Collecting for a New World
Treasures of the Early Americas
The clashes that occurred when Europeans first encountered the New World’s indigenous population are discussed in the collection of early American treasures in Washington’s Library of Congress. In addition to describing 60 of the items, curator John W Hessler traces their previous ownership to reveal the extent to which private collectors have aided the preservation of human history.
The Art Book
Big Ideas Simply Explained
From prehistoric fertility figures and cave paintings through the medieval and renaissance periods and up to the modern sculpture of Louise Bourgeois, this volume presents an overview of the major artistic movements. Illustrated examples of each genre are accompanied by explanations of their place in art history and notes on significant artists. Slightly off-mint. Felt-tip mark on upper trimmed edge.
Mirage in the Desert
Recording recent findings about Palmyra’s origins and knowledge about its art, archaeology and history, the 11 papers in this illustrated volume were first presented at a symposium at the Metropolitan Museum of Art in 2016, held in response to the destruction of the ancient city and in tribute to Khaled al-Asa‘ad, the archaeologist who died trying to defend the site.
The Art of Transgression
From medieval depictions of Adam and Eve's original sin and expulsion from Paradise to William Holman Hunt's Scapegoat (1854–55) taking on the sins of the world, this extended essay reviews how artists have explored the concept of human iniquity. Examples discussed range from sensual depictions of the temptations of the flesh to allegorical warnings against dissolution, such as Hogarth's Marriage A-la-Mode(1743–45).
The wooden sculptures created by the Baga community of Guinea first became known in the west in the 19th century. Originally comprising intricately carved masks, statues, percussion instruments and other ceremonial items, later works were influenced by colonization and new religions and include busts representing the sea goddess, figures of animals from legends and representations of the villages’ founders.
Soviet Women and their Art
The Spirit of Equality
Immediately following the Russian Revolution in 1917, Bolshevik legislation emancipated women, giving them unprecedented freedoms. In this volume, five art critics and historians examine the response of women artists to these momentous changes, exploring changing ideals of feminine beauty and the role of women in Soviet society. The illustrated essays are followed by a gallery of works by twelve painters and sculptors, with introductions to the life and work of each artist.
Our Human Story
Exploring the human experience through the representation of the face in art, Debra Mancoff presents over 360 artefacts ranging from prehistoric figurines to Renaissance drawings, and from 16th-century African masks to 20th-century photographs, all selected from the British Museum’s collections. The book is arranged by theme, from birth and childhood, through love and beauty, faith, power and identity to death – the gallery of faces ending with an Aztec human skull covered in turquoise and lignite mosaic.
The Phoenix Years
Art, Resistance and the Making of Modern China
By exploring the stories of nine contemporary Chinese artists, foreign correspondent O’Dea shows how China's four-decade rise from economic ruin to global powerhouse released both creativity and long-running tensions between the individual and the state. The challenges faced by these cultural figures in their artistic lives up to 2016 cast light on the long-running struggle for freedom of expression.
A Traveller's Reader
This anthology offers a selection of writing by past visitors and residents about the life and customs of Florence, its history, art and architecture, and includes an introduction and a map. The accounts span the turbulent history of the city from its Renaissance heyday to its role as a haven for 19th-century visitors. Extracts from Vasari’s Lives recall its artistic brilliance, while Henry James and George Eliot reflect on its life and manners.
A Cultural History
Mapping the cultural history of the self-portrait from the Middle Ages to the proliferation of self-images by contemporary artists, the art historian and critic James Hall explores a number of themes and the many motivations for making a self-portrait. Alongside paintings by famous self-portraitists such as Dürer, Rembrandt, Courbet and Edvard Munch, the discussion embraces many less well-known works by artists including Jan van Eyck, Perugino, James Barry and Frida Kahlo.
Five Centuries of British Painting
From Holbein to Hodgkin
Andrew Wilton provides a highly illustrated overview of British art over the past five hundred years, from hesitant beginnings under the influence of Holbein up to 20th Century Modernism as embodied by the Bloomsbury Group. Slightly off-mint.
A Beginner's Guide
Professor Adams’s succinct introduction to the visual arts starts with a discussion of what art is and a brief history of Western art since the Stone Age, then addresses several major issues: the origins of art, its form and meaning, its purpose, and the power of images to create controversy.
