The interior design projects in this portfolio demonstrate the influence of minimalism on contemporary style. Rather than promoting sterile empty spaces, the 26 schemes, by leading international architects, show the intent to pare down rooms to their essential functions; each example is explored in a series of photographs and architectural plans, from New York lofts and North London terraces to apartments in Barcelona and Hong Kong.
Staging Glamorous Interiors
Trendsetter, fashion icon and wife of an internationally famous novelist, Syrie Maugham (1879–1955) created ultra-chic interiors for London drawing rooms and Manhattan apartments. With its white walls and mirrored panels, her blend of classical elegance and Style Moderne was imitated in several Hollywood movies. Featuring many period photographs, this volume charts her life and career, profiles her fashionable clientele of European royalty and Broadway stars, and describes each of her major commissions in detail.
Interiors, Design and Style from the 1960s
The 1960s ushered in an explosion of colour and style in the home. Lavishly illustrated with photographs from the archives of House & Garden magazine, this follow-up to the same author's Fifties House celebrates the design trends of the period, from mid-century Modernism to paisley prints and Indian bric-a-brac, and charts the influence of such designers as David Bailey, Terence Conran, Mary Quant and Biba's Barbara Hulanicki, who provides a foreword.
Representing the Domestic Interior Since the Renaissance
With contributions from 31 art and design historians, this richly illustrated volume surveys changing representations of domestic interiors and discusses the meanings ascribed to them in Europe and North America over time. The essays explore key issues through subjects ranging from the interior settings of the birth of the Virgin in 15th-century painting to television ‘make-over’ shows today; while short, illustrated features look at ways of interior image-making including Renaissance prints, inventories and photography.
William Morris & His Palace of Art
Architecture, Interiors and Design at Red House
Designed by William Morris’s friend and collaborator, the architect Philip Webb, in 1860, when they were both young men, Red House became the realization of Morris’s vision of a home unified in its architecture, decoration, furniture and garden. Richly illustrated with reproductions of original artworks and photographs of the house as it is today, this study of the architecture and contents of Red House shows how Morris and his circle of Pre-Raphaelite friends together created his ‘Palace of Art’.