Presented in a sturdy, drawer-type box, these large postcards (160 x 115mm) feature 30 different designs based on illustrations in the RHS Lindley Library. While most of the postcards depict two or more peonies in shades of white, pink and red and a variety of butterflies, a few have an all-over design of smaller flowers and butterflies.

‘All knowledge, the totality of all questions and all answers is contained in the dog.’ Franz Kafka’s enigmatic words are one of the six quotations from great writers on the subject of dogs accompanying six cartoons on these amusing greetings cards. The cards are off- white with pen and ink drawings, and come in a box with white envelopes. Slightly off-mint.

Six animals - rabbit, sheep, goat, bear, fox and chicken - by the American artist and children’s illustrator Andrea Wisnewski are featured on these greetings cards. There are two of each colourful, whimsical design in a boxed set of 12 cards and envelopes. The cards are blank inside for your own message. Slightly off-mint.

Selected from the Faber Archive, 100 classic book covers are reproduced in this boxed set of postcards. One could have fun thinking of who to send Lord of the Flies to, and when might Anyone Can Cook be appropriate; or you could simply admire the distinctive cover designs and lettering by artists including Edward Bawden, Charles Mozley, Edward Ardizzone, David Jones, Barnett Freedman and Berthold Wolpe.

Reproduced from Fifty English Steeples by Julian Flannery, 16 pristine, meticulously accurate line drawings celebrate some of the finest medieval parish church towers and spires in England. Each of the high-quality, matt, pale-cream cards (white inside) has a different tower or spire. They are presented in a pale cream and purple box, with white envelopes.

This trio of 64-page notebooks - one with ruled pages, one with plain, one squared - have reproductions of artworks from the collections of the Royal Botanical Gardens, Kew, on their front covers. The ‘remarkable plants’ are fresh garden peas, breadfruit and bamboo.

The cover of each 64-page notebook features an example from the amazingly rich symbolism within the Book of Kells, whether conveyed by creatures such as the peacock, or the patterns of rectangles and lozenges symbolizing Christ and reflecting the medieval ‘quadripartite world’.

This boxed set comprises four cards each of four enlarged details from the manuscript: a peacock from St Matthew’s Gospel, and lions and peacocks from decorated initials. 16 Notecards with green envelopes.

With one of the manuscript’s many depictions of Christ with a peacock on the cover, this boxed set of high quality postcards shows 30 details from The Book of Kells, including miniature paintings of creatures among the lines of script, examples of the fine calligraphy and ornate initials, complex patterns, and portraits of biblical figures.

Presented in an attractive box, decorated with one of the peacocks from the Portrait of Christ, this set contains 20 notecards, each with a different detail from the manuscript, with envelopes.

Alice and the Mock Turtle, Brunhilde, and the Three Bears from Steel's English Fairy Tales are among these illustrations by the great Arthur Rackham (1867-1939).

Drawn from the Fitzwilliam Museum's collection, these bird studies by John James Audubon are reproduced from his magnum opus, The Birds of America (1827-38).

Courtesy of the Heath Robinson Museum, here are mad contraptions, but also people observed Rooftop Hiking and enjoying The Intellectual Summer Holiday.

The covers of these notebooks feature three decorated papers from the British Library collection: a late 19th century blue and white Japanese block printing; a colourful, dynamic example of 20th century European marbling; and an early 20th century Italian block printing in blue, black and gold. There are two larger notebooks (one lined, one plain) and a plain pocket-size book.

Three motifs - of flowers, lotus blooms and tassels - from Henry Wilson’s Pattern and Ornament in the Art of India (2012) are featured on the covers of these notebooks. The notebooks have 64 pages; one has ruled paper, one is plain, and the smaller notebook is also plain.

Printed on matt card, the designs on these notecards are reproduced from Henry Wilson’s Pattern and Ornament in the Art of India (2012). There are four cards each of four motifs: birds and foliage from Udaipur (black on turquoise); peacocks from the Great Stupa at Sanchi (magenta on olive); long-necked vases from Sikandra (black on yellow); and peacocks (grey on red) from Dungarpur. With turquoise envelopes.

