Scatter the Devils
A leading British painter, John Hoyland (1934–2011) gained early critical acclaim and went on to exhibit at the Serpentine Gallery and the Royal Academy of Arts. Concentrating on his later work, and produced in collaboration with the artist, this book reproduces over 100 of his paintings and explores the processes that compelled him to create art to ‘inspire the spirit … liberate and fire the imagination’, and to refute the label of ‘abstract’.
The Art of AE Backus
In a career spanning most of the 20th century Backus produced numerous paintings of Florida that now provide testament to its tropical past, with unspoilt beaches and tidal rivers edged with palms and mangroves, and the dramatic weather conditions it endures. With over 200 illustrations, this biography celebrates his life and art, revealing his talent and the humanitarian spirit that led him to mentor the group of African American artists known as the Highwaymen.
Now considered a leading artist of the 20th century, David Bomberg (1890–1957) was heavily influenced by cubism and his radical style saw him expelled from the Slade School of Art. Marking the 60th anniversary of his death, and featuring over 100 reproductions of his work, this monograph reassesses his life and career, exploring his engagement with Jewish culture, his work as a graphic artist and his later achievements as a more expressionist portrait and landscape painter.
From Gauguin to Camden Town
An avant-garde British artist of the early 20th century, Robert Bevan (1865–1925) studied in London, Paris and Pont-Aven, where he met Paul Gauguin in the 1890s. After his return to England and a period of painting in the countryside, he became a founding member of the Camden Town Group. This first comprehensive study of Bevan’s life and art is illustrated with the whole range of his work, including the well-known paintings of London’s working horses and cab yards.
Mothers and Children
Mary Cassatt’s tender images of women and children offer an insight into domesticity and their subjects’ everyday lives, and redefined portraiture as a genre. Introduced by two essays outlining her career and beliefs, the 50 examples collected here range from 1878 to 1914 and reveal the influence of Japanese prints and Renaissance paintings of the Madonna and child as well as Cassatt’s mastery of Impressionism.
Throughout the 1970s Francesco Clemente (b.1952) travelled regularly from Rome to India and created a body of drawings that question Western rationality and capitalism and helped define neo-expressionism. This collection of over 100 of his images focuses predominantly on his depictions of the human body, and the themes of spirituality, sexuality, myths and dreams that would influence his later paintings.
De László in Holland
Dutch Masterpieces by Philip Alexius de László (1869–1937)
Famous across Europe as a portrait painter whose sitters included British royalty and an American president, the Hungarian-born artist Philip de László went to the Netherlands in 1901, with a commission from the Van Loon family, and afterwards became very popular with Holland’s cosmopolitan sociey. This catalogue of an exhibition at Museum Van Loon in Amsterdam presents reproductions and commentary on 50 Dutch portraits, along with illustrated essays on the artist and the art of portraiture.
Impressionists in their Gardens
Monet at Giverny, Renoir at Les Collettes, the American Impressionist Childe Hassam in Celia Thaxter’s garden at Appledore, and, contemporary with the Impressionists, Gertrude Jekyll’s creation of Munstead Wood; these are among the artists and the inspirational gardens described and illustrated – by both paintings and photographs – in this unusual study.
From Chelsea Physic Garden
The Chelsea Physic Garden Florilegium Society was founded in 1995 to record the flora of this historic botanic garden. It has since generated an extensive archive of meticulously executed artworks and this volume reproduces over 70 watercolours by the finest contemporary illustrators. Ranging from ferns and flowers to woodland trees, each full-page illustration is accompanied by notes about the plant and its use in traditional and modern medicine.
Musée du Louvre
Among over 120 full-page details of paintings in this volume are the naked feet of Christ, Napoleon’s gold-embroidered boots and the discarded pink slipper of Ingres’ La Baigneuse de Valpinçon. Posing the question, ‘How can we decipher the mysteries – or the enigmas – concealed in this fragmentary narrative?’ Margo Glantz discusses this intriguing way of approaching art and the meanings that feet and shoes can convey. The full paintings appear at the end of the book.
The art historian Katy Norris presents the first account of the short life and prolific career of the British artist Christopher Wood (1902–1930), illustrated with over 130 reproductions and photographs of his paintings, drawings and stage designs. Norris provides analysis of the works and discusses the influence of fellow artists in Cornwall and Cumbria, Wood’s engagement with the Parisian avant-garde, and the ‘gathering storm clouds’ of his final year in Brittany.
