaeological finds.

Dr Ernest Peake (1874-1950), the father of Mervyn Peake, was a newly qualified doctor when he was sent to China by the London Missionary Society in 1899, and he practised medicine in Hunan province and Tientsin until 1923. These memoirs describe his experience of 'the Celestial Empire' during a period that saw the violent end of Manchu rule and the start of the Chinese Republic. The memoirs are published here for the first time, with an introduction by Hilary Spurling.

Interpreting Japanese mandalas as sanctified realms where identification between the human and sacred occurs, the author examines 8th- to 17th-century paintings from three traditions: Esoteric Buddhism, Pure Land Buddhism and Shinto.

Jonathan Hay presents a richly illustrated, in-depth introduction to the visual arts of China during the Ming to mid-Qing period, c.1570-1840, focusing on artefacts made for the home rather than export market. With photographs and reproductions of 228 objects, including paintings, porcelain, metalwares, carvings and furniture, the text explores issues of materials and technique, patronage and taste, and the cultural role of the decorative arts.

The Tibetan way of life is changing fast, with new transport links and communications infrastructure bringing ever more tourists and technology. The environment itself is also in jeopardy as the region heats up and glaciers that feed important water sources flowing into China, India and Pakistan recede. This photographic portfolio presents studies of the striking people, landscapes and customs of Tibet with reference to how these modern threats are affecting the country's traditional devotional Buddhist culture.

Malaysia offers a striking variety of attractions for the visitor, from the high-rise skyline of the capital Kuala Lumpur to pristine beaches and rainforest trekking. Illustrated with colour photographs on every page, this attractive book gives an overview of Malaysia's geography, history, people, religion, arts and cuisine, before exploring both parts of the country: Peninsular Malaysia and East Malaysia, on the island of Borneo. Special features cover a wide range of topics, from festivals to street art.

Buddhism is a faith embraced by hundreds of millions of people, yet all that is known about its founder comes from a collection of ancient writings that fuse history, biography and myth. This concise but comprehensive introduction from the bestselling author of Fields of Blood (Postscript 25329) distils the chief events of Buddha's life and quest for enlightenment, illuminating the key tenets of the religion and the ideas of this most influential of spiritual thinkers.

Before giant robots, space ships, and masked super heroes filled the pages of Japanese comic books--known as manga--such characters were regularly seen on the streets of Japan in kamishibai stories. Manga Kamishibai: The Art of Japanese Paper Theater tells the history of this fascinating and nearly vanished Japanese art form that paved the way for modern-day comic books, and is the missing link in the development of modern manga.

Based around 90 masterpieces in the Seattle Art Museum, this book describes and illustrates paintings, ceramics, lacquer ware and screens, while accompanying essays discuss Japanese art from prehistory to the 19th century.

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Retracing the route of Mao's Long March, an international team of photographers compiled this spectacular volume revealing the monumental changes of the past 75 years, as villages have become cities, dirt tracks superhighways, and everywhere the buzz of industry and commerce fills the air. With a digital app to access additional audio-visual content on an iPad, this is a magnificent survey of China's landscapes and a tribute to the resilience of its peoples.

When the Jesuit missionary Antonio de Andrade set out from Agra in 1624, no European had visited Tibet and almost nothing was known of the country or its inhabitants. This book describes the travels and achievements of Andrade and four other Jesuits who made the long and perilous journey across difficult terrain and without maps. The final missionary is Ippolito Desideri, who stayed in Tibet from 1716 to 1721 and wrote a long and detailed account of the country.

A colourful and very accessible introduction to Chinese culture, this book comprises concise, well-illustrated and richly informative articles on aspects of the country ranging from natural wonders such as the magical Stone Forest to chop sticks. Beginning with cultural icons, including calligraphy, fengshui and the four auspicious creatures, the book has chapters covering architecture, festivals, daily life, arts and crafts, legends, famous historical figures and the performing arts.

The West's embrace of Buddhism, seemingly a relatively recent phenomenon, actually came about over the course of two millennia, despite the obstacles of language, cultural difference and colonial and post-colonial politics. From early exchanges between the ancient Greeks and Indian Buddhists to the current fascination with the Dalai Lama, Sutin describes how the West discovered that Buddhism offers teachings and practices which can be used within disciplines such as Western philosophy, psychology and politics.

