Founded in Paris after the Second World War, the photographers’ collective Magnum has boasted some of the world’s leading photojournalists among its number ever since. With accompanying historical commentary and an introduction by New Yorker journalist Jon Lee Anderson, this book presents the images of 42 of Magnum's celebrated members, including Josef Koudelka and René Burri, recording the drama of 30 popular revolutions, from Hungary and Cuba in the 1950s to the Arab Spring of 2011.

The first photographic nudes of the mid 19th century took their cue from classical sources, but as the medium developed, artists such as Alfred Stieglitz and Edward Weston developed new ways of looking at the human form. This well-curated survey is drawn from the collection of the J Paul Getty Museum and contains 78 works by artists ranging from Thomas Eakins and Man Ray to Diane Arbus and Robert Mapplethorpe.

In 1970s London the photographer Peter Gravelle shot portraits of The Sex Pistols, The Damned, Siouxsie Sioux and other punk icons. But the death of Sid Vicious convinced him to switch to fashion, beginning in 1980 with a shoot for Italian Vogue. This collection of Gravelle’s uncompromising and often experimental work also features personal musings on his relationships and career, both derailed by an addiction to heroin which would dominate his life. Contains graphic images and sexually explicit.

Many of the great names in the history of photography worked in black and white, but digital cameras have, to some extent, relegated its use to a post-production effect. This manual promotes the subtleties and creative possibilities of working in monochrome, combining practical advice on manipulating digital images with insights into how to conceive scenes in black and white and consideration of the tradition of the medium, using examples of artists such as Ansel Adams and Bill Brandt.

From 1955, when Edward Steichen’s touring exhibition The Family of Man opened in West Berlin, and Bertolt Brecht’s Kriegsfibel (‘War Primer’) was published in the East, to the 1980s, this study examines five documentary projects by photographers Karl Pawek, Evelyn Richter, Rudolf Schäfer, Bernd and Hilda Becher and Michael Schmidt, looking at their work in relation to a world transformed by the Holocaust and the ideological, cultural and technological impact of the Cold War.

The Hungarian photographer Lucien Hervé (1910–2007) was an athlete in Hungary and a fashion designer in Paris before turning to photography in 1938. In 1949 he was commissioned to do an article on Le Corbusier’s Unite d’Habitation in Marseille and began the long collaboration with the Modern Movement pioneer which made Hervé the photographer of choice for many architects. In this volume, over 150 photographs – of architectural and other subjects – accompany a biographical and critical essay by Olivier Beer.

Although his photographic training was minimal, photography was the first medium which Robert Rauschenberg explored, the first in which he gained recognition, and it remained integral to much of his work. This first in-depth presentation of Rauschenberg’s photographs includes images documenting the creation of other works or destined to be integrated into the Combines series, as well as photographs of family, friends (notably Cy Twombly), New York and people and places in Europe and North Africa.

From the success of Roman Holiday in 1953, the arrival of the film industry in Rome and the release of Fellini’s La Dolce Vita in 1960, a new breed of celebrity-scoop photographers emerged, the paparazzi, with Elio Sorci at the forefront. A virtual who’s who of 1960s and 1970s cinema, this portfolio of Sorci’s work includes his famous ‘kissing picture’ that confirmed the love affair between Elizabeth Taylor and Richard Burton on the set of Cleopatra.

James Ayres’s study of apprentice painters and sculptors in Britain and North America before the foundation of formal art academies in London in 1768 and Philadelphia in 1805, describes the relationship between art and the various trades from which most artists emerged.

Analysing the lives and work of four artists in 15th-century Italy – Alessandro Botticelli, Domenico Ghirlandaio, Pietro Perugino and Filippino Lippi – Michelle O’Malley explores the impact of economics on Renaissance art. She looks at how the growing demand for art exerted pressure on these sought-after painters who all produced high volumes of work; how they maintained quality; and how judgements made under economic pressures can be traced in specific paintings.