Sir Patric Spens
The Background of the Ballad and the Vision of the Artist – Robert Burns, Limner
This Scots ballad, about a ship’s captain sent on a fateful voyage, was strikingly illustrated by Robert Burns (1869–1941). His version is reproduced here with a selection of his other work; essays cover the ballad’s origins and music, Burns’ biography and his use of heraldry. Off-mint.
The Railway Paintings of Wrenford J Thatcher
Caught on Canvas
After a brief account of his life, from young trainspotter to railway artist, Wrenford Thatcher presents reproductions of 86 paintings – ‘my attempt to relive the years before that fateful day in 1968 which saw the end of working steam’ – with notes on the location and locomotive in each painting. From the Princess Arthur of Connaught departing Rugby at night, to the A4 60014 Silver Link at Hatfield, the book journeys through 70 years of Thatcher’s paintings.
Edward Bawden Scrapbooks
Now housed in the Fry Art Gallery, Saffron Walden, these scrapbooks, described by Edward Bawden himself as a ‘mass of ancient rubbish’, are in fact a vast and intriguing collection of Christmas cards, letters, cuttings, photographs and drawings. With reproductions of pages from all five scrapbooks and notes on the ‘scraps’ and the people mentioned, this volume is the closest thing we have to an autobiography of one of the finest, but most reclusive British artist-designers of the 20th century.
Landscape and the Life of Objects
Paul Nash (1889–1946) is now recognized as a major British artist, who drew on Modernism and Surrealism to create a distinctive vision of the English landscape. Illustrated with 100 colour images, this survey of his life and work assesses the impact his time as a war artist had on him, explores his work as a book illustrator, and considers what his poetry and other writing reveals about his personal mythology.
The Russian Canvas
Painting in Imperial Russia 1757–1881
Following the progress of Russian painting in the 18th and 19th centuries and its relationship with other European schools, from the foundation of the Imperial Academy of Arts in 1757 to the assassination of Tsar Alexander II in 1881, this groundbreaking and richly illustrated study places Russian painters in their own art historical context, ending with Ilia Repin’s powerful Portrait of Modest Mussorgsky, shown at the Peredvizhnik exhibition in 1881.
Rhythms of Modern Life
British Prints 1914–1939
From images of the first industrial war by Edward Wadsworth, Paul Nash and CRW Nevinson, to Sybil Andrews’s abstract illustrations of urban life, this catalogue examines the impact of Continental Futurism and Cubism on British modernist printmakers. The book focuses on 13 artists, with reproductions of over 100 prints, arranged thematically by subject matter and stylistic direction, and essays on linocut block printing and the Grosvenor School artists. The catalogue accompanied an exhibition held in Boston and New York.
The Bachelor Stripped Bare
Duchamp (1887–1968) is now seen as a critical figure in the development of modern art thanks to his provocative conceptual works of the 1910s and his association with important post-war collectors such as Peggy Guggenheim. This biography examines an unusual career that produced few artworks and involved years of studying and playing chess.
Treasures of World Art
This first volume in The Hermitage Collections showcases the masterpieces collected by successive Russian rulers and the splendour in which they are displayed. Ranging from Ancient Greece and Rome to 18th-century European sculpture, the artworks offer an encyclopedic view of world culture as well as an insight into the personal tastes of the country’s elite. An introductory essay explaining the history of the building and collection precedes over 250 photographs of the museum and its treasures. Slightly off-mint.
Pieter Coecke van Aelst and Renaissance Tapestry
Although an accomplished draftsman and painter, Coecke was famed amongst his contemporaries for his complex tapestry designs, which were acquired by rulers including Henry VIII and the Medici. Focusing on 20 tapestries and produced to accompany an exhibition at the Metropolitan Museum of Art, this well-illustrated volume explores the development of his style, and the scale, innovation and mastery of colour that epitomize his contribution to Renaissance art in Flanders.
Masterpieces of Art
After Michael Robinson’s succinct, illustrated essay tracing the progress of the Impressionist movement from Édouard Manet’s Music in the Tuileries Gardens (1862) to Monet’s Waterlilies (1903), this volume from the Masterpieces of Art series presents 88 full-page reproductions of some of the greatest Impressionist works. In three sections – paintings of modern life, landscape and domesticity – the selection includes Renoir’s The Theatre Box (1874), Degas’ L’Absinthe, and The Sea at L’Estaque (1878) by Cézanne.
