Part of the Introductions to Chinese Culture series, this book provides an accessible overview of theatre in China, from traditional Chinese opera and its many variations to drama without music in the 20th century. Like all the books in the series, it is written by a noted expert in the field, well illustrated with colour reproductions and photographs and offers an ideal introductory survey for both students and general readers.

When the unknown composer Leonard Bernstein (1918–1990) arrived in New York, he teamed up with three other brilliant twentysomethings: Jerome Robbins, Betty Comden and Adolph Green. By the end of the 1940s, they were world famous. This biography charts Bernstein's successes in 1944 with the Broadway musical On the Town and the ballet Fancy Free, and the attempts of these four visionary artists to break down the barriers between classical and popular music and promote a liberal political worldview.

Known now as a translator and author of dark tragedies, Chapman in his own time was admired as the creator of wonderfully original comedies for the theatre, and this play was one of the most popular of the Elizabethan era. Written in 1597, it was the English theatre's first 'comedy of humours', satirizing the attitudes, behaviour and social pretentions of contemporary men and women. This edition is part of the Revels Plays series. The text of the play has been edited from the original of best authority and is accompanied by an extensive introduction dealing with text, dating, the playwright, sources and stage history, plus annotation, collation and commentary notes and a glossary.

Widely regarded as the most elegantly structured of Lyly's plays, Love's Metamorphosis is based on the story of Erisichthon's felling of a grove sacred to Ceres from Ovid's Metamorphoses, but here it is love that exhibits the ability to change. The play was written for Paul's Boys and first performed in the 1580s.

First performed by Paul's Boys circa 1590, Mother Bombie is unique among Lyly's comedies in its urban setting and focus upon middle- and lower-class concerns. The complex plot turns on a tissue of misconceptions surrounding the efforts of four fathers to secure advantageous marriages for their heirs, and their servants' efforts to outwit them. This critical edition is part of the Revels Plays series. The text of the play has been edited from the original

Written for the King's Men and first performed in 1626, the year after Charles I came to the throne, Massinger's play explores the balance between public and private moralities, condemns tyranny and defends the theatre. It is edited here by Martin White, whose introduction discusses issues including Massinger's intervention in the political tensions of his time and his portrayal of the pleasures and perils of performance. This critical edition is part of the Revels Plays series. The text of the play has been edited from the original of best authority and is accompanied by an extensive introduction dealing with text, dating, the playwright, sources and stage history, plus annotation, collation and commentary notes and a glossary.

Part of the Introductions to Chinese Culture series, this book provides an accessible overview of one of China's most distinctive cultural traditions. Xu Chengbei traces the history of Peking Opera from its origins to the present day, and devotes chapters to its conventions and appreciation. Like all the books in the series, it is well illustrated with colour photographs and offers an ideal introductory survey for both students and general readers.