Social & Industrial History
The Story of an Island
In her prologue to this much-acclaimed study, Dressler writes of Eigg, ‘From the fierce struggles in clan times to the bleak period of famine and emigration, through to the modern-day fight to maintain a viable crofting community, the island has always been a microcosm of Highland history’. Drawing on oral history, legend and song, and written sources, Dressler’s book covers the story of the island from the coming of the Celts to life on Eigg since the 1997 community buy-out.
A Series of Original Portraits and Character Etchings
Previously a surgeon-barber, John Kay (1742–1826) set up shop as a portrait etcher in Edinburgh in 1785. Published in 1837–8 and commonly called Edinburgh Portraits, this work presents, in no particular order, around 300 of Kay's etchings of people from all walks of Edinburgh life, with 'biographical' sketches and 'illustrative anecdotes' by James Paterson. These volumes are facsimiles of the first edition. Limited edition of 600. Slipcased.
None Dare Oppose
The Laird, The Beast and the People of Lewis
In 1844, James Matheson, having made his fortune selling opium in China, bought the Isle of Lewis, but left the island in the charge of his 'chamberlain', an unscrupulous lawyer named Donald Munro. This book reveals how Munro seized civic, legal and industrial power in the community, which he ruled with monstrous brutality – and how the islanders rose up and brought about his downfall.
Moustaches, Whiskers & Beards
The extravagant whiskers of prominent Victorians such as Charles Darwin and WG Grace seemed impossibly archaic until the recent 'hipster' fashion reinvented the wearing of long beards for young men for the first time since the hippies of the 1960s. This book traces the history of fashions in facial hair from the ancients to the present day.
Peace and War:
Britain in 1914
This discerning cultural history presents a portrait of a nation on the eve of war. While it details the social and political issues of the day, including the Ulster crisis, suffragettes, labour disputes and the anxiety of approaching war, it also highlights the nascent modernism of contemporary artists and poets, including Ezra Pound and Wyndham Lewis, who anticipated the end of the Edwardian era and the ‘cosy certainties’ that belied the social conflicts of a troubled Britain.