A teacher at Glasgow School of art, an exhibitor at the 1951 Festival of Britain and a textile designer for Liberty’s, Robert Stewart (1924–1995) dazzled the design world of the 1950s and 1960s. His passion was for surface design on textiles, tapestries, ceramics and paintings. This celebration of his life and achievements is richly illustrated with photographs that demonstrate the breadth of his work and provides a fascinating insight into British post-war design.
One of the most highly regarded British painters of the 20th century, John Piper (1903–1992) also worked in a variety of media including book illustration, murals, textiles and stained glass. This volume provides a concise biographical essay on the artist as well as reproducing a wide selection of his work, notably the Brighton Aquatints published by the Curwen Press, wallpaper designs for Sanderson & Co, and his Festival of Britain South Bank murals.
The Mackintosh Style
Decor & Design
Elizabeth Wilhide begins this study of Charles Rennie Mackintosh (1868–1928) and his achievements in architecture and design by looking at how influences such as the Arts and Crafts and Aesthetic movements were forged into a new style and a ‘unique vocabulary of design and decoration’. The book goes on to give a detailed and richly illustrated account of buildings and interiors by Mackintosh, including The Glasgow School of Art, Windyhill, The Hill House and the Willow Tea Rooms.
Preston Tucker & Others
Tales of Brilliant Automotive Innovators & Innovations
Financial difficulties saw Preston Tucker's company fold in 1950 before more than 50 of his revolutionary Tucker 'Torpedo' cars could be built. This book tells the story of some of the lesser-known pioneers of automotive history, including Carl Borgward, Felix Wankel and John DeLorean.
In the Theatre of the Imagination
Quentin Blake is one of Britain’s best-loved illustrators, whose collaboration with Roald Dahl has made him world famous. Ghislaine Kenyon has known him for 20 years, and offers an intimate portrait of the artist and the man. We see him at work in his south London studio, and learn of his love of flying machines, of all things French, and of his lesser-known work for schools, hospitals and charities. The book is liberally illustrated with Blake’s inimitable sketches and paintings.
The Beauty of Life
William Morris & The Art of Design
Poet, designer, printer and publisher, William Morris was a man of astonishing energy, range and depth. This illustrated volume surveys his varied achievements and the work of Morris & Company (‘the Firm’), with essays on stained glass; the decoration of houses; the art of the book; and Morris’s chosen artistic successor at the Firm, John Henry Dearle. Published to coincide with an exhibition at the Huntingdon Library in California, the book ends with a discussion of Morris’s influence in America.
One Lump or Two
Tea, Twinings and Edward Bawden
During the 1920s and 1930s, Edward Bawden was commissioned to produce advertising illustrations for Twinings tea and coffee; drawings that were to accompany limericks by AJA Symons, the well-known author, dandy and epicure. As well as reproducing Bawden's advertisements and other drawings for tea companies, this tall, thin volume contains an essay by Peyton Skipwith and A Short History of Tea, originally issued by the Empire Tea Market Expansion Board in 1936.
Shirley Craven and Hull Traders
Revolutionary Fabrics and Furniture 1957–1980
Under the direction of the designer Shirley Craven (b.1934), Hull Traders was one of the most innovative and influential textile studios of the 1960s; its bold, vivid patterns perfectly captured the exuberance and iconoclasm of the era. Published in conjunction with an exhibition at Ferens Art Gallery, Hull, this stylish book celebrates a remarkable creative partnership, and reproduces more than 125 vibrant fabrics by such celebrated artists as Eduardo Paolozzi (1924–2005), Ivon Hitchens (1893–1979) and Althea McNish (b.1933).
In the second half of the 20th century Hardy Amies (1909–2003) epitomized the finest of British couture, with his emphasis on a strong line achieved with high-quality materials and excellent tailoring. This comprehensive survey of his life and work, illustrated with photographs of his creations and his clients, and original drawings, reveals how Amies, although best-known as couturier to the Queen, designed clothes for generations of aristocratic and influential women.
Alexander Rodchenko (1891-1953) was a central figure in the Russian Constructivist art movement: a radical activist, a pioneer of photomontage and a theorist, re-examining the place of art in the post-Revolution, classless society. This concise, illustrated study from the Design series focuses on Rodchenko's graphic work for book jackets, posters and advertising.