This large-format, extravagantly produced volume presents a selection of colourful images by the Dutch photographer Hans Kemp, who has spent over 20 years taking photographs in Asia and the Far East.

This Teach Yourself guide is the ideal introduction to Chinese myth, covering little-known symbolic stories as well as the familiar dragons and astrology that are well embedded in popular culture. The author begins by explaining the background to Chinese culture and mythology, then goes on to explore the myths, retelling them in modern English and teasing out their meanings and cultural significance.

Part of the Introductions to Chinese Culture series, this book provides an accessible overview of sculptural art in China, including the Terracotta Army, Buddhist sculpture, tomb carvings, architectural sculpture, exchange with foreign cultures and sculpture in China today. Like all the books in the series, it is written by a noted expert in the field, well illustrated with colour photographs and offers an ideal introductory survey for both students and general readers.

One of the most influential artists working in the genre of ukiyo-e ('pictures of the floating world') in late 18th century Japan, Kitagawa Utamaro (c1753-1806) was renowned for his prints of beautiful women. In this book, Davis reinterprets Utamaro in the context of his times, reconstructing the place of the ukiyo-e artist within the world of the commercial print market. The study offers a new approach to issues such as the status of the artist and the construction of identity, gender, sexuality and celebrity in the Edo period.

Part of the Introductions to Chinese Culture series, this book covers the colourful history and development of distinctive Chinese crafts, including ceramics, furniture, clothing and decorative arts. Like all the books in the series, it is written by noted experts in the field, well illustrated with colour reproductions and photographs and offers an ideal introductory survey for both students and general readers.

After an introductory chapter on Japanese woodblock printing in the Edo period, its artists, schools and its influence on western art, this book presents around 90 masterpieces by key artists. The prints are in sections on beautiful women, landscapes, kabuki theatre and flora and fauna, and include such famous works as The Great Wave off Kanagawa by Hokusai, Kuniyoshi's powerful portrayals of Kabuki actors and Hiroshige's Carp and River Trout from his 'Collection of Fish'.

Originating with Tibetan warrior monks in the 15th century, the secrets of Sengueï Ngaro ('the lion's roar') were traditionally conveyed only in secrecy to a chosen few in the Kham region of Tibet. In this book the current guardian of the teaching explains the martial art, which combines bodily defence with advanced meditation, and describes its series of movements and techniques inspired by animal behaviour.

Heir to a banking fortune, Victor Sassoon (1881–1961) assembled one of the world’s most important collections of Chinese ivory carving from his base in Shanghai. This magnificent volume presents 350 artefacts from his collection, now held in trust for the citizens of the UK. Introductory essays explore the acquisition of these exquisite ornaments, figurines, screens and sewing boxes, which range from the 2nd millennium BCE to the 20th century, and place them in their historical and cultural context.

Recent fossil discoveries in China have been widely hailed as clear evidence that birds had their origins in ‘feathered’ dinosaurs. But Feduccia urges us to be cautious of such hyperbolic claims, which led to ‘the ascendency of a consensus view that has quickly evolved into a dogma’. In this reassessment of the data he critically analyses existing interpretations and methodologies, as well as offering his own theories about the evolution of birds and avian flight.

Banaras, or Varanasi, stands on the banks of the Ganges in the northern Indian state of Uttar Pradesh. One of the oldest continuously inhabited cities in the world, it is also the holiest in the Hindu religion. In these 249 photographs, the award-winning photographer Christopher Roche has captured the colours and energies of Banaras’ streets and temples, its sadhus or holy men, and the religious rites on the burning ghats of this great spiritual centre.

Eduardo Rubio Méndez spent three years travelling the globe in search of God or the gods, and the places where people commune with them. This book contains more than 300 of his magical photographs of the world’s holiest sites, from Stonehenge to the Australian outback, from Gothic cathedrals to the banks of the Ganges, from Mayan temples to the great mosques of Islam – along with the worshippers who seek meaning, redemption, transcendence and consolation in these sacred spaces.

Why did Rajastani court artists make the formal choices that characterize their tradition? In this series of in-depth studies, each illustrated with numerous reproductions of rare paintings, Aitken shows how traditional formal devices served as vital components of narrative meaning, expressions of social unity and sources of intellectual play; and she explores the relevance of Rajput court painting to contemporary art.