This is Rembrandt
Early success made Rembrandt rich and famous in the booming Amsterdam of the 1630s but his extravagance led to penury in later life. Considered the quintessential ‘old master’ painter today, his unconventional compositions and expressive intensity were groundbreaking in his own time. This succinct biography includes reproductions of key paintings as well as newly commissioned illustrations that place the artist in his historical and social context.
This is Gauguin
After a brief spell in Peru as an infant, Paul Gauguin’s life is characterized by his travel to different parts of France and its colonies. The Breton peasants and indigenous Tahitians he encountered became a major influence on his work. This succinct biography includes reproductions of key paintings as well as newly commissioned illustrations that place the artist in his historical and social context.
London in the Company of Painters
London has fascinated painters for centuries, and central to that appeal has been the Thames. The 158 paintings in this book follow the river from Whistler’s Chelsea in the west to Turner’s Greenwich in the east, accompanied by an introductory text for each area and extensive captions giving historical context. Along the way are Monet’s Houses of Parliament, Lowry’s Piccadilly Circus, and St Paul’s, depicted both in 18th-century splendour by Canaletto and amid the ruins of the Blitz by David Bomberg.
Victorian Master of Still Life
George Lance was the Victorian artist who almost single-handedly effected the revival of still life painting. He was much admired by contemporaries such as JMW Turner, yet today his name is all but forgotten. Intended to restore his reputation and bring his art to a contemporary audience, this biography, which is extensively illustrated with his paintings, explores his life and work, including the controversy that led to his exclusion from the Royal Academy.
Although Goya (1746–1828) received no portrait commissions until he was 37, such works make up nearly a third of his painted oeuvre. Produced to accompany an exhibition of more than 60 portraits, this volume reveals the range of Goya’s technical and stylistic achievements. In particular, it shows how the artist built on the model of earlier court painters, including Velázquez, while giving new psychological depth to depictions of the royalty, philosophers and military men of his own revolutionary times.
And the Industry of Painting | The World in the Workbench
In a scholarly, richly illustrated study of the mid-17th-century Neapolitan art world, Marshall charts the links between the artisans, painters and dealers of this bustling city and its wealthy patrons and consumers of art. Among the topics examined are the working lives of artists, the process of buying and selling cabinet pictures, the rise of the exhibition, and the careers of successful artists such as Luca Giordano, Jusepe de Ribera and Massimo Stanzione.
An Act of Homage
In words and photographs, Boris Friedewald traces the life of Salvador Dalí and the various incarnations of his moustache, from the art student dandy of the 1920s to the artist’s death in 1989; and he describes the afterlife of the moustache in popular culture and even haute couture.
The Paintings of Richard Harrison
Richard Harrison enrolled at Chelsea School of Art in the 1980s to study product design but soon turned to painting. His style was essentially abstract until he developed a more figurative approach through a fascination with the landscape and Biblical and mythical subjects favoured by the old masters. This retrospective of his work includes a biography and appreciation of his oeuvre and reproductions of over 200 of his paintings.
Pastures Green and Dark Satanic Mills
The British Passion for Landscape
Published to accompany an exhibition at the National Museum of Wales, this catalogue traces the development of landscape painting in Britain from the classicism of the 18th century, through the Romantic Movement to the environmental concerns of today. There are more than 80 plates, including work by Gainsborough, Constable, Turner, Monet and Sisley, and two essays, exploring the response of artists to the Industrial Revolution and the role of the Welsh landscape in British art.
Sir John Gilbert
Art and Imagination in the Victorian Age
Painter, book illustrator and newspaper sketch artist, the versatile John Gilbert (1817–97) was a huge celebrity in his day. This assessment examines the life and career of a now-neglected Victorian artist. More than 150 illustrations reproduce his work in various media, while essays explore his relationship to Old Masters and contemporaries, scientific examination of his techniques, his transactions with his framers and colourist, and what his success reveals about the 19th-century art market.
The Figurative Pollock
Discussing and reproducing 103 works, from Stone Head (1933) to Easter and the Totem (1953), this catalogue, with essays and commentary, focuses on Jackson Pollock’s artistic development as a figurative artist, leaving aside the familiar ‘drip’ paintings. Originally accompanied an exhibition at the Kunstmuseum Basel. Bound in grey linen.