Subtitled 'or the Art of Representing all manner of Objects as they appear to the eye in all Scituations', this treatise by the French mathematician Bernard Lamy (1640–1715) was published in Paris in 1710. The English translation presented here was published in the same year. This book is from the Archival Facsimile series of reprints of first or important editions in the British Library. Although published in 1987, this is a new copy. No jacket.

Part of the Art in Context series, this comprehensive sourcebook collects 234 texts (with supporting apparatus) from across the whole range of Surrealist writing and art criticism, from precursors such as Rimbaud and Jarry, through the key writings of Dadaists and Surrealists including Francis Picabia, André Breton, Antonin Artaud and Louis Aragon, to the post-war years 1945–67, with extracts from de Chirico and Duchamp.

An association with the sculptor Henry Moore led Gemma Levine into a career as a photographer, making portraits of many of the most influential figures in British life in the 1980s and 1990s, including Princess Diana, Robert Maxwell and Margaret Thatcher. Part autobiography, part portfolio, this book explains her early work with Moore and her travels across Israel in the 1970s, and presents the best of her portraits with anecdotes about the sitters.

From 1967's ‘Summer of Love’ to the end of the 1960s, Baron Wolman was a San Francisco-based photojournalist working for Rolling Stone – and at the centre of a cultural revolution. This volume is his photographic record of the era’s musicians and festivals.

At the core of this photographic collection are the images taken by the author during the 1960s, charting everyday events and people in his life. The addition of a variety of facsimiles of period ephemera, including excerpts of magazines, advertising and tourist brochures, and the fact that the Beatles’ manager, Brian Epstein, was the author's cousin and appears in a number of the images, make this an unusual and fascinating evocation of the period.

From László Moholy-Nagy writing on avant-garde photography in the 1920s to Joanna Sassoon’s discussion of the negative effects of digital reproduction of ‘material’ photographs, Sri-Kartini Leet presents over 100 extracts arranged by 18 themes including portraiture, the nude, commercial practice, landscape and the photograph as a cultural document. Leet introduces each chapter and provides notes setting every selection in context and briefly profiling its author.

Whatever his subject matter, rubbish bins or the human body, Edmund Teske (1911–1996) used the medium of photography – its film, chemistry, optics and mechanics – to create serious, reflective and often composite works of art. This volume accompanied an exhibition of his photographs at the J Paul Getty Museum in 2004. As well as over 110 illustrations, the book contains Julian Cox’s biographical and critical essay and an interview with Teske’s close friend of 30 years, the artist George Herms.

Elizabeth Edwards's study of the nature of photography and its role in the historical imagination focuses on the British photographic survey movement of the late 19th and early 20th centuries. Her research has uncovered 73 of these surveys and looks in detail at 17, exploring a body of work that includes images of buildings, cultural events and traditions, working life and soldiers, but which has been largely ignored by historians of photography.

Paul Nash was 41 in 1930 when his wife Margaret gave him a Kodak pocket camera; between then and his death in 1946, Nash took around 1,200 photographs. Some were snapshots, some were studies for paintings, most display what fellow artist John Piper described as Nash’s ‘economical and obsessive’ eye. This book explores this aspect of the artist’s work, with 138 photographs depicting subjects as varied as standing stones, wrecked aircraft, fallen trees and the White Horse at Uffington.

Once-impressive residences, enormous industrial facilities, schools, hospitals, castles and churches are sometimes left to decay; too big, remote or historically important to dismantle and too expensive or impractical to inhabit. Finding the poignant and beautiful in the empty carcasses of such buildings and their abandoned contents, this book presents photographs of forgotten chateaux, factories, asylums and public buildings in Britain and Europe, from an Italian aristocrat's Moorish fantasy to a sinister Belgian 'correction centre'.

One of the first female members of the Magnum Photos agency, Inge Morath was at her most prolific during the 1950s and 1960s, travelling widely for magazines such as Life, Vogue and Paris Match. This collection of her work focuses on the style and fashion of the period in England, France and America, and ranges from street scenes and society parties to portraits of famous models, couturiers and actresses.

