Giovanni Bellini's Dudley Madonna
Painted by the Venetian Giovanni Bellini around 1508, the Dudley Madonna is named after its 19th-century English owner. Still in private hands, it is seldom exhibited, making this study a rare glimpse at a key work in the artist’s development. With more than 50 reproductions of work by Bellini and his contemporaries, it explores his response to younger painters such as Titian, and records the painting’s provenance and conservation history.
Wall Calendar 2020
These late 19th- and early 20th-century paintings from the Tate collections are all female nudes apart from Kirchner’s mixed Bathers at Moritzburg. Envelope not included. Please note: the May bank holiday has been moved since 2020 calendars were printed; each calendar contains an addendum slip with information on the new holiday.
The New Art of the Fifteenth Century
Faith and Art in Florence and the Netherlands
In her study of ‘the two regions that gave birth to the art of the early Renaissance’, Professor Blum argues that the Netherlands and Florence shared many artistic aims and both achieved a new, realistic depiction of the material world – but in response to social developments rather than classical revival. Through in-depth discussions of works by Claus Sluter, Donatello, Jan van Eyck, Masaccio and Rogier van der Weyden, Blum shows how their innovations were used in the promotion of traditional Christian content.
Leonardo da Vinci Masterworks
Art in the Age of the Medici
Rosalind Ormiston presents a well illustrated study of Leonardo da Vinci (1452–1519), first setting his work within the context of Renaissance Florence, the Medici family and the artists who flourished under Medici patronage. The book goes on to trace Leonardo’s career in Milan, Rome and France, looking in detail at paintings including Virgin of the Rocks, The Last Supper and Mona Lisa, and at the technological and architectural projects in his notebooks.
Making Renaissance Art
Beginning around the year 1400, this first volume in the series Renaissance Art Reconsidered is concerned with the theory and practice of making art during the Renaissance in Italy and other parts of Europe. In seven well-illustrated chapters, the contributors examine drawing and workshop practices, perspective in painting, sculpture, the making of altarpieces, prints, architecture, and Renaissance writings on art. Published in association with the Open University.
The Achievement of Fame
Drawing on new research and material, including long-awaited editions of Michelangelo’s correspondence, Hirst’s biography sheds fresh light on the development of the artist’s work in painting, sculpture and architecture and on his relations with family, friends and patrons. Starting with his apprenticeship in the workshop of Ghirlandaio in Florence, the study covers Michelangelo’s first excursion to Rome, the creation of the Pietà, David and the Sistine ceiling, and ends with Michelangelo’s definitive move to Rome in 1534.
Leonardo da Vinci Drawings
Masterpieces of Art
A painter, inventor, architect, military engineer and musician, Leonardo da Vinci (1452–1519) was also a prolific draughtsman and, as Susan Grange argues, ‘it is through his drawings that we can find the most direct access to his genius’. Her illustrated essay introducing the scope and depth of Leonardo’s drawings accompanies 85 full-page reproductions of his studies for paintings, inventions, maps, anatomical drawings and observations of the natural world. From the Masterpieces of Art series.
Annibale Carracci's Venus, Adonis & Cupid
This book accompanied an exhibition at the Museo Nacional del Prado which aimed to present the newly cleaned and restored masterpiece by the Bolognese painter Annibale Carracci (1560–1609) and to set the painting in its artistic context. Two further, richly illustrated essays describe the conservation of the work and analyse the way in which Carracci’s painting – his ‘image of beauty’ – is constructed.
Painting Under Pressure
Fame, Reputation and Demand in Renaissance Florence
Analysing the lives and work of four artists in 15th-century Italy – Alessandro Botticelli, Domenico Ghirlandaio, Pietro Perugino and Filippino Lippi – Michelle O’Malley explores the impact of economics on Renaissance art. She looks at how the growing demand for art exerted pressure on these sought-after painters who all produced high volumes of work; how they maintained quality; and how judgements made under economic pressures can be traced in specific paintings.
1483–1520 Masters of Italian Art
After training in his father’s studio and with Perugino in Urbino, Raphaello Santi (1483–1520), known as Raphael, became spectacularly successful, with commissions from Popes and great European art patrons, and his appointment as chief architect of St Peter’s in Rome. Reproducing over 140 studies, portraits, paintings and frescos, this detailed study traces Raphael’s career, examining some of the most celebrated works of the Italian Renaissance.
1571–1610 Masters of Italian Art
Eberhard König begins this study of the life and art of Michelangelo Merisi da Caravaggio (1571–1610) by examining the paintings, particularly the Borghese David and Goliath, that may or may not include self-portraits. The book goes on to trace the career of an artist ‘who flouts all the conventions of his age’ and presents 116 reproductions and details of his paintings.
Medieval & Renaissance Interiors
In Illuminated Manuscripts
Illuminated manuscripts are an invaluable resource for understanding medieval and early modern life in castles, palaces and ordinary households, both urban and rural. Reproducing 140 little-known illuminations, mostly from the British Library’s collections, this book shows how these miniatures reflect medieval domestic interiors and how they provide information on topics ranging from the security of dwelling places to creature comforts such as heating and lighting, hygiene, beds and bedrooms, and the display of wealth and treasured possessions.