Social & Industrial History
An inspiration to preserve what remains, this volume draws on the photographic collections of the Irish Architectural Archive to present a substantial sample of Ireland's lost built heritage. The book is arranged geographically and shows buildings and thoroughfares that range from dry-stone huts, workers' terraces and open markets – bustling with life in 19th century photographs – to grand houses and even castles, including John Nash's Gothic-revival masterpiece at Clogheen, 'destroyed by malice and indifference in 1957'.
A Photographic History
South Asians coming to Victorian Britain tended to be soldiers or domestics serving the Empire or the elite seeking education, but later mass migrations from the subcontinent, East Africa and the Caribbean started to forge a uniquely British Asian culture. Mixing images of ordinary people facing the challenges of living and working in their new home with political figures, activists, pioneers and celebrities, this photographic collection charts the experiences of Asians in Britain from the late 19th century to the present day.
Historic Views of London
Photographs from the Collection of BEC Howarth-Loomes
The collector BEC Howarth-Loomes assembled an extraordinary library of prints of London in the 19th and early 20th centuries. The hundreds of images reproduced in this book depict not only landmarks such as St Paul's, Westminster Abbey and the Houses of Parliament, but the commercial life of the city, its bridges thronged with horse- drawn traffic and its expanding suburbs. Richly evocative of a vanished age, they are full of interest for lovers of old London and social historians alike.
The Poor Man's Picture Gallery
Stereoscopy Versus Paintings in the Victorian Era
Popular Victorian paintings were often reproduced as engravings, but photographers also recreated the scenes with actors, to produce stereoscopic cards for commercial sale. Originally published to accompany the exhibition at the Tate Gallery, this slipcased volume explores the relationship between paintings, popular illustrations and cartoons (such as those published in Punch), and 3D stereo photographs. It also includes a stereoscope to view the examples, which are mainly drawn from the collection of Queen guitarist Brian May.
Memory of a Free Festival
The Golden Era of the British Underground Festival Scene
Beginning in the early 1960s with jazz festivals and CND marches, and following the counter-cultural free festival movement up to the early days of the Glastonbury Festival, Sam Knee’s collection of posters and informal photographs shows how, through music and protest, ‘previous generations coped and remained creative throughout political turmoil and state oppression’.