The Orléans Collection
To mark the tricentennial of the founding of New Orleans, an exhibition explored the celebrated art collection of the city’s namesake, Philippe II, duc d’Orléans (1674–1723), regent of France and a discerning patron of the arts. Published to accompany the exhibition, this magnificent volume offers essays on Philippe as collector and his collection as well as essays and commentaries on 36 representative works, including masterpieces by Poussin, Veronese, Van Dyck, Rembrandt and Guido Reni. Includes a summary catalogue of the Orléans collection.
The Black Figure
In the European Imaginary
Published to accompany an exhibition at the Cornell Fine Arts Museum in Florida in 2017, this study explores European approaches to race and gender during the 18th and 19th centuries and the relationship between European artists and the ‘expressive possibilities of blackness’. The exhibits, 31 very varied portraits, include famous figures such as Anne Zingha and Alexandre Dumas as well as anonymous slaves in America and people of colonial Africa.
50 Treasures from Winchester College
Founded by William of Wykeham in the late 14th century, Winchester College houses an outstanding collection of medieval manuscripts, books, old maps, paintings and artefacts as diverse as a cast of the Parthenon frieze and a former science master’s pitch flow experiment. After a substantial introductory history, this volume provides detailed commentary on 50 items, including a Ming dynasty meiping, CRW Nevinson’s Twilight (1916), and first editions of Newton’s Principia, Hooke’s Micrographia and the King James Bible.
From Chelsea Physic Garden
The Chelsea Physic Garden Florilegium Society was founded in 1995 to record the flora of this historic botanic garden. It has since generated an extensive archive of meticulously executed artworks and this volume reproduces over 70 watercolours by the finest contemporary illustrators. Ranging from ferns and flowers to woodland trees, each full-page illustration is accompanied by notes about the plant and its use in traditional and modern medicine.
A Cultural Study of Mary and the Annunciation
From Luke to the Enlightenment
In a cultural rather than theological study of a story that has exerted a powerful hold over the Western imagination, Gary Waller uses a variety of approaches to trace the history of the multiple stories of the Annunciation, from its late insertion into the Gospel of Luke and its elevation as the initiating historical event of Christian revelation, down to the Enlightenment.
Van Gogh's Ear
The True Story
The best-known incident in Van Gogh’s life is also the least understood. Interweaving the story of her own detective work with that of the artist’s final crisis, Bernadette Murphy reconstructs Van Gogh’s Arles, with its cafés and brothels. She explores his relationships with his brother Theo and fellow painter Gauguin, and identifies many locals he knew, including policemen, prostitutes, shepherds, artists, and the mysterious Rachel, recipient of his severed ear.
After an introduction setting aspects of Futurism in the context of 20th-century art history, Umbro Apollonio presents an illustrated anthology of writings by the Italian Futurists. Dating from between 1909 and 1918 and beginning with FT Marinetti’s The Founding and Manifesto of Futurism (1909), the collection includes articles by Umberto Boccioni, Carlo Carrà, Giacomo Balla and Gino Severini. First published in 1970. Translation by Robert Brain, RW Flint et al. (1973).
The Accomplished Lady
A History of Genteel Pursuits c. 1660–1860
Drawing on a broad range of sources, including contemporary diaries, letters and periodicals, this richly illustrated social history examines the pastimes of upper-class women within the context of the highly restrictive patriarchal society in which they lived. Covering pursuits such as painting, embroidery, feather work and photography, the author also considers how other aspects of the female experience, notably education, marital status and domestic responsibilities, influenced their creative output.
The Jewish World
100 Treasures of Art and Culture
The Magnes Collection was founded in Berkeley, California, in 1962 and dedicated, in the words of its director, Alla Efimova, to ‘salvaging the floating remnants of the post-Holocaust Jewish world’. This volume, reflecting Dr Efimova’s personal view of the museum’s global mission and the range of artefacts within the collection, includes ritual objects and manuscripts from far-flung Jewish communities, past and present, and paintings, photographs and ephemera that represent the history of Californian congregations since the gold rush era.
How Do We Look, The Eye of Faith
In How Do We Look, Mary Beard explores how the human body was portrayed in the earliest art, including the colossal Olmec heads of Central America, Egyptian pharaohs, Chinese warriors and Praxiteles’ Aphrodite in ancient Greece. In Part Two, The Eye of Faith she visits Buddhist temples, Christian art and architecture, and Islamic mosques and calligraphy to explore the relationship between art and religion and the endeavour to make the divine visible.