Flying the Nest
The Early Days of Britain's Best-Loved Animals
This celebration of Britain’s favourite animals and their offspring contains over 50 watercolours by zoologist Hannah Dale, portraying the young of Britain's best-loved birds and animals, both wild and domesticated. The selection ranges from fox cubs dozing in a tangled heap to a peacock chick displaying its tiny tail feathers. All are accompanied by descriptions of the creatures and their early days.
In Art and Cultivation
First brought to Britain from North America in 1687, the magnolia is considered to be one of our most beautiful ornamental trees. This volume presents over 150 large-scale and finely detailed paintings of the flowers by award-winning botanical artist Barbara Oozeerally. Each illustration is accompanied by authoritative information about their cultivation, and full botanical descriptions, covering all hardy species and around 100 hybrids.
Modernists and Mavericks
Bacon, Freud, Hockney & The London Painters
From the Blitz to the Swinging Sixties, London was home to a major art scene. Several key players – Auerbach, Bacon, Freud – were figurative painters rebelling against the prevailing Abstract orthodoxy. Others – Bridget Riley, John Hoyland – found their own distinctive forms of abstraction. Gayford’s study profiles the artists and explores their influences and connections. Drawing on first-hand interviews and illustrated with 114 paintings and photographs, it recreates the Soho bohemia these painters inhabited, with its friendships, feuds and legendary drinking sessions.
The Private Painter
Best known as a furniture designer and architect, Irish-born Eileen Gray was a pioneer of Art Deco in the Paris of the 1920s and a follower and associate of Le Corbusier, among other luminaries of the period. This collection of her private and essentially unknown artworks was assembled for an exhibition at London’s Osborne Samuel Gallery in 2015 and comprises drawings, paintings, collages and photographs made between the 1920s and the 1950s.
Art and the War at Sea
Twentieth-century war at sea posed problems for artists: gone were the traditional naval confrontations; in modern, long-range battle the enemy could be invisible, in the sky or under the surface. Drawing on the National Maritime Museum’s outstanding collection of modern British art, this volume looks at how artists rose to the challenge of depicting the Navy and Merchant Marine at war. With over 160 colour reproductions, it discusses works by artists including Norman Wilkinson, John Everett, Eric Ravilious and Charles Wheeler.
Pastel Painting Atelier
Essential Lessons in Techniques, Practices, and Materials
The art of drawing and painting with pastel is comprehensively explored in this illustrated guide for the serious artist. Beginning with a look at historical use of the medium, the author (an accomplished pastel artist herself) explains best studio practice, how to adapt pastel use for different genres, the working process (including application, gradating tone and making corrections), and how to care for finished works. Felt-tip mark on lower trimmed edge.
Painter of Pedigree
Thomas Weaver of Shrewsbury: Animal Artist of the Agricultural Revolution
Thomas Weaver (1774–1844) was an accomplished artist working during the late 18th century, when innovative methods of breeding produced bigger and better domestic animals. Weaver was among a small group of artists who pioneered the painting of owners’ and breeders’ prize sheep, cattle, hounds and thoroughbred stallions. Written by a descendant, with access to Weaver’s papers and diaries, this book tells the story and reproduces the paintings of a successful animal artist during the Agricultural Revolution.
Looking to Heaven
The artist Stanley Spencer made several attempts to write an autobiography, but completed none of them. His grandson has combined these fragments with his notebooks, diaries and letters to provide a first-hand account of his life. Illustrated with Spencer’s paintings and drawings alongside period photographs, the resulting narrative records the development of his art and personality from his childhood in Cookham through his training at the Slade to his experiences in the First World War.
The Art and Life of Francis Hewlett
Head of Painting at Falmouth School of Art from 1960 to 1981, Francis Hewlett (1930–2012) remained a figurative artist, exploring what he called the ‘essential geometry’ of observed objects, despite the prevailing fashions of the period. Including over 200 paintings and drawings, this biography charts his lifelong dedication to art, from his early studies in Bristol, London and Paris to his completion of a major series of paintings in the late 20th and early 21st centuries.
The Spirit of Indian Painting
Close Encounters with 101 Great Works 1100–1900
For Professor Goswamy, an Indian painting ‘presents to us a layered world of meaning’, and his analysis and commentary on each of these 101 paintings encourages the reader to explore them with ‘eyes, mind and heart’. The works are in four sections: Visions, depicting imagined sights such as gods, heroes or the Cosmic Egg; Observation, picturing real scenes and people; Passion, with works inspired by poetry or emotion; and Contemplation, expressed in paintings of holy men.
