The Art of Winnie-the-Pooh
How EH Shepard Illustrated an Icon
Forming one of the earliest author and illustrator partnerships, AA Milne and EH Shepard worked closely together in the 1920s to create some of the world’s best-loved children’s characters. This illustrated volume reveals the depth of that partnership, and incorporates many of Shepard’s previously unpublished sketches, letters, photos and even a personal Christmas card. The real inspiration for Winnie-the-Pooh is revealed to be Shepard’s son’s teddy bear, Growler, still owned by granddaughter Minette Shepard, who provides the introduction.
The World of Raymond Chandler
In His Own Words
Despite his fame as an author of superlative crime fiction, Raymond Chandler (1888–1959) never wrote an autobiography. This volume fills the gap, setting passages of the novels and short stories alongside excerpts from Chandler's letters to friends, publishers and fellow authors. They reveal his insights on writing, language and style; his views on women, Los Angeles and his private eye Philip Marlowe; and his experiences in Hollywood working with such directors as Hitchcock and Billy Wilder. American-cut pages.
'Once more unto the breach, dear friends, once more.' This edition of Shakespeare's Henry V is a pocket-sized, hardback volume containing the complete and unabridged text of the play, an introduction, a glossary of Shakespearean vocabulary and a bibliography. Published in the Collector's Library series, the book is linen-bound, with gilt-edged pages and a silk marker.
Othello, The Moor of Venice
This edition of Othello, the great tragedy of 'the green-ey'd monster', is a pocket-sized, hardback volume containing the complete and unabridged text of the play, an introduction, a glossary of Shakespearean vocabulary and a bibliography. Published in the Collector's Library series, the book is linen-bound, with gilt-edged pages and a silk marker.
This edition of the Scottish Play is a pocket-sized, hardback volume containing the complete and unabridged text of the play, an introduction, a glossary of Shakespearean vocabulary and a bibliography. Published in the Collector's Library series, the book is linen-bound, with gilt-edged pages and a silk marker.
Ways of Life
On Places, Painters and Poets: Selected Essays and Reviews 1994–2008
The former Poet Laureate Andrew Motion is also an illuminating critic. This selection of articles includes pieces on Thomas Hardy, Christina Rossetti and John Betjeman, alongside a touching account of a journey to the battlefields of Normandy with his father.
Shades of Difference
Mythologies of Skin Color in Early Modern England
Sujata Iyengar’s term ‘mythologies of color’ refers to a complex of early modern beliefs surrounding the significance of skin colour, whether white, black, red, green, yellow or transparent. She explores these cultural mythologies in their historical, geographical and literary contexts during the period when colonial expansion and the slave trade introduced Britons to more dark-skinned persons than they had previously encountered.
The Humanist Comedy
Since the time of the ancient Greeks, authors in the Western literary tradition have applied a sceptical or contrarian perspective to religious beliefs and practices by using the freedom ceded to comedy. This study, which ranges from Aristophanes through Erasmus and Molière to the Nobel Prize-winning José Saramago, charts the history of such humanist humour and its use as a means of making room for multiple points of view and easing the negotiation of differences.
Hail and Farewell!
Ave, Salve, Vale
In 1901, George Moore, the celebrated author of Esther Waters , returned to his native Dublin at the height of the Irish Literary Revival. First published in 1911, his monumental Hail and Farewell! profiles the movement’s leading figures, including WB Yeats, Lady Gregory and JM Synge, charts the development of the Abbey Theatre, and illuminates the literary, artistic and musical tastes of the period. This new edition provides notes explaining many references familiar to the book’s original readers but now obscure.
Robert Mannyng of Brunne
The Chronicle by Robert Mannyng of Brunne (fl.1288–1338) is a history of the British people in English verse; Part I is a translation of the French Roman de Brut of Wace (1155); Part II is from the Anglo-French chronicle of Peter of Langtoft. This scholarly edition of the text, with introduction, notes and glossary, aims to make the work more accessible and facilitate a reappraisal of Mannyng as an important translator of Anglo-French literature. No jacket.
The Sherlock Holmes Miscellany
Reflecting on the appeal of Sherlock Holmes in 1946, the editor of The Baker Street Journal described Conan Doyle's creation as 'Galahad and Socrates, bringing high adventure to our dull existences and calm, judicial logic to our biased minds'. For fans old and new, this little book is full of all things Holmesian – from Sidney Paget's original illustrations in The Strand to Benedict Cumberbatch's modern interpretation of the great detective.
Gabriel Garcia Marquez
In this book from the Critical Lives series, Stephen Hart provides new insight into the life and work of the Colombian Nobel Laureate Gabriel García Márquez (1927–2014) and describes how the political struggles of Latin America influenced his writing, from One Hundred Years of Solitude (1967) to Memories of My Melancholy Whores (2004).
In Her Own Words
Her warm humour, sympathy, curiosity about human nature and eye for detail make the novels of Maeve Binchy (1940–2012) hugely appealing. These virtues are all shared by this selection of articles from The Irish Times, which chart her life from her early career as a waitress to the pains of old age. Whether meeting Samuel Beckett, reporting tragedies or recounting an amusing anecdote of small-town life, they are as compelling as her fiction. Felt-tip mark on lower trimmed edge and American-cut pages
Ethics and Power in Medieval English Reformist Writing
In an in-depth study of the late medieval practice of fraternal correction of sin, Craun examines how it was constructed in pastoral writing and, looking particularly at Piers Plowman and The Book of Margery Kempe, how it was used by writers intent on reform.
Shakespeare: Staging the World
Staging the World
Shakespeare's plays still enthral us four centuries after they were written, but what fed his imagination? Beautifully illustrated with more than 200 paintings, sculptures, artefacts and documents, this catalogue of a joint British Museum-Royal Shakespeare Company exhibition explores the London of 1612, the Gunpowder Plot, English views of Venice, of Moors and of Jews, and the 'brave new world' beyond the Atlantic, bringing to life not just the texture of Shakespeare's times, but the ideas that were in the air.
WH Auden Prose
Volume Three: 1949-1955
The poet WH Auden was also a prolific and accomplished writer of prose. This volume includes every piece he wrote between 1949 and 1955 - more than 100 essays, reviews, introductions and lectures. Their variety of style and subject is almost inexhaustible, covering opera, ballet, cinema, poetry, cartoons, religion and politics, and writers as diverse as Virginia Woolf, Graham Greene and JRR Tolkien. Mendelson's introduction and notes place the pieces in their biographical and historical context.
Selected Writings 1993-2013
Amit Chaudhuri is one of India's finest novelists writing in English today. This collection of his non-fiction, written for publications such as Granta and the Times Literary Supplement, displays all his characteristic elegance and quirky humour. Endlessly curious, he ranges over topics from a plane hijack to playing 'Cowboys and Indians' as a child in Bombay, and from Leonard Cohen to the strange resemblance between Walter Benjamin and a familiar type of Bengali intellectual.
The Charleston Bulletin Supplements
The Sussex farmhouse of Charleston was home to the painter Vanessa Bell and her family, and a regular haunt of their Bloomsbury Group friends. In 1923, her sons Quentin and Julian founded a family newspaper to record the comings and goings there. Who better, then, to write for it than their aunt Virginia? Charming, gossipy, irreverent and funny, her contributions are transcribed here for the first time, along with some 40 of Quentin's illustrations.