The Pursuit of Immortality
Masterpieces from the Scher Collection of Portrait Medals
Portrait medals, which commemorate individuals through a combination of likeness, imagery and text, were an important artistic innovation of the Renaissance. Ng presents fine examples, ranging from the 15th to 19th century, which are now in one of the world’s most significant private collections. She traces the art form’s origins and development, discussing the techniques used across Europe to make medals and the personal and political purposes for which they were produced.
Masterpieces from the Städel Museum
Frankfurt’s Städel Museum has a world-class collection of paintings, drawings, sculpture and photography ranging from the Middle Ages to the present day. This chronological selection reproduces 250 works, mostly paintings, by Old Masters including Fra Angelico, Botticelli and Holbein, leading Impressionists such as Manet, Monet and Renoir, and the pioneering Modernists Matisse, Picasso and Chagall. The result is not only a catalogue of a major collection, but an overview of 700 years of art history.
Art and Culture in Times of Conflict
With 30 illustrated essays on topics ranging from the lost Library of Alexandria to the destruction of the Bamiyan Buddha statues in 2001 and reproductions of 78 artworks, this volume accompanied an exhibition exploring the devastation of art and cultural property, whether by burning, bombing, iconoclasm or looting, and the artistic depiction of that devastation.
On the Seven Deadly Sins
Drawing on his experience in politics, former MP Kenneth Baker examines how the Seven Deadly Sins have been depicted in art and literature through the ages. Using excerpts from plays, poetry and fiction, he discusses the sins, reflects on their continuing presence in today’s more secular society, and concludes that life would be banal and unchallenging without them. The extensive illustrations include works by old masters such as Botticelli and Bosch, press photographs, and cartoons by Gillray, Rowlandson, Bateman, Peter Brookes and Dave Brown.
The Last Emperor's Collection
Masterpieces of Painting and Calligraphy from the Liaoning Provincial Museum
Comprising several essays and a catalogue of over 40 paintings and works of calligraphy, reproduced on gatefolds where appropriate, this volume accompanied an American exhibition of works on loan from the Liaoning Provincial Museum. The paintings, which represent the most characteristic art forms of Chinese traditional culture, were originally part of the imperial collection from the Qianlong period (1736–95). Text in English and Chinese.
Understanding Architectural Drawings and Historical Visual Sources
In chapters on architectural drawings, maps and mapping conventions, topographical views and other visual sources including models, pattern books, guide books and photographs, a group of architectural and art historians explain the provenance, purpose and terminology of a range of visual sources from the 16th to 20th centuries, and how they can help – and sometimes hinder – an understanding of an original building and its history.
Artist and Mannequin from Function to Fetish
Posable models or lay figures have for centuries been a fixture in artists' studios, particularly used by classical painters to arrange drapery. Through a series of illustrated essays, this book, published to accompany the exhibition at the Fitzwilliam Museum in Cambridge, analyses how the artist's tool developed currency as a subject in its own right and explores the meaning and symbolism of mannequins in the work of artists from 17th-century Dutch masters to Jake and Dinos Chapman.
Life, Art and Civilisation
Best remembered for his television series Civilisation (1969), Kenneth Clark was Director of the National Gallery during the war, one of the founders of ITV in the 1950s and a highly influential popularizer of art as a broadcaster. This biography describes his privileged childhood, successful career and a private life that included close friendships with some of the most prominent people of the age, including John Betjeman, Margot Fonteyn and Henry Moore.
Soane's Favourite Subject
The Story of Dulwich Picture Gallery
The world’s first purpose-built public art gallery, Dulwich Picture Gallery opened in 1811 to house a collection of old masters assembled for the deposed king of Poland. Since then, John Soane’s revolutionary building, which incorporates the mausoleum of its founders, has proved vastly influential. This book tells the story of its creation, includes a chronological catalogue of historic images of the gallery, including the original architectural drawings, and charts the modifications it has undergone over the succeeding two centuries.