The Secret Life of Suzanne Valadon
In the 1880s Suzanne Valadon was a model for Auguste Renoir and other Impressionists. She was also a painter of considerable talent – a fact that she initially kept secret. Born in poverty in rural France, she was acclaimed by Degas and Toulouse-Lautrec, and became the first female painter exhibited at the Société Nationale des Beaux-Arts. This illustrated biography traces the life and career of an exceptional woman whose art spanned many styles and who made her mark in a male-dominated world.
Fernando Gallego and His Workshop
The Altarpiece from Ciudad Rodrigo
Created around 1480–88 by the Spanish artists Fernando Gallego and Maestro Bartolomé, the 26 panels from the main altarpiece of the cathedral in Ciudad Rodrigo, Castile, are among the most important and iconographically ambitious art works produced in late 15th-century Spain. Beginning with a history of the paintings, which are now in the University of Arizona Museum of Art, this volume comprises essays on the two artists, technical studies of the paintings and a catalogue of the altarpiece.
Monet's Water Lilies
The Agapanthus Triptych
Although Claude Monet intended the three water lily paintings he named Agapanthus to stay together, the panels were bought by three different American galleries in the late 1950s. In 2011, the paintings were reunited and exhibited as a triptych at the Saint Louis Art Museum. This volume, with an essay by the curator Simon Kelly, a technical study, and many details of the panels accompanied the exhibition. 3 page fold-out included.
A Life in Colour
A contemporary of Francis Bacon and Euan Uglow, Scottish painter Craigie Aitchison (1926–2009) employed saturated colours and vivid shapes in his work, which included landscapes, portraits and still-lifes, with deceptive simplicity. This illustrated retrospective, containing detailed analyses of his paintings, explores his life and career and examines the motifs of black men, dogs and crucifixions which recurred in his work time and again, from his student days at the Slade School of Art to his later sojourns in Tuscany.
Charting the life and career of Abigail McLellan (1969–2009), Sturgis describes how her childhood obsession with ‘making’ culminated in a place at Glasgow School of Art. Choosing portraiture, she often exhibited at the National Portrait Gallery, though her real passion lay in painting flowers and nature. This first monograph of the artist is richly illustrated with photographs and reproductions that reflect her boundless creative energy, even as she was losing her battle with MS.
A Painter's Life
Terry Frost (1915–2003) discovered his talent for art in the early 1940s, when he was a prisoner of war in Crete with former Slade student Adrian Heath. This first full-length biography traces his life from his working-class upbringing in the Midlands to his settling in St Ives in 1974, recalling a career in which he taught extensively and explored different artistic styles, shifting from representational images to abstraction and geometric designs.
A Short Book About Painting
Writing ‘for people who enjoy looking at paintings and for people who paint’, Andrew Marr aims to help readers understand what they see when they are looking at art – particularly contemporary art – and how to improve as painters. Using his own paintings as examples of failures, and the works of artists including Patrick Heron, Robert Rauschenberg and Sarah Lucas, Marr addresses fundamental questions about taste, colour, motif, and the appreciation of modern art.
The world of fantasy artists Boris Vallejo and Julie Bell is one of muscle-bound heroes, beautiful - and also muscle-bound - women, dragons and monsters in other-worldly and often violent landscapes. In this volume the two artists present 145 reproductions of recent, previously unpublished images, and chapters telling their own stories and discussing elements of their art. With the book, inside the back cover, there is a set of ten limited edition art prints.
The Art Deco Jester King
Born in Vienna, Roland Paris (1894–1945) lived and worked in Berlin during the interwar years, and his work, although made in the Art Deco period, has an idiosyncratic style, using grotesques, caricature and mockery in depictions of clowns, jesters, devils and temptresses. This volume presents an illustrated biography of Paris and over 180 pages of photographs showing his figurines in plaster, wood and bronze, and works on paper.
This study of the Genoese artist Giovanni Benedetto Castiglione (1609–1664) is the result of a collaboration between the Denver Art Museum and the Royal Collection, with its unrivalled holdings of Castiglione’s works in the Royal Library at Windsor Castle. Reproducing over 90 paintings and dry-brush drawings and illustrating a further 30 details, the catalogue offers a new appraisal of the artist’s works, his life and volatile personality, and his position within 17th-century art.
