Sybil Andrews Linocuts
A Complete Catalogue
Born in Bury St Edmunds in 1898, Sybil Andrews worked as a welder during the First World War and her formal art training only began after 1918, first at Heatherley School of Fine Art in London, then at the new Grosvenor School where, along with Andrew Power and Claude Flight, she developed a dynamic, expressive and abstract style. After a biographical essay, this volume reproduces all 87 of Andrew’s linocuts, including the famous Speedway (1934) and In Full Cry (1931).
The Complete Illustrative Work of Thomas Bewick
Marrying research in the Beilby-Bewick workshop archives to a new study of hitherto uncatalogued images in the British Museum’s collection, Tattersfield presents a scholarly, illustrated account of the wood engraving workshop of Ralph Beilby, Thomas Bewick and Robert Bewick. The catalogue of Thomas Bewick’s illustrative works includes the famous Quadrupeds, British Birds and The Fables of Aesop. Volume I: The Workshop. Volume II: Descriptive Catalogue. Volume III: Notes and Indexes. Linen-bound and slip-cased.
Impressions of New York
Prints from the New-York Historical Society
This illustrated catalogue features 165 woodcuts, copper engravings, lithographs, drypoints and mezzotints of New York City, including a 1692 view of ‘Nowel Amsterdam’ and Emily Trueblood’s 1995 linocut of the World Trade Center. The accompanying commentary reveals many of the stories behind the historic images.
Printmaking in Paris
The Rage for Prints at the Fin de Siècle
Between 1890 and 1905, prints became extremely popular in Paris, and leading artists such as Bonnard, Gauguin and Toulouse-Lautrec embraced the medium. Published in conjunction with an exhibition at the Van Gogh Museum, Amsterdam, this catalogue reproduces more than 160 prints, posters, theatre programmes and book illustrations from the period. The accompanying essays examine how the fashion for printmaking developed, describe the various techniques and explore the numerous applications of this ‘new notion’ of art.
Prints & Drawings: Europe 1500–1900
From the Art Gallery of New South Wales
With excellent reproductions of 90 etchings, woodcuts, lithographs and drawings from the collection of European works on paper in the Art Gallery of New South Wales, this volume presents the work of more than 70 artists, from the Renaissance master Andrea Mantegna to Edgar Degas in the late 19th century. The book includes works by many of the great European masters, among them Dürer’s Melencolia (1512) and Little Devil’s Bridge (1809) by Turner, with substantial commentaries on every artist.
Masterpieces of Art
An untrained prodigy, Gustave Doré (1832–1883) became the highest paid illustrator in France at the age of 16 and a world-famous artist by the 1830s, mainly on account of his lithographs for literary works including Dante’s Divine Comedy, Tennyson’s Idylls of the King and the Fables of La Fontaine. In this volume from the Masterpieces of Art series, a concise account of Doré’s life and art accompanies around 90 reproductions of his profoundly influential work.
The Comic Art of Thomas Rowlandson
Portly squires and foppish dandies, Jane-Austenesque heroines and their grotesque chaperones, dashing young officers and corrupt politicians… Thomas Rowlandson (1757–1827) skewered the follies and vices of his age better than any satirist since Hogarth. This catalogue brings together 100 of his scabrous engravings, largely from the Royal Collections. Mercilessly lampooning King George III, his troublesome offspring, and politicians such as William Pitt, they form a rogues’ gallery of Georgian England, and remain an inspiration to cartoonists today.
Animal Prints from the British Museum
A rampaging elephant, a giant fish, an amorous goat and a monstrous pig are some of the fabled creatures featured in this collection of British Museum prints from the 15th to the early 19th century. The prints, which include woodcuts, engravings and etchings by Lucas Cranach the Elder, Goya, Stubbs and Bewick, are accompanied by insightful commentary on the history and symbolism of the depicted beasts.
Renaissance Woodcuts from the Collections of Georg Baselitz and The Albertina, Vienna
In the 16th century, German artists discovered that by printing from one or more colour blocks in addition to the line block, they could create a dramatic interplay of light and shade – chiaroscuro. Published to accompany an exhibition at London’s Royal Academy, this volume explains the development of the technique, demonstrates the effects it made possible, and presents 130 woodcuts from Italy, Germany and the Netherlands, including some by major artists such as Cranach, Beccafumi and Goltzius.
A Catalogue Raisonné of Prints and Multiples, 1971–2007
American conceptual artist John Baldessari began taking photographs in the 1960s as references for his paintings, but from the 1970s, photographs – often found images – increasingly became the building blocks of his exhibited work. He later developed a series of 'multiples', arranging and juxtaposing selections of prints, and experimented with three-dimensional prints. This catalogue raisonné features over 175 works, made between 1971 and 2007, with comprehensive information about each and a contextual essay analysing the development of Baldessari's printmaking.
The American Dream
Pop to the Present
Covering key figures in American art, including Warhol, Jasper Johns, Robert Rauschenberg, Cy Twombly and Richard Serra, this volume presents an overview of printmaking in America since the 1960s. With over 200 reproductions and profiles of around 70 artists it traces the main trends in art from pop art, through the rise of minimalism, conceptual art and photorealism in the 1970s, to the engagement with contentious issues such as race, AIDS and feminism that continues to this day.
Catalogue Raisonné of His Sketchbooks
Having made his name with his 'Apocalyptic Landscapes' before the First World War, German expressionist artist Ludwig Meidner's career stalled due to anti-Semitic persecution in the 1930s and then self-imposed exile in Britain from 1939 until the 1950s, but he continued to sketch prolifically. A record of his work in sketchbooks made between 1898 and 1957, this catalogue raisonné presents over 1,700 graphic works. With an introduction and explanatory text in German and English.
Utamaro and the Spectacle of Beauty
and the Spectacle of Beauty
One of the most influential artists working in the genre of ukiyo-e ('pictures of the floating world') in late 18th century Japan, Kitagawa Utamaro (c1753-1806) was renowned for his prints of beautiful women. In this book, Davis reinterprets Utamaro in the context of his times, reconstructing the place of the ukiyo-e artist within the world of the commercial print market. The study offers a new approach to issues such as the status of the artist and the construction of identity, gender, sexuality and celebrity in the Edo period.
Visions of Fuji
Artists from the Floating World
Mount Fuji, with its majestic cone and snow-capped summit, has inspired artists and writers for centuries. This volume discusses its continuing influence, focusing on its representation in the Japanese woodblock art of Katsushika Hokusai (1760–1849) and Utagawa Hiroshige (1797–1858). Hundreds of reproductions show how the mountain has become an emblem of perfection, symmetry, spiritual balance and endurance, while the text follows the evolution of the artists' work.
Masterpieces of Art
After an introductory chapter on Japanese woodblock printing in the Edo period, its artists, schools and its influence on western art, this book presents around 90 masterpieces by key artists. The prints are in sections on beautiful women, landscapes, kabuki theatre and flora and fauna, and include such famous works as The Great Wave off Kanagawa by Hokusai, Kuniyoshi's powerful portrayals of Kabuki actors and Hiroshige's Carp and River Trout from his 'Collection of Fish'.
The Complete Prints
Howard Hodgkin's prints represent an extraordinary body of work, a parallel and very different achievement from his paintings. They have been internationally celebrated and passionately collected, yet this is the first comprehensive survey and catalogue raisonné of the prints. The book includes a major essay by Nan Rosenthal of the Metropolitan Museum of Art, New York, and an interview with Hodgkin, along with 83 colour and 126 duotone reproductions. Plus a chronology and bibliography.