An Act of Homage
In words and photographs, Boris Friedewald traces the life of Salvador Dalí and the various incarnations of his moustache, from the art student dandy of the 1920s to the artist’s death in 1989; and he describes the afterlife of the moustache in popular culture and even haute couture.
Monet in Giverny
Landscapes of Reflection
With the focus on a select group of twelve paintings, among them Le Bassin des Nymphéas (1904), and Wisteria Number 1 and 2 (1920), this catalogue of an exhibition at Cincinnati Art Museum examines aspects of Monet’s work including the depiction of water and the sanctuary of Giverny during the First World War, and ends with an article on Monet and his garden written in 1891 by the French art critic Octave Mirbeau.
Dutch and Flemish Paintings
Dulwich Picture Gallery
Dulwich Picture Gallery in London holds one of the finest collections of 17th- and 18th-century Dutch and Flemish paintings in the world. This catalogue, organized alphabetically by artist, features over 220 landscapes, portraits, Biblical and allegorical scenes, and still lifes. Among the highlights are Rembrandt’s Girl at a Window and Van Dyck’s Samson and Delilah. After describing the history of the collection, the authors provide a short biography of each artist and detail the origin, provenance and symbolism of their paintings.
The Figurative Pollock
Discussing and reproducing 103 works, from Stone Head (1933) to Easter and the Totem (1953), this catalogue, with essays and commentary, focuses on Jackson Pollock’s artistic development as a figurative artist, leaving aside the familiar ‘drip’ paintings. Originally accompanied an exhibition at the Kunstmuseum Basel. Bound in grey linen.
Magnolias in Art and Cultivation
First brought to Britain from North America in 1687, the magnolia is considered to be one of our most beautiful ornamental trees. This volume presents over 150 large-scale and finely detailed paintings of the flowers by award-winning botanical artist Barbara Oozeerally. Each illustration is accompanied by authoritative information about their cultivation, and full botanical descriptions, covering all hardy species and around 100 hybrids.
Modernists and Mavericks
Bacon, Freud, Hockney and the London Painters
From the Blitz to the Swinging Sixties, London was home to a major art scene. Several key players – Auerbach, Bacon, Freud – were figurative painters rebelling against the prevailing Abstract orthodoxy. Others – Bridget Riley, John Hoyland – found their own distinctive forms of abstraction. Gayford’s study profiles the artists and explores their influences and connections. Drawing on first-hand interviews and illustrated with 114 paintings and photographs, it recreates the Soho bohemia these painters inhabited, with its friendships, feuds, and legendary drinking sessions.
Art and the War at Sea
Twentieth-century war at sea posed problems for artists: gone were the traditional naval confrontations; in modern, long-range battle the enemy could be invisible, in the sky or under the surface. Drawing on the National Maritime Museum’s outstanding collection of modern British art, this volume looks at how artists rose to the challenge of depicting the Navy and Merchant Marine at war. With over 160 colour reproductions, it discusses works by artists including Norman Wilkinson, John Everett, Eric Ravilious and Charles Wheeler.
Pastel Painting Atelier
Essential Lessons in Techniques, Practices, and Materials
The art of drawing and painting with pastel is comprehensively explored in this illustrated guide for the serious artist. Beginning with a look at historical use of the medium, the author (an accomplished pastel artist herself) explains best studio practice, how to adapt pastel use for different genres, the working process (including application, gradating tone and making corrections), and how to care for finished works. Felt-tip mark on lower trimmed edge.
Wall Calendar 2020
These paintings of our cities, harbours, farmland and moorlands are by twelve different artists – among them Constable, Cotman, Turner and Paul Nash. Envelope not included. Please note: the May bank holiday has been moved since 2020 calendars were printed; each calendar contains an addendum slip with information on the new holiday.
A Civilization and its Writing
Most of the glyphs carved on the stone monuments of the ancient Maya civilization have now been deciphered. This handbook presents around 200 of the script’s symbolic characters, each with an interpretation of the concept that it expresses. The glyphs are arranged thematically to show what the Maya’s written records reveal about their lives and beliefs, their vigesimal number system and the complex organization of their solar and ritual calendars.
Painter of Pedigree
Thomas Weaver of Shrewsbury: Animal Artist of the Agricultural Revolution
Thomas Weaver (1774–1844) was an accomplished artist working during the late 18th century, when innovative methods of breeding produced bigger and better domestic animals. Weaver was among a small group of artists who pioneered the painting of owners’ and breeders’ prize sheep, cattle, hounds and thoroughbred stallions. Written by a descendant, with access to Weaver’s papers and diaries, this book tells the story and reproduces the paintings of a successful animal artist during the Agricultural Revolution.
Looking to Heaven
The artist Stanley Spencer made several attempts to write an autobiography, but completed none of them. His grandson has combined these fragments with his notebooks, diaries and letters to provide a first-hand account of his life. Illustrated with Spencer’s paintings and drawings alongside period photographs, the resulting narrative records the development of his art and personality from his childhood in Cookham through his training at the Slade to his experiences in the First World War.
The Two Roberts
Robert Colquhoun & Robert MacBryde
In the immediate post-war period, lifelong partners Robert Colquhoun and Robert MacBryde were, with Freud and Bacon, among the most admired artists of their generation but during the 1950s their work fell out of fashion and alcoholism and poverty hastened their decline. Published to accompany the exhibition at the Scottish National Gallery of Modern Art, this retrospective charts their careers and turbulent private lives, and includes reproductions of their most significant paintings, prints and drawings.
In the 1960s, when the fashion in art was towards the abstract and conceptual, John Bellany (1942–2013) focused on the figurative, paying homage to Old Masters in his depictions of the fishing communities of the east of Scotland, among which he had grown up. This retrospective reviews his entire oeuvre, from these early large canvases, through the phantasmagoric, expressionist paintings of the following decades, to the more optimistic landscapes and allegorical compositions of the 21st century.
Published to coincide with Elizabeth Blackadder’s 80th birthday retrospective at the Scottish National Gallery in 2011, this catalogue showcases her work, from a self-portrait in 1951 to watercolours of Crabs and Shells in 2011, revealing the intuitive nature of her art and its diverse range. A chronology of her life is accompanied by essays from Philip Long and John Leighton, who argue that Blackadder is one of Scotland’s greatest living artists.
The Marine Paintings of Smitheman
An experienced hobby sailor, painter Francis Smitheman brings his own sense of the sea as well as extensive historical research and a profound respect for the classical masters to his maritime pictures. This collection of his oil paintings, completed over a period of 30 years, contains a series of pictures of Nelson’s battles, scenes from the Pool of London in the age of sail, polar exploration vessels and imagined historic scenes at famous ports.
The Art and Life of Francis Hewlett
Head of Painting at Falmouth School of Art from 1960 to 1981, Francis Hewlett (1930–2012) remained a figurative artist, exploring what he called the ‘essential geometry’ of observed objects, despite the prevailing fashions of the period. Including over 200 paintings and drawings, this biography charts his lifelong dedication to art, from his early studies in Bristol, London and Paris to his completion of a major series of paintings in the late 20th and early 21st centuries.
The Spirit of Indian Painting
Close Encounters with 101 Great Works 1100–1900
For Professor Goswamy, an Indian painting ‘presents to us a layered world of meaning’, and his analysis and commentary on each of these 101 paintings encourages the reader to explore them with ‘eyes, mind and heart’. The works are in four sections: Visions, depicting imagined sights such as gods, heroes or the Cosmic Egg; Observation, picturing real scenes and people; Passion, with works inspired by poetry or emotion; and Contemplation, expressed in paintings of holy men.
The Secret Life of Suzanne Valadon
In the 1880s, Suzanne Valadon was a model for Auguste Renoir and other Impressionists. She was also a painter of considerable talent – a fact that she initially kept secret. Born in poverty in rural France, she was acclaimed by Degas and Toulouse-Lautrec, and became the first female painter exhibited at the Société Nationale des Beaux-Arts. This biography traces the life and career of an exceptional woman who made her mark in a male-dominated world.
Fernando Gallego and His Workshop
The Altarpiece from Ciudad Rodrigo
Created around 1480–88 by the Spanish artists Fernando Gallego and Maestro Bartolomé, the 26 panels from the main altarpiece of the cathedral in Ciudad Rodrigo, Castile, are among the most important and iconographically ambitious art works produced in late 15th-century Spain. Beginning with a history of the paintings, which are now in the University of Arizona Museum of Art, this volume comprises essays on the two artists, technical studies of the paintings and a catalogue of the altarpiece.
Monet's Water Lilies
The Agapanthus Triptych
Although Claude Monet intended the three water lily paintings he named Agapanthus to stay together, the panels were bought by three different American galleries in the late 1950s. In 2011, the paintings were reunited and exhibited as a triptych at the Saint Louis Art Museum. This volume, with an essay by the curator Simon Kelly, a technical study by Mary Schafer and Johanna Bernstein and a wealth of photographs and reproductions, accompanied the exhibition.