Since 1996 Fernando Costa (b. 1971) has been repurposing scrap metal from old road signs to create his sculptural pieces. This well-illustrated text, in English and French, offers a brief account of his childhood and working methods, and tells the stories behind some of his images, including his version of the Beatles crossing Abbey Road and Guernica, and a work memorializing the terrorist attack in rue Copernic in 1980.
Penguins and Other Sea Birds
This visual field guide to sea birds focuses on 50 species, each illustrated by a watercolour portrait, alongside notes on colour and behaviour. The birds range from the well-known – Emperor Penguin, Albatross – to the more unusually named Parasitic Jaegar and Blue-footed Booby. A useful spotting guide displays the birds across seven spreads.
Swimming with Dali
And Other Encounters with Artists
As art critic for various newspapers and magazines and presenter of radio programmes and television documentaries, Edwin Mullins met, and sometimes formed friendships with, many of