From its first issue in March 1949, Paris Match magazine has run features on artists, 'eavesdropping' on painters and sculptors as they worked in their studios or relaxed in private.This volume opens the magazine's photographic archive to present almost 150 photographs, including portraits of artists, their models and a whole chapter devoted to Chagall at work on the Opéra Garnier ceiling in 1964, as well as the revealing images of artists making art and posing with their finished works.

On 3 March 2011, a powerful earthquake shook northern Japan, killing more than 15,000 people and triggering a tsunami that sent the Fukushima nuclear plant into meltdown. Five years later, survivors were allowed to revisit the evacuated town of Tomioka. Rebecca Bathory accompanied them into the exclusion zone. Her photographs of abandoned streets and schoolrooms vividly convey the human cost of the disaster, and offer a stark warning for the future.

Born in the Bronx, Margaret Bourke-White (1904–1971) was a pioneering photojournalist who had, in her own words, 'an insatiable desire to be on the scene when history was being made'. With essays by Rubio and Quimby, this book brings together some of the images she captured at key moments of the 20th century, among them Germany and the USSR in 1930–32, Czechoslovakia in 1938, the opening of Buchenwald concentration camp and Germany in the aftermath of war, 1945.

A selection from the English Heritage archive of some 25,000 photographs taken by professional architectural photographers Bedford Lemere between the 1870s and the late 1920s, this volume focuses on the period after 1890 and offers a view of Britain at the height of its wealth and power. Accompanied by Cooper's introduction, the photographs are arranged by themes, including public buildings, commerce and industry, transport and technology, leisure and entertainment and life at home during the Great War.

Sarah Acland was inspired to take up photography by her acquaintance with artistic luminaries such as John Ruskin and Dante Gabriel Rossetti. Following in the footsteps of Julia Margaret Cameron, whom she also knew, Acland became an important pioneer in the field of colour photography. This catalogue of her work includes the influential photographs she made using the Sanger Shepherd and Autochrome processes. Her subjects include Oxford scenes, architectural and nature studies, and portraits of people in her circle.

The Tibetan way of life is changing fast, with new transport links and communications infrastructure bringing ever more tourists and technology. The environment itself is also in jeopardy as the region heats up and glaciers that feed important water sources flowing into China, India and Pakistan recede. This photographic portfolio presents studies of the striking people, landscapes and customs of Tibet with reference to how these modern threats are affecting the country's traditional devotional Buddhist culture.

Using predominantly large-format film cameras, Peter Watson's landscape photographs are rich in detail and he is meticulous in planning a scene before committing it to film. This portfolio masterclass offers advice for the outdoor photographer working in any format, discussing creative responses to the landscape, lighting and composition, exploring Watson's own thought processes and methods and deconstructing more than 75 of his sumptuous images.

In addition to the technical details of how each of the landscape photographs in this book was achieved, Peter Watson records the time he spent, once in position, waiting for the perfect light; often several hours. Watson uses large-format (4x5in) cameras and outlines his meticulous approach, exploring different landscape environments from rivers and woodland to mountains and coastlines, and describing how he sets about creating his compositions and controlling the light to realize his vision.

Born in Paris in 1928, Elliott Erwitt grew up in Milan, and emigrated to New York in 1938, but he was a frequent visitor to his birthplace and photographed the city with a rare visual wit, producing what Adam Gopnik describes as ‘the artful, ballet-based comedy of a Jacques Tati’. This volume of 170 photographs taken between 1949 and 2009 shows us Erwitt’s Paris and his favourite Parisians: walkers, waiters, museum-goers, lovers and dogs.

In October 1956, the Hungarian people rebelled against their Soviet overlords; by 4 November, the revolt had been brutally crushed, leaving thousands dead and a quarter of a million in exile. Erich Lessing (b.1923) was the first Western photographer on the scene: accompanied by short essays on the revolution, the 150 images reproduced here capture the hope and despair of the short-lived uprising.

