This succinct biography of the jazz legend describes how from the Colored Waif's Home for Boys in New Orleans, where the harsh conditions were mitigated by the opportunity to play in the band, Louis Armstrong came to dominate the new art form from the 1920s to the 1960s. Slightly off-mint.
The Great Jazz and Pop Vocal Albums
Released on Columbia Records in 1946, The Voice of Frank Sinatra consisted of eight love songs which, though known by the public for years, were given a new musical treatment by the singer’s arranger, Axel Stordahl. The runaway success of this approach set the standard for a new genre of pop and jazz vocal album, the best 57 of which are analysed here, including classic records by Chet Baker, Nina Simone and Sarah Vaughan. Slightly off-mint with felt-tip mark on lower trimmed edge.
I Got Rhythm
Art and Jazz Since 1920
The spread of jazz beyond its American birthplace in the 1920s had a profound effect on art and culture, with leading artists such as Otto Dix, Piet Mondrian and Henri Matisse taking inspiration from performers, dances and songs. With essays and reproductions of more than 120 works, this dual-language exhibition catalogue from the Stuttgart art museum celebrates almost a century of art produced in response to jazz, from Max Beckmann to Jackson Pollock and Andy Warhol.
and the Story of Free Improvisation
In the early 1960s the Sheffield-born guitarist Derek Bailey created an uncompromisingly abstract free-form jazz. This biography features excerpts from interviews with Bailey himself and with other avant-garde musicians, including Gavin Bryars, who worked with him as he developed this new idiom.
Little Jazz Giant
Roy Eldridge (1911-89) worked with some of the finest jazz players of his day, including Teddy Hill and Artie Shaw, and forged a distinctive trumpet style that linked the more traditional sound of Louis Armstrong to the Be-Bop generation. John Chilton's perceptive biography traces Eldridge's long career and his often turbulent professional relationships to reassess the work of one of the most exciting and unjustly neglected players in jazz history.
What a Wonderful World
The Magic of Louis Armstrong's Later Years
Louis Armstrong (1901–1971) overcame an impoverished background to became one of the greatest of jazz musicians. Many books have been written about his early life and mid-career, but this biography focuses on his last 25 years when he was often regarded as a mere popular entertainer. Readable and sympathetic, it returns to such classic recordings as Hello, Dolly! and Mack the Knife to reveal their true subtlety and depth of expression. Slightly off-mint and felt-tip mark on lower trimmed edge.
After firing a revolver in the street at the age of 12, Louis Armstrong was sent to the Colored Waif’s Home for Boys in New Orleans, where the harsh conditions were mitigated by the opportunity to play in the band. This succinct biography of the jazz legend describes how he came to dominate the new art form from the 1920s to the 1960s.
The Jazz Composer
Moving Music off the Paper
Internationally renowned jazz composer Graham Collier (1937–2011) offers a radical analysis of the composer’s place in a genre associated with improvisation and traditional ‘standards’. Looking back over the development of jazz composition, he considers the work of such important figures as Gil Evans and ‘acknowedged genius’ Duke Ellington. He then examines the new directions taken by contemporary jazz, illustrating his points with examples from his own music and anecdotes from his life. References to websites may no longer be valid.