Shirley Craven and Hull Traders
Revolutionary Fabrics and Furniture 1957–1980
Under the direction of the designer Shirley Craven (b.1934), Hull Traders was one of the most innovative and influential textile studios of the 1960s; its bold, vivid patterns perfectly captured the exuberance and iconoclasm of the era. Published in conjunction with an exhibition at Ferens Art Gallery, Hull, this stylish book celebrates a remarkable creative partnership, and reproduces more than 125 vibrant fabrics by such celebrated artists as Eduardo Paolozzi (1924–2005), Ivon Hitchens (1893–1979) and Althea McNish (b.1933).
In 1933, Stephen Tallents, who had been working on posters for the Empire Marketing Board, joined the General Post Office (GPO) to revitalize its public relations and advertising campaigns. He was to become a major patron of art and design, commissioning work by designers such as Edward McKnight Kauffer, Lewitt-Him and Frank Newbould. This volume describes the major personalities and themes of Tallents’s ambitious project.
Edward Bawden and Eric Ravilious
Published in association with the Fry Art Gallery in Saffron Walden, this book originally accompanied an exhibition of the design work of Edward Bawden and Eric Ravilious. A short essay on the two artists introduces over 100 reproductions of their work in a great range of media, including wallpaper design, book jackets and illustration, posters and ceramics, for clients including Wedgwood, Kew Gardens and the Golden Cockerel Press.
Alexander Rodchenko (1891-1953) was a central figure in the Russian Constructivist art movement: a radical activist, a pioneer of photomontage and a theorist, re-examining the place of art in the post-Revolution, classless society. This concise, illustrated study from the Design series focuses on Rodchenko's graphic work for book jackets, posters and advertising.
Festival of Britain
Held on the centenary of the Great Exhibition of 1851, the Festival of Britain was a celebration of the end of post-war austerity and a showcase for British arts, science and trade for the future. This book examines the objects and printed ephemera produced to commemorate the Festival and includes work by major designers, including Abram Games’s Festival emblem and Lewitt-Him’s Guinness Clock in the Battersea Park Pleasure Gardens.
One of the most highly regarded British painters of the 20th century, John Piper (1903–1992) also worked in a variety of media including book illustration, murals, textiles and stained glass. This volume provides a concise biographical essay on the artist as well as reproducing a wide selection of his work, notably the Brighton Aquatints published by the Curwen Press, wallpaper designs for Sanderson & Co, and his Festival of Britain South Bank murals.
The Cult of Nature in Italian Design
This is the catalogue of an American exhibition on the manifestation of the 'Liberty style' of the early 20th century in the decorative arts of Italy. The First International Exposition of Modern Decorative Art, held in Turin in 1902, was the starting point for the evolution of the style in the country, largely through the work of the furniture-maker and entrepreneur Agostino Lauro (1861–1924). His creations are among those illustrated here, alongside preparatory drawings, contemporary photographs and other items from the archives.
In the second half of the 20th century Hardy Amies (1909–2003) epitomized the finest of British couture, with his emphasis on a strong line achieved with high-quality materials and excellent tailoring. This comprehensive survey of his life and work, illustrated with photographs of his creations and his clients, and original drawings, reveals how Amies, although best-known as couturier to the Queen, designed clothes for generations of aristocratic and influential women.
Designing Modern Britain
Cheryl Buckley's history of British design culture examines how design and society have interacted from the end of the 19th century to the beginning of the 21st, and explores the connected themes of modernity and identity. Among the issues discussed are the spread of international modernism in Britain, the rise of eco-conscious design, the role of galleries and retailers, the celebrity designer and the influence of the heritage industry.
Sex, Sense and Nonsense
Felicity Green on the '60s Fashion Scene
Felicity Green was fashion editor of the Daily Mirror throughout the 1960s and, as well as blazing a trail for women in journalism, revolutionized newspaper coverage of fashion through the introduction of celebrity and glamour. Reproducing some of the best pages from the newspaper, featuring leading models, designers and celebrities of the day, she reflects on the rapidly changing scene of the 1960s, when sexy and playful fashions scandalized, entertained and excited the nation.
Designer British Silver
From Studios Established 1930–1985
Following George V’s request for modern Ascot trophies, the government began encouraging British design in the 1930s, their plans coming to fruition post-war. This compendium features photographic samples from and biographies of the 50 most influential modern British designer silversmiths, based on one-to-one interviews and family records. Shorter entries are included for a further 170 designer silversmiths, enamellers and engravers, providing a unique, comprehensive record of their craft through to the present day. Slipcased.
Dress of the Year
The Fashion Museum, Bath, takes donation of one new outfit from a contemporary designer each year. The pieces are chosen by fashion writers and intended to reflect the mood of the time – they are often prophetic of future trends. Beginning in 1963 with a Mary Quant dress, and finishing in 2012 with an appliqué evening dress by Christian Dior, this publication includes a photograph and description for each garment in the collection. Incorrectly placed text on page 126 corrected with erratum slip.