The Honour and Grandeur
Regalia, Gold and Silver at the Mansion House
Henry V's victory at the Battle of Agincourt had been largely funded by the City of London and in gratitude he presented the Lord Mayor with the Crystal Sceptre, which has remained part of the treasures of the office ever since. This book examines the city's regalia and gold and silver collection, much of it photographed here for the first time, including important items of the finest craftsmanship from the 15th century to the present day.
The Artistic Ape
Three Million Years of Art
In 1967 Desmond Morris published The Naked Ape, his pioneering study of human behaviour patterns; now he brings his expertise as a surrealist painter to a history of ‘the complex activity that we refer to as art’. Looking back to the earliest known visual art, he uncovers the biological roots of the human species’ artistic impulses, compares pictures made by non-human animals and examines how traditions around the world have reflected art’s evolution from prehistoric times to the present.
The Commedia dell'Arte and Porcelain Sculpture
Since the Renaissance, the characters of the Commedia dell'Arte – Harlequin, Columbine, Scaramouche and company – have inspired plays, paintings, engravings and porcelain. Drawing on some of the world's finest collections, especially that of the Gardiner Museum of Ceramic Art in Toronto, this magnificently illustrated survey presents 150 figures by leading British and European manufacturers, including the celebrated Meissen factories. It also explains the hidden meanings of these mysterious characters and how a bawdy street theatre became an elegant courtly entertainment.
An Illustrated Handbook
Much of Britain's architectural heritage was fashioned not by architects but by jobbing builders, using methods passed down through the generations. Extensively illustrated with photographs, maps, plans and elevations, this lucid guide explains the historical development and regional variations of vernacular architecture. It explores the various building types – from manor houses to cottages, farms to industrial premises – construction methods and materials, and decorative details, while the appendices explain how to research the subject, make detailed records and carry out surveys. Slightly Off-mint.
Gustav Klimt: The Founder of the Vienna Secession
Klimt (1862–1918) is one of the key figures in 20th-century art and 20 of his paintings, including The Virgin, both portraits of Adele Bloch-Bauer and The Kiss, are reproduced in this book alongside outlines to colour in and brief introductions to the artworks.
A Capital View
The Art of Edinburgh: One Hundred Artworks from the City Collection
Since the mid-18th century, Edinburgh's City Council has amassed over 4,500 artworks in a variety of media – including drawings, paintings, prints, sculpture, photography and tapestry – and the collection, which focuses on Scottish art, continues to grow. In this handsome volume, Popiel presents reproductions and detailed commentaries on a selection of 100 works which depict Edinburgh and its inhabitants, from a 'prospect' of the city by John Abraham Slezer (c.1650–1717) to David Annand's statue of Robert Fergusson (2004).
The Gallery of Missing Masterpieces
The current wealth of the art market is making it more attractive than ever to thieves and unethical dealers. Illustrated with reproductions of missing works and drawing on the work of Julian Radcliffe of the Art Loss Register, this volume tells the stories of stolen paintings and artefacts ranging from Old Masters to Warhol screen prints and examines topics such as the looting of antiquities, Nazi art theft and the problems facing the art world today. Off-mint.
A Doctor in the Great War
Andrew Davison tells the story of the 1st Cameronians, who achieved notoriety for selling the Great War's first front-line photographs, and Fred Davidson, their 25-year-old medical officer, one of the first doctors to win the Military Cross. The book presents the photographs taken (despite the ban on cameras) by Fred and his fellow officers, to offer an unusually intimate portrait of life among the 'Old Contemptibles', from a parade ground in Glasgow to the brothels of Armentières. Off-mint.
The Chronology of Pattern
Pattern in Art from Lotus Flower to Flower Power
A richly illustrated sourcebook, this journey through 3,000 years of pattern styles reveals geographical and cultural contrasts and connections from late Bronze Age metalwork motifs to 21st-century fashion design. Including a visual timeline, analyses of elements of pattern, biographies of the great innovators and examples from textiles, paintings, mosaics, engravings and architecture from around the world, the book provides an inspirational design resource and an expert guide to the history and development of pattern in art.
Clerics and Connoisseurs
An Irish Art Collection Through Three Centuries
The author of The Gentleman’s and Connoisseur’s Dictionary of Painters (1770), the Rev Matthew Pilkington was himself a great connoisseur: this exhibition catalogue examines his and his family’s collection through seven generations, with reproductions and commentary on over 100 paintings. Slightly off-mint.