The Cult of Nature in Italian Design
This is the catalogue of an American exhibition on the manifestation of the 'Liberty style' of the early 20th century in the decorative arts of Italy. The First International Exposition of Modern Decorative Art, held in Turin in 1902, was the starting point for the evolution of the style in the country, largely through the work of the furniture-maker and entrepreneur Agostino Lauro (1861–1924). His creations are among those illustrated here, alongside preparatory drawings, contemporary photographs and other items from the archives.
Designing Modern Britain
Cheryl Buckley's history of British design culture examines how design and society have interacted from the end of the 19th century to the beginning of the 21st, and explores the connected themes of modernity and identity. Among the issues discussed are the spread of international modernism in Britain, the rise of eco-conscious design, the role of galleries and retailers, the celebrity designer and the influence of the heritage industry.
The Mackintosh Style
Decor & Design
Elizabeth Wilhide begins this study of Charles Rennie Mackintosh (1868–1928) and his achievements in architecture and design by looking at how influences such as the Arts and Crafts and Aesthetic movements were forged into a new style and a ‘unique vocabulary of design and decoration’. The book goes on to give a detailed and richly illustrated account of buildings and interiors by Mackintosh, including The Glasgow School of Art, Windyhill, The Hill House and the Willow Tea Rooms.