The photographer Horace Poolaw (Kiowa, 1906–1984) was born near the Wichita Mountains in the Oklahoma and Indian Territories, which became the state of Oklahoma in 1907. In photographs taken between the 1920s and 1950s, he captured images of his community; a people in transition, but preserving its culture within modern America. This book, published to accompany an exhibition at The National Museum of the American Indian, presents over 150 photographs and several essays by Native American writers and scholars.

In her foreword, Harper’s editor-in-chief, Glenda Bailey, writes, ‘You can become a good model with a perfect body, but to become a great model you need a unique face’. With over 200 photographs by some of the greatest fashion photographers, this volume presents the stories of 28 women whose faces, poise and ability to switch personas made them the most sought-after models of the last 60 years, from Dovima and Suzy Parker in the 1950s to Naomi Campbell and Kate Moss in the 2010s.

In 1912, trainee priest Frank Browne was given the unusual present of a trip on the Titanic from Southampton to his native Ireland. The photographs he took demonstrate the talent he had been honing since first acquiring a camera as a teenager. This portfolio of his documentary images mainly depicts life in Ireland between the 1920s and 1940s, but also includes photographs taken while serving in the First World War, and pictures from a trip to Australia in 1924.

This strikingly original book offers dizzying images and hair-raising stories collected by a team of intrepid urban explorers who climbed without permission to the tops of gasholders, council blocks, communications antennae and corporate ‘starchitecture’. The result of the team’s expeditions is a series of astonishing views that most people will never see outside these pages, celebrating the stark poetry of London’s ever-changing skyline and reclaiming the city’s hidden spaces before the developers ‘rip the heart and soul out of them’.

Duality is the theme running through Xavier Roy’s magnificent photographs of Egypt. Images of ancient Egyptian civilization are echoed in photographs of modern-day Egyptians – or a relief of Horus stands alongside a real hawk – while landscapes capture unchanging scenes such as feluccas on the Nile. The 145 monochrome photographs are introduced by Gamal al-Ghitani.

Cecil Beaton (1904–1980) became famous for his society portraits in the 1920s and went on to photograph people in all walks of life – from royalty to rock stars. This volume presents more than 120 of his portraits, accompanied by the photographer's written observations or reflections on his sitters. His thoughts are often wicked – John Betjeman is described as 'an Edwardian vaudeville tramp' – but always compelling as notes from Beaton's vast experience of the worlds of society, art, literature and performance.

Aimed at students, and illustrated with images from photographers such as Fay Godwin, Mark Power and Michael Wolf, this guide explores the rich and diverse history of landscape photography and the ways in which contemporary photographers engage with their surroundings. The book also demonstrates how to explore themes and communicate ideas visually; provides practical advice on composition, lighting and lenses; and includes discussion questions and assignments to track your progress. Required Reading Range series.

Launched in 1936, Life magazine created a new kind of visual journalism, using the world's best photographers to bring readers the drama of events, introduce them to the people making the news and show them the wonders of the world. This collection presents its 100 most iconic pictures, among them Eisenstaedt's VJ Day image of a sailor kissing a nurse in Times Square, Robert Capa's 'Falling Soldier' from the Spanish Civil War, and the portrait of Gandhi by Margaret Bourke-White. Includes 25 removable 10 x 8 inch prints. Off-mint.

Oscar Marzaroli (1933–1988) was Scotland's most prestigious photographer of the 20th century, renowned for his images of Glasgow, and particularly the Gorbals, in the throes of urban renewal. This volume brings together a selection of those iconic photographs along with previously unpublished pictures, including many of friends and family, a sketch biography by his widow, and essays examining less familiar aspects of Marzaroli's work in portraiture and landscape.

The most widely read British poet of the 20th century, Philip Larkin was also a gifted amateur photographer. This handsome book reproduces the best of his images in short, thematic chapters arranged in chronological order to form a visual biography, capturing the places and people - including his lover Monica Jones and his friend Kingsley Amis - that meant the most to him. These haunting pictures are infused with the poignancy of everyday life that also informs his verse. Off-mint.