The Bauhaus, Villa Savoye, Pompidou Centre, the Guggenheim in New York, Sydney Opera House and the Royal Festival Hall: six iconic works of modern architecture have been paper engineered by Corina Fletcher to pop up in these elegant, minimalist cards. Each card has a brief note on its featured building and the set of six are contained in a rigid grey and red folder. With envelopes.

Reproduced from An Anthology of Decorated Papers by PJM Marks (2015), these ten richly ornamented and marbled papers, originally used by bookbinders, are now held in the British Library. The book contains 10 sheets of wrapping paper (folded) with 10 matching gift tags.

The wrapping papers in this set were inspired by the colourful and almost abstract illustrations of herbs in Caz Hildebrand’s book Herbarium (2016). It comprises ten sheets of wrapping paper, all different designs, folded into the book and perforated to tear out easily, plus ten matching gift tags.

A frantic tabby flees down the runway in North by Northwest; the marmalade Lawrence of Arabia with startling blue eyes leads the way across the desert... These notecards feature ‘stills’ from 20 great movies, all with feline stars. The paintings by the very distinctive cat artist Susan Herbert (1945-2014) are drawn from her bestselling Cats Galore: A Compendium of Cultured Cats (2015). There are 20 blank notecards with envelopes. Boxed.

With hard covers featuring Parrot Tulips from Album van Eeden (1872) and bound in dark green linen, this attractive five-year diary (five years to page printed with the day of the month but not the weekdays) is based on Remarkable Plants That Shape Our World by Helen and William Bynum and is lavishly illustrated with drawings and prints from the collections of the Royal Botanical Gardens, Kew.

The delicate cover design of red woodland plants, deer and birds on cream is adapted from a 1933 textile design by Josef Hillerbrand for Edinburgh Weavers.

Piccadilly Circus is one of the Boat Race Day series of ceramic decoration designed by Eric Ravilious for Josiah Wedgwood and Sons in the late 1930s and now in the Wedgwood Museum. The oval picture is reproduced on the wallet, while the writing paper is pale cream with a tiny Eros at the top, and white on the reverse.

Drawn from the Warner Textile Archive, the attractive blue-and-white pattern of starlings and flowers that covers this set and decorates each sheet of the writing paper was created in about 1940 by the prolific designer and illustrator, Dora Batty (1891-1966). The writing paper and envelopes are white.

This book contains ten folded sheets of giftwrap (50x70cm) featuring reproductions of ten Fauve designs for home furnishings from around 1920. Plus information on the Fauve movement.

This set has reproductions of two very different pictures of owls: Owl on a Flowering Magnolia Branch, a Japanese woodblock print by Kubo Shunman (1752-1820); and Hibou Centrillard, a hand-coloured engraving from Henri Georges Meunier's Voyage en Abyssinie (1845-51).

The two artworks featured on these notecards - a hare and an owl - are by Jackie Morris, the author and illustrator of much-loved story books about animals, among them The Snow Leopard and The Song of the Golden Hare. The 10 notecards, five of each design, are presented in a card wallet, with envelopes.

The medley of birds on these cards is a design by the illustrator and writer David Lucas (b.1966), author of books including Lost in the Toy Museum, Grendel: A Cautionary Tale about Chocolate and, most recently, This is My Rock.

Taken from the British Library Collection, these pictures by Edward Lear (1812-1888) include the lines from the limericks they illustrate: 'He built a balloon to examine the moon' from 'There was an Old Man of The Hague'; and 'There was an Old Man on whose nose/ most birds of the air could repose. There are four cards of each design.

The wallet of this set is decorated with a collage of vintage book covers with titles such as Young England and Daring Deeds as well as the Boy's Own Annuals, from the Museum of English Rural Life at Reading University. A narrow panel from the collage forms the right-hand margin on the white writing paper.

