Social & Industrial History
A Venetian Affair
As the glory of Venice faded, the scion of one of the city's oldest patrician families fell in love with the beautiful, illegitimate 16-year-old daughter of a British father and an Italian mother. Recreated from the lovers' clandestine letters, this true story has all the drama, passion and intrigue of a novel. Against a glittering backdrop of 18th-century salons, casinos and masked balls, it vividly recreates the pain and exhilaration of forbidden love. Off-mint and felt-tip mark on lower trimmed edge.
A Cultural History of Dustmen, 1780–1870
In this first study of the cultural representation of the dust trade during the 19th century, Brian Maidment shows the ways in which London dustmen were associated with ideas of contamination, dirt, noise and violence. He uses literary, dramatic and graphic evidence to explain how the image of the dustman emerged from late 18th-century assumptions about his work and habits, and discusses Dusty Bob's appearance in the work of Victorian caricaturists, social analysts and writers, notably Mayhew and Dickens.
Murder and Morality in Victorian Britain
The Story of Madeleine Smith
This study of the case of Madeleine Smith, a young, middle-class Glaswegian woman arrested for murder in 1857, examines contemporary perceptions of the case and what this tells us of Victorian life, morality and gender relations. Gender in History series. No jacket.
Sweet Water and Bitter
The Ships that Stopped the Slave Trade
In 1807, the British Parliament abolished slavery throughout the Empire. The trade in human misery did not stop, however, as other countries - and illegal slavers - continued to abduct people from the coasts of West Africa. Combining meticulous research with narrative verve, this compelling book tells the story of how, in six decades of dramatic and daring action on the high seas, the Royal Navy's 'Preventative Squadron' liberated 150,000 Africans at the cost of 17,000 of its own men.
North East England 1945–2000
Natasha Vall considers how new post-war cultural institutions, such as the regional arts boards and local broadcasting, presented challenges to the hegemony of vernacular traditions in north-eastern England, which metropolitan officials considered a 'cultural desert'. She also discusses the part played by new galleries, music venues and theatres in urban riversides' renewal, focusing on Gateshead, which was long overshadowed by Newcastle but by the end of the millennium was widely acknowledged as a successful culture-led regeneration.