Vogue: The Shoe
Award-winning journalist Harriet Quick describes shoes as objects of ‘fascination, status and desire’ in this lavish volume, presented in an embossed box with a ribbon bookmark. Over 300 images by British Vogue photographers spanning from 1920 to 2015 are organized into five themed chapters including ‘Cinderella’, with bejewelled pumps by Manolo Blahnik, and ‘Fetish & Fantasia’, featuring Jean-Paul Gaultier’s corset-laced, thigh-length boots.
50 Shoes that Changed the World
The Design Museum
From the production of the world’s first plimsoll (1830s) to the Melissa shoe – designed by architect Zaha Hadid (2008) – via winkle-pickers, desert boots, flip-flops, crocs, heelless boots, ballet pumps with heels and the Electric Light Shoe (which is actually a sculpture), here are 50 shoe designs that have made an impact. Each entry in the guide is photographed and described in the context of its significance on the shoe-design timeline.
50 Bicycles That Changed the World
The Design Museum
The 50 bicycle designs in this collection progress through history from penny-farthings and Flying Pigeons to electric bikes. Including sharing schemes, folding, racing and trials bikes, this guide celebrates the most popular form of transport ever created. Slightly off-mint.
French artist Mirka Lugosi creates a surreal fetishist dreamworld in this collection of her paintings and drawings. The pocket-sized artist's book presents 50 icon-like, fantasy pictures of unsettling mysterious locations, erotic paraphernalia and women exposing themselves. The images are accompanied by poetic texts by Marie-Laure Dagoit. Sexually explicit.
Dole Queues and Demons
British Election Posters from the Conservative Party Archive
A unique blend of graphic design, bold artwork and cunning psychology, election posters are an unsung art form. Drawing on the Conservative Party archive at the Bodleian Library, this lavishly illustrated book charts 100 years of political advertising, lampooning opponents from Lloyd George to Tony Blair. Its ten chronological chapters chart the political history of Britain, changing ideologies and social attitudes, and fashions in advertising. A foreword by communications guru Maurice Saatchi discusses the posters from a design perspective.