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Born in Israel in 1932, Kadishman has received international acclaim for his sculptures, which have been installed in public places, museums and private collections around the world. Twenty of his most important works are reproduced and discussed in this volume, which traces his development from geometric minimalist pieces in the 1960s to an engagement with nature in the 1970s and concern with existential issues since the 1980s.

Luigi Spina spent ten years at the Archaeological Museum of Naples, viewing and photographing its classical marble sculptures in privacy and in different locations and light. The result is a collection of intimate and detailed black and white photographs that emphasize the sculptures’ curves or focus on particular features in order to humanize the mythical figures.

Using the images and words of contemporary photographers, writers and art critics, this volume takes the reader into the studios of Auguste Rodin (1840–1917). Photographs and essays examine the sculptor’s creative practice, viewing masterpieces such as Balzac and The Sirens as works-in-progress; while the impressions of those who visited him, among them Rainer Maria Rilke, Stefan Zweig and Truman Howe Bartlett, give a sense of Rodin’s commanding presence.

Pierluigi Peroni presents over 100 small African anthropomorphic bronzes made by the Kulango people of the Ivory Coast. Selected from her personal collection to represent the diversity of the artform, they include pendants, amulets and ceremonial objects, all under 10cm high. Detailed text by Alain-Michel Boyer offers analysis of the objects and their cultural significance. Text in English and French.

Henry Moore's helmet sculptures were inspired by visits to the medieval armour section of the Wallace Collection where he first made sketches in the mid 1930s. This exploration of this aspect of his work was published to accompany the 2019 exhibition at the museum and includes working models, drawings and finished sculptures by Moore as well as essays on his connection to the Wallace Collection and the helmet theme throughout his career.

Originally published to accompany a 2017 exhibition, this volume presents the bird sculptures of Geoffrey Dashwood, inspired by species associated with the New Forest. Cast in bronze with perfectly smooth surfaces and coloured patinas, the sculptures range from a tabletop robin to a monumental peregrine falcon. Appreciations of the artist’s work and the birds depicted are provided by TV naturalist Chris Packham.

In a career spanning over 50 years Ivor Abrahams (1935–2015) used a variety of unusual materials to create witty and irreverent sculptures that explored the suburban dream and how nature and manmade objects coalesce. This monograph contains hundreds of images, including his multimedia Parliament of Owl sculptures, which epitomize his ability to tread the border between art and kitsch, an interview with the artist and a biography he compiled himself.

At the forefront of the British Pop Art movement in the 1960s, Allen Jones’s fifty-year career has been influential across fashion, graphic design, film and music. This retrospective, which accompanied an exhibition at the Royal Academy, reproduces 83 of his works. Revealing his versatility as a painter and sculptor, it demonstrates his subversive humour, exuberant use of colour and preoccupation with the human form, epitomized in his controversial ‘women as furniture’ pieces.

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Discovered by chance by farmers in 1974, the mausoleum of the first emperor of China contained one of the wonders of the world: the Terracotta Army. Based on unique access to leading Chinese archaeologists, this book sets the clay warriors in the context of Chinese society 2,200 years ago, describes the latest discoveries at the vast and only partly excavated site, and hints at what may still be uncovered – including the imperial tomb itself.

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The Meadows Museum at Southern Methodist University, Dallas, was opened in 1965 to house the substantial art collection of Texas businessman Algur H Meadows. A leading centre for the study of Spanish art, the museum has also built up a notable holding of modern sculpture and this portfolio reviews these works, including pieces by Rodin, Maillol, Moore, Giacometti, Picasso and Oldenburg. The sculptures are further explored in a photo-essay by Laura Wilson.

Reflecting recent trends in the investigation of material culture, these eight case studies demonstrate how inscribed and sculpted stone monuments of the 5th to 11th centuries created senses of identity and history for communities in Ireland, Britain and Scandinavia.

After an overview of Professor Prache’s career and intellectual legacy, this volume of 13 illustrated essays by her former colleagues and students encompasses a range of approaches including technology-based and geometry-centred studies of architecture, stained glass read as an essential part of a building’s history, and the search for meaning in portal sculptures.

Rodin’s The Thinker has been a prominent exhibit at San Francisco’s Legion of Honor gallery since its opening in 1924, the museum’s founder having been a significant patron of the artist. This exhibition catalogue, published in 2017 to commemorate the centenary of the sculptor’s death, includes newly commissioned photographs of many of Rodin’s most important works, including The Burghers of Calais, The Gates of Hell and The Kiss, as well as plaster models and fragments.

Charles Avery is a leading authority on Renaissance art, and an admirer of the 16th- and 17th-century bronze works of Joseph de Levis and his family. This illustrated survey of their lives and works includes church-bells, some of which remain in remote country churches, mortars, inkstands, perfume-burners, door-knockers and firedogs. Each artefact is accompanied by a detailed explanation of its significance and inscriptions, while the family story gives an insight into the Jewish Diaspora of the period.

Essays on Japanese baskets as art and Western interest in bamboo art introduce a collection of 36 artworks - not always in the form of baskets - each illustrated in two full-page photographs, with a final section of artists’ biographies.

The colourful ceramic figures (mingqi) placed within Chinese aristocratic tombs represent the humans and animals that protect, serve and entertain the soul in the afterlife. More than 200 such objects are illustrated in this volume, spanning two millennia from the Han dynasty to the tradition’s latter stages in the Ming dynasty. The accompanying text traces the political, religious and economic influences on the evolution of the art and examines what the sculptures reveal about ancient Chinese philosophy and daily life.

This illustrated guide to all outdoor statues and busts in Greater London examines the significance, the sculptor and the story behind each piece, from Nelson’s Column in Trafalgar Square to the many monuments that have been erected in the suburbs. This revised second edition also features sculptures added between 2012 and 2017, including the controversial memorial to Mary Seacole at St Thomas’s Hospital and the life-size statue of Amy Winehouse in Camden.

Portrait medals, which commemorate individuals through a combination of likeness, imagery and text, were an important artistic innovation of the Renaissance. Ng presents fine examples, ranging from the 15th to 19th century, which are now in one of the world’s most significant private collections. She traces the art form’s origins and development, discussing the techniques used across Europe to make medals and the personal and political purposes for which they were produced.

David Nash sculpts wood with a chainsaw, creating forms that reflect their natural origin. This book chronicles his year-long residency at Kew Gardens, working with trees at the end of their lives. Photographs show the works in progress against a backdrop of the changing seasons.

A highly regarded sculptor in both wood and stone, Dick Onians presents a basic guide to sculpting the human figure, from the basics of anatomy to carving the whole figure, with chapters dealing with the head, torso and limbs, drapery, stylization and carving in relief.

The rare monkey figurines created by the Baule of West Africa have puzzled historians since the 19th century. Rough-hewn and fearsome – with jutting jaws and bared teeth – the bowl-bearing monkeys seem quite unlike the Baule’s more delicate ancestor figures. In the first survey to focus exclusively on the monkeys, the authors explore their origin, creation and role in Baule society, and examine their ritualistic function as objects charged with invisible powers.

Head of Painting at Falmouth School of Art from 1960 to 1981, Francis Hewlett (1930–2012) remained a figurative artist, exploring what he called the ‘essential geometry’ of observed objects, despite the prevailing fashions of the period. Including over 200 paintings and drawings, this biography charts his lifelong dedication to art, from his early studies in Bristol, London and Paris to his completion of a major series of paintings in the late 20th and early 21st centuries.

Ancient Greek sculptors established the foundation of a new art form in which human bodies were realistically and dynamically portrayed. This book brings together more than 60 examples now in museums around the world; they range from early kouros statues (c.600 BCE) to a Roman-period portrait bust, and from delicate grave-markers to the friezes of Athens’ Acropolis and the great altar of Pergamon. Each item is discussed in the accompanying text and illustrated in multiple photographs that highlight significant details.

Born in Vienna, Roland Paris (1894–1945) lived and worked in Berlin during the interwar years, and his work, although made in the Art Deco period, has an idiosyncratic style, using grotesques, caricature and mockery in depictions of clowns, jesters, devils and temptresses. This volume presents an illustrated biography of Paris and over 180 pages of photographs showing his figurines in plaster, wood and bronze, and works on paper.

Born in Romania, Demetre Chiparus studied in Paris and stayed on to experience the cultural explosion of the inter-war years. He became an iconic Art Deco sculptor, his delicate figurines – which depict elaborately dressed dancers, children and animals – enjoying great popularity. Charting his life and influences, and the materials and foundries he used, this updated volume of the 1993 publication includes colour plates of his work, recently discovered pieces and a selection of his paintings.

Following her earlier book on Epstein’s formative years, Raquel Gilboa focuses on the artist’s life and his mature work after 1930: a period in which antisemitism increasingly coloured attitudes to art and culture. Illustrated with over 200 monochrome photographs, the book explores Epstein’s symbolism in the bold, monumental sculptures such as Genesis (1930) and Primeval Gods (1931–2) and smaller works including the magnificent bronze Lucifer (1947).

The first volume on Westminster covers an area stretching from Marylebone Road, across much of the West End to Buckingham Palace, Whitehall and the Houses of Parliament and down to Victoria and Millbank. It describes the whole range of commemorative monuments, fountains and free standing works of art, but excludes sculptures that are integral to buildings.

The Mantuan court sculptor Pier Jacopo Alari Bonacolsi, known as Antico (c.1455–1528), exemplifies the Renaissance passion for the revival of antiquity. He studied, restored and re-created antique art with unparalleled skill, but also developed new technology and, with his gilded and silvered statuettes, pioneered the genre of bronzes made in multiples. Published to accompany an exhibition at the National Gallery of Art, Washington, this volume presents the first English-language monograph on Antico, and over 150 colour photographs of his sculptures.

The Chinese have revered the mystery and magic of jade since antiquity. This authoritative, beautifully illustrated book draws on the author’s unparalleled collection to provide a comprehensive, up-to-date survey of 6000 years of jade carving. Part one features early jades (7000 BCE to 220 CE); Part two features carvings of flora, fauna and the human figure; Part three covers personal adornments, scholars’ objects and vessels.

Since the Renaissance, the characters of the Commedia dell'Arte – Harlequin, Columbine, Scaramouche and company – have inspired plays, paintings, engravings and porcelain. Drawing on some of the world's finest collections, especially that of the Gardiner Museum of Ceramic Art in Toronto, this magnificently illustrated survey presents 150 figures by leading British and European manufacturers, including the celebrated Meissen factories. It also explains the hidden meanings of these mysterious characters and how a bawdy street theatre became an elegant courtly entertainment.

This is the second of Tom Cross's two books that are now standard works on the history of the Newlyn and St Ives Schools. First published in 1984, it was based on interviews and discussions with those artists who were still working in and around St Ives in the 1970s and 1980s. The book begins with the war years, when several artists sought refuge in Cornwall from the bombing in London. Among those discussed are Ben Nicholson, Barbara Hepworth, Naum Gabo, Roger Hilton and the potter, Bernard Leach.

Part of the Introductions to Chinese Culture series, this book provides an accessible overview of sculptural art in China, including the Terracotta Army, Buddhist sculpture, tomb carvings, architectural sculpture, exchange with foreign cultures and sculpture in China today. Like all the books in the series, it is written by a noted expert in the field, well illustrated with colour photographs and offers an ideal introductory survey for both students and general readers.