The Middle Ages in Modern England
Michael Alexander’s study traces the evolution and course of the Medieval Revival, from the literature of the 1760s through to the writings of Waugh, Auden and the Inklings in the mid-20th century. He considers its influence beyond literature, looking at architecture, art and religion.
The term ‘wasteland’ can refer to land that is unoccupied and unmodified by human civilization, but it is also applied – with increasing frequency – to land left abandoned, polluted or damaged by industrial or military activity. This illustrated cultural history explores that shift in meaning and the concept of landscape underlying it, tracing the change in perception back to ‘a particular convergence of beliefs, technologies, institutions and individuals’ in 17th- and 18th- century Britain.
London and the Making of the Permissive Society
Did sex really begin, as Philip Larkin wrote, in 1963? This groundbreaking cultural history challenges the orthodox view and uncovers the first stirrings of the sexual revolution amid the austerity of fifties London. Conducting the reader on a peephole tour from Whitehall to the fleshpots of Soho, it shows how a series of scandals involving murder, espionage, prostitution, blackmail and homosexuality reshaped public and private behaviour, and captures a key moment in the making of modern Britain.
Conflict in Early Modern England
Described by one reviewer as 'wonderfully mischievous', this study argues against the view that people in early modern England assumed patriarchy to be natural and necessary, and that the 'public man', 'private woman' distinction explained the political subordination of women. Showing how conflict rather than patriarchal accord was pervasive in households as husbands, wives and servants struggled for authority, Herzog conjures up 'a social world full of ornery, funny, sickening, and lethal controversies about gender, misogyny, public and private'.
Informal Justice in England and Wales, 1760–1914
The Courts of Popular Opinion
Examining ‘unofficial justice as visited upon malefactors by the collective actions of private citizens’, Stephen Banks gives a scholarly account of public shaming rituals, or ‘rough music’, and the punishments imposed for crimes such as wife-beating or informing.