‘Thomas Gainsborough lived as if electricity shot through his sinews and crackled at his finger ends.’ A gentle, empathetic family man, he also had a volatile streak that could lead him to slash his paintings, and a loose way of talking that shocked society. This biography reveals how an easygoing Suffolk lad was propelled to the highest echelons of Georgian Bath and London by his unique natural talent, and explores the contradictions of this complex and charismatic painter.
War Artists in Afghanistan
Beyond The Wire
Jules George travelled to Helmand as a war artist in 2010, in the wake of its bloodiest year for British troops. This book reproduces his sketches, watercolours and oil paintings, along with the work of four other artists who documented that conflict. Against the vast beauty of the Afghan landscape, they capture the experience of soldiers on patrol or caught in a firefight. Each artist’s work is accompanied by his or her first-hand account of war in Afghanistan.
The Hardy Family of Artists
Frederick Daniel, George, Heywood, James and their Descendants
From James Hardy senior (1801–1879), who painted portrait miniatures in the 1820s, the traditions and skills of painting were handed down through generations of the Hardy family, whose members included some of the leading genre and animal painters of the 19th and early 20th centuries. Drawing on a collection of unpublished letters, documents and photographs inherited from the artists’ descendants, Kimber Hardy presents the first comprehensive assessment of their work.
Painting the Toon
Geordie painter John Coatsworth stumbled across his signature style in 1997 when he made a sketch of St James's Park stadium, bending the shapes and perspective to create vibrancy, rhythm and flow. His subsequent vibrantly coloured 'curvation' paintings quickly gained local commissions and an army of fans through cards and prints. This retrospective collection includes early works in different styles as well as his popular paintings of Newcastle and the North East.
Painting Under Pressure
Fame, Reputation and Demand in Renaissance Florence
Analysing the lives and work of four artists in 15th-century Italy – Alessandro Botticelli, Domenico Ghirlandaio, Pietro Perugino and Filippino Lippi – Michelle O’Malley explores the impact of economics on Renaissance art. She looks at how the growing demand for art exerted pressure on these sought-after painters who all produced high volumes of work; how they maintained quality; and how judgements made under economic pressures can be traced in specific paintings.
Birds in Norfolk
A National and International Perspective
Not only can one find the greatest variety of bird species in Norfolk as well as view spectacular mass migrations, but it is also one of the best spots to find rare birds and infrequent visitors to Britain. This celebration of the county’s avian scene offers research and statistics about the different types of habitats and the resident and visiting bird populations of each, together with almost 200 atmospheric watercolour illustrations by James McCallum.
1483–1520 Masters of Italian Art
After training in his father’s studio and with Perugino in Urbino, Raphaello Santi (1483–1520), known as Raphael, became spectacularly successful, commissioned by Popes and great European art patrons, and appointed as chief architect of St Peter’s in Rome. With reproductions of over 140 studies, portraits, paintings and frescos, this study traces Raphael’s career, examining some of the most celebrated works of the Italian Renaissance. Masters of Italian Art series.
As a figurative artist, Graham Dean (b.1951) regards the body as ‘a holding pen for the emotions’ and aims to communicate his subjects’ inner life through his large-scale and very distinctive watercolours. James Attlee draws on conversations with the artist to provide a full, yet succinct introduction to Dean’s life and work, accompanying over 150 reproductions that follow his artistic career from realist, post-Pop acrylic paintings to the life-size watercolour depictions of the human body.
Masterpieces of Art
Michael Kerrigan’s concise, illustrated biography introduces the life of Paul Nash (1889–1946) and traces his artistic development through the earlier artists who inspired him and the landscapes and experiences that informed his art, particularly the devastation of the Western Front, which he witnessed as both soldier and war artist during the First World War. The essay accompanies around 90 full-page reproductions of Nash’s paintings, lithographs and engravings, in sections on war, landscape and abstracts and still life.
Rembrandt is renowned as a painter, but also excelled as a printmaker. This volume demonstrates how he used the medium not only to reproduce his paintings for a wider audience, but to create original works of art that pushed engraving to its limits. Drawing on the superb collection of the Fine Arts Museums of San Francisco, it groups some 130 works by Rembrandt, his predecessors and followers in chapters focusing on portraiture, daily life, landscape, mythology and religion.
Malcolm Root's Transport Paintings
Best known for his atmospheric railway scenes, Malcolm Root has earned a reputation for meticulous attention to period and engineering detail in his nostalgic paintings. This collection of his work encompasses all forms of British transport in realistic historic settings from an Edwardian tram and an Empire flying boat in the 1930s to a Dodge fire engine going out on call in the 1950s and a Massey Ferguson tractor working the fields in the 1960s.
