Designing the Modern Utopia
In the Soviet Union, the years 1927 to 1933 saw a period of intense industrialization and collectivization, aiming to transform old Russia into a modern, mechanized society. Designers played their part and motifs such as gears, aeroplanes and locomotives, sports and agriculture appeared in fabrics, reinforcing industrial and social ideas. This book draws on the Lloyd Cotsen fabrics collection in the Museum of Fine Arts, Boston, to examine this short-lived but intriguing experiment in thematic design.
1,000 Masterpieces of Modern Design, 1800 to the Present Day
Mid 20th-century classics, such as Charles Eames' Model No.670 lounge chair and Arne Jacobsen's Egg chair, are among the extensive selection featured in this design compendium. Each example is afforded its own page and profiled with a brief description and example photograph. Organized chronologically, from the 1800s to the present day, the sourcebook demonstrates how different approaches to the same design problem reflect changing tastes, differing ideals and new technologies.
On Art's Romance with Design
An Eames chair or a Mies van der Rohe building, although functional designs, transcend their purpose to occupy a space between design and art, a category designated in this study as 'design art'. Charting 20th-century design across a range of media including furniture, interiors and architecture, Alex Coles explores the multi-disciplinary work of artists such as Matisse and Sonia Delaunay and examines examples of decorative or craft design work that could be considered art.
William Morris & His Palace of Art
Architecture, Interiors and Design at Red House
Designed by William Morris’s friend and collaborator, the architect Philip Webb, in 1860, when they were both young men, Red House became the realization of Morris’s vision of a home unified in its architecture, decoration, furniture and garden. Richly illustrated with reproductions of original artworks and photographs of the house as it is today, this study of the architecture and contents of Red House shows how Morris and his circle of Pre-Raphaelite friends together created his ‘Palace of Art’.
The Story of De Stijl
Mondrian to Van Doesburg
In the early 1920s, a group of Dutch artists and architects, among them Piet Mondrian, Theo van Doesburg, Gerrit Rietveld and César Domela, formed the profoundly influential De Stijl (‘The Style’) movement. Illustrated with reproductions and photographs of their works in a variety of media, this innovative volume profiles the artists and collaborators of De Stijl and describes how they ‘built bridges between art, design, architecture and society’.
The Private Painter
Best known as a furniture designer and architect, Irish-born Eileen Gray was a pioneer of Art Deco in the Paris of the 1920s and a follower and associate of Le Corbusier, among other luminaries of the period. This collection of her private and essentially unknown artworks was assembled for an exhibition at London’s Osborne Samuel Gallery in 2015 and comprises drawings, paintings, collages and photographs made between the 1920s and the 1950s.