With drawings from the collection of the Royal Institute of British Architects Library on their covers, these are attractive hardback journals. One features a section of the Grand Equatorial astronomical observatory in Nice, designed by Charles Garnier and Gustave Eiffel in 1892; the other reproduces examples of perspective drawings by James Malton (1800). Each journal has 200 lined pages, an internal pocket for loose papers and magnetic closure.

With drawings from the collection of the Royal Institute of British Architects Library on their covers, these are attractive hardback journals. One features a section of the Grand Equatorial astronomical observatory in Nice, designed by Charles Garnier and Gustave Eiffel in 1892; the other reproduces examples of perspective drawings by James Malton (1800). Each journal has 200 lined pages, an internal pocket for loose papers and magnetic closure.

A simple way to make your gift wrapping a work of art is to use paper designed by an artist. This book contains wrapping papers that are well-printed, semi-gloss reproductions of variations of the paisley pattern that were designed in 19th-century France and Scotland, and sport the distinctive teardrop motif. With introductions to the patterns' artistic context in English, German and French; and 10 folded sheets of 10 different designs (50x70cm).

These books contain wrapping papers that are well-printed, semi-gloss reproductions of period fabric designs: paisley motifs from 19th-century Scotland; traditional American quilt designs; French ‘Fauve' birds and butterflies from the 1920s, lush floral designs, and intricate floral patterns from provincial France. Each book contains 10 folded sheets of 10 different designs(50x70cm) and information on their artistic context. Text in English, French and German.

These books contain wrapping papers that are well-printed, semi-gloss reproductions of period fabric designs: paisley motifs from 19th-century Scotland; traditional American quilt designs; French ‘Fauve' birds and butterflies from the 1920s, lush floral designs, and intricate floral patterns from provincial France. Each book contains 10 folded sheets of 10 different designs(50x70cm) and information on their artistic context. Text in English, French and German.

These books contain wrapping papers that are well-printed, semi-gloss reproductions of period fabric designs: paisley motifs from 19th-century Scotland; traditional American quilt designs; French ‘Fauve' birds and butterflies from the 1920s, lush floral designs, and intricate floral patterns from provincial France. Each book contains 10 folded sheets of 10 different designs(50x70cm) and information on their artistic context. Text in English, French and German.

With their imaginative, modern designs, high-quality paper and careful printing, these wrapping papers will make presents look very special, but they are also suitable for all kinds of craft projects. Each book contains an introduction and 12 large sheets (50x70cm) of wrapping paper - one each of 12 designs - folded into the book and easily removed along perforations.

With their imaginative, modern designs, high-quality paper and careful printing, these wrapping papers will make presents look very special, but they are also suitable for all kinds of craft projects. Each book contains an introduction and 12 large sheets (50x70cm) of wrapping paper - one each of 12 designs - folded into the book and easily removed along perforations.

The Art Boxes share their cover design with The Art Book and contain fine, semi-matte notecards with images from that hugely successful sourcebook of art and artists. There are 25 different cards in each set, with reproductions of works by artists ranging from Fra Angelico to Gilbert and George and accompanying text on the back of each card. They are blank inside for personal messages, with red or blue envelopes.

The two designs featured on these cards - Umbrellas and Park Scene - are drawn from the archive of Wendy Bray, whose designs from the 1950s and 1960s, when she was textile designer with Courtaulds, now look very much in vogue. There are four cards of each design.

The pink and yellow rosette cover design is adapted from a furnishing fabric by James Morgan for Heal & Son Ltd in 1969.

In sections on types of plant, from trees to annuals and biennials, this handy notebook lets gardeners record plants’ names, where they were seen, suppliers, and planting positions. Plastic-coated cover and elastic closure.

In the later part of his career, Charles Rennie Mackintosh (1868-1928) left architecture and design in favour of watercolour painting, and particularly flower studies. This set of large notecards features four of his paintings: White Roses, Gilardia Walberswick, Anemones and Wild Pansy and Wood Violet. There are eight cards, two of each design, with white envelopes.