The Letters of Paul Cézanne
Misunderstood by his peers but hailed by later generations as the father of modern art, Cézanne has long fascinated artists and art lovers, writers, poets and philosophers. This new annotated translation of his letters provides fresh insight into his views on art, politics, literature and friendship. Illustrated with more than 70 images, this book enriches our knowledge of the artist and the man, who emerges as wittier, wiser, more irascible, more philosophical, and above all, more fully human.
Artist, Writer, Friend
Beryl Bainbridge is celebrated as one of the finest novelists of recent years, but few know of her lifelong passion for drawing and painting. Psiche Hughes, a close friend from 1963 until the writer’s death in 1990, charts her Liverpool childhood, struggles to become a writer, family life and literary success. Generously illustrated with photographs, book jackets and Beryl’s own art, this biography explores her exuberant and sometimes macabre creativity both on canvas and on the page.
Monograph and Catalogue Raisonne 1974 –2004
These magnificent volumes present a descriptive catalogue of 2,215 works by the Nicaraguan painter, draughtsman and lithographer Armando Morales (1927–2011). The catalogue starts in 1974, at which time Morales had moved away from abstraction to painting the human form, still life and tropical landscapes. The volumes include a number of essays in French, Spanish or English, but all technical notes in the catalogue are in English. Slipcased.
To this day, William Blake (1757–1827) remains a controversial figure, seen as either an inspiring genius or an unsettling eccentric, whose work is arresting for both its beauty and its strangeness. In a study that follows the stages of the artist’s development, William Vaughan explores the pictorial power of Blake’s art and his ‘ability to see things anew, to read new meanings into old forms’.
Terry Frost (1915–2003) was one of Britain’s great abstract painters. His career spanned seven decades, starting with his introduction to art in a Second World War prisoner-of-war camp and stretching into the 21st century. First published in 2000, this was the first book to present the extent of Frost’s art, placing it within historical context and in relation to the work of his international contemporaries.
Clarrie Wallis reassesses the influences and legacy of Patrick Caulfield (1936–2005), who came to prominence through The New Generation exhibition at the Whitechapel Art Gallery in 1964 and whose iconic and vibrant paintings of modern life reinvigorated the subject matter of traditional still life, interiors and landscape.
With his ‘naked portraits’ and his aim to ‘make the paint work as flesh’, Lucian Freud (1922–2011) was able to reinvent portraiture. Although often controversial, his reputation grew to the point where Freud was hailed as the ‘greatest living realist painter’. In this survey, Virginia Button considers his life and work from a more distanced perspective than the many studies written during his lifetime.
While much writing about Constable focuses on his depictions of rural life and his ‘Englishness’, Vaughan’s study looks instead to ‘the sense of passionate observation and daring expression that gives so much excitement to his work’. The book draws extensively on the artist’s own correspondence to provide a fresh understanding of his artistic aims and achievements and reassess his role in the birth of modern art.
One of the most radical British artists of the 20th century, Ben Nicholson (1894–1982) first came to international prominence with his remarkable ‘white reliefs’ of the 1930s and formed links with Picasso, Braque, Mondrian and others of the European avant-garde. This study explains his central role in the establishment of a modernist art community in St Ives, and why his importance to the development of modern art practice in Britain cannot be overstated.
Atmosphere and Light
The Automative Paintings of Barry Rowe
Whether picturing Nuvolari at the Nürburgring Grand Prix circuit in 1939, Duncan Hamilton’s C-type Jaguar driving through the night at Le Mans in 1953, or Mika Hakkinen on his way to victory at Monaco in 1998, Barry Rowe‘s work is steeped in the atmosphere of the racetrack. This retrospective brings together around 80 paintings, including several Jaguars (Rowe’s favourite sports car), along with his own informative commentary on the historical context of each subject. Slipcase off-mint
The Model Wife
The Passionate Lives of Effie Gray, Ruskin and Millais
Effie Gray was the heroine of a great Victorian love story. Caught in a loveless marriage to the art critic John Ruskin, she fell in love with his protégé, the painter John Everett Millais, inspiring many of his most celebrated paintings. Drawing on exclusive access to unpublished letters and diaries, this absorbing biography brings to life this intelligent and resourceful woman, reveals her key role in the Pre-Raphaelite movement, and offers a new explanation of the Ruskins’ unconsummated marriage.