The Pantomime Book
The Only Known Collection of Pantomime Jokes and Sketches in Captivity
After a first chapter of one liners, Paul Harris presents the scripts of more than 40 pantomime sketches and gags and introduces them with notes on history (some of them are very old, but still evolving), theatrical anecdotes and tips on props and performance.
Dear Green Sounds
Glasgow's Music Through Time and Buildings
‘A blazingly musical city... Glasgow became a UNESCO City of Music in 2008 thanks to the countless kinds of music that coexist on these streets.’ This volume reflects the diversity of the city and its sounds in 21 richly illustrated essays on the music, history and life of 20 different venues, from the Cathedral to King Tut’s Wah Wah Hut, by way of pubs, recording studios, concert halls, ballrooms, the College of Piping and the legendary Apollo.
Stars in Battledress
A Light-Hearted Look at Service Entertainment in the Second World War
Many of the stars of post-war British entertainment cut their teeth in Army entertainment; established artistes as part of ENSA and, braving the front lines, Stars in Battledress using talent drawn from the serving ranks. This book recounts the stories of such members as Charlie Chester and Spike Milligan as well as tales of the post-war Combined Service Entertainment in which Frankie Howerd and Stanley Baxter learned their trade.
Tales of a Tiller Girl
My True Story of Dancing in Wartime London
In the early 1950s, after growing up in Battersea, dancing with the Italia Conti school on the West End stages of wartime London and performing through summer seasons in Blackpool and winter seasons in pantomime, Irene Holland won a coveted place in the Tiller Girls troupe at the London Palladium. Her very engaging memoir describes her passion for dancing and the thrill of achieving her ambition.
Greasepaint and Cordite
The Story of ENSA and Concert Party Entertainment During the Second World War
During the course of the Second World War, the Entertainments National Services Association put on countless productions for the troops across the world, offering everything from music hall turns to Laurence Olivier. The enormous number of shows meant that the talent was spread thinly and performances were often delivered in difficult circumstances and inhospitable climes. Drawing on interviews with surviving ENSA performers, this book tells the colourful story of this most unusual and complex theatrical enterprise.