The Jewish World
100 Treasures of Art and Culture
The Magnes Collection was founded in Berkeley, California, in 1962 and dedicated, in the words of its director, Alla Efimova, to ‘salvaging the floating remnants of the post-Holocaust Jewish world’. This volume, reflecting Dr Efimova’s personal view of the museum’s global mission and the range of artefacts within the collection, includes ritual objects and manuscripts from far-flung Jewish communities, past and present, and paintings, photographs and ephemera that represent the history of Californian congregations since the gold rush era.
How Do We Look, The Eye of Faith
In How Do We Look, Mary Beard explores how the human body was portrayed in the earliest art, including the colossal Olmec heads of Central America, Egyptian pharaohs, Chinese warriors and Praxiteles’ Aphrodite in ancient Greece. In Part Two, The Eye of Faith she visits Buddhist temples, Christian art and architecture, and Islamic mosques and calligraphy to explore the relationship between art and religion and the endeavour to make the divine visible.
Masterpieces from the Städel Museum
Frankfurt’s Städel Museum has a world-class collection of paintings, drawings, sculpture and photography ranging from the Middle Ages to the present day. This chronological selection reproduces 250 works, mostly paintings, by Old Masters including Fra Angelico, Botticelli and Holbein, leading Impressionists such as Manet, Monet and Renoir, and the pioneering Modernists Matisse, Picasso and Chagall. The result is not only a catalogue of a major collection, but an overview of 700 years of art history.
Crossing the Channel
British and French Painting in the Age of Romanticism
During the period between the restoration of the French monarchy at the end of the Napoleonic Wars and the accession of Queen Victoria in 1837, hostility in politics between Britain and France gave way to mutual admiration in the arts. This magnificent catalogue of a 2003 exhibition at Tate Britain deals mainly with painting and brings together works by major figures such as Constable, Delacroix, Turner and Vernet to explore how artists from each country influenced their counterparts on the other side of the Channel.
Art and Culture in Times of Conflict
At Museum Leuven in 2014, the exhibition entitled Ravaged explored the devastation of art and cultural property, whether by burning, bombing, iconoclasm or looting, and the depiction of that devastation by artists. This accompanying volume reproduces the 78 artworks exhibited but expands on the theme with over 30 illustrated essays on topics ranging from the loss of the Library of Alexandria to the destruction of the Bamiyan Buddha statues in 2001.
Wall Calendar 2020
These vibrant landscapes and still lifes by Samuel Peploe, Leslie Hunter, Francis Cadell and William McTaggart are from the National Galleries Scotland. Envelope not included. Please note: the May bank holiday has been moved since 2020 calendars were printed; each calendar contains an addendum slip with information on the new holiday.
On the Seven Deadly Sins
Drawing on his experience in politics, former MP Kenneth Baker examines how the Seven Deadly Sins have been depicted in art and literature through the ages. Using excerpts from plays, poetry and fiction, he discusses the sins, reflects on their continuing presence in today’s more secular society, and concludes that life would be banal and unchallenging without them. The extensive illustrations include works by old masters such as Botticelli and Bosch, press photographs, and cartoons by Gillray, Rowlandson, Bateman, Peter Brookes and Dave Brown.
Art, Artisans and Apprentices
Apprentice Painters and Sculptors in the Early Modern British Tradition
James Ayres’s study of apprentice painters and sculptors in Britain and North America before the foundation of formal art academies in London in 1768 and Philadelphia in 1805, describes the relationship between art and the various trades from which most artists emerged.
Art and Architecture
As the former capital of a vast empire, Vienna has some of the most magnificent architecture and richly endowed galleries and museums in Europe. The essays and articles in this volume, illustrated with colour photographs on every page, offer a comprehensive view of the city’s cultural treasures, from the splendours of the Baroque to the artistic ferment of the Secession and the Wiener Werkstätte, and set them in the context of Vienna’s political and social history.
Ford Madox Brown
Estranged from the art establishment, Ford Maddox Brown painted the social ills of his day with an unsentimental yet lyrical realism, making him one of the more socially engaged Pre-Raphaelite artists. This catalogue to his Manchester Art Gallery retrospective in 2012 illustrates over 150 of his works, including The Last of England and Waiting, and features essays on Brown’s character, humour and political views.
The Last Emperor's Collection
Masterpieces of Painting and Calligraphy from the Liaoning Provincial Museum
Comprising several essays and a catalogue of over 40 paintings and works of calligraphy, reproduced on gatefolds where appropriate, this volume accompanied an American exhibition of works on loan from the Liaoning Provincial Museum. The paintings, which represent the most characteristic art forms of Chinese traditional culture, were originally part of the imperial collection from the Qianlong period (1736–95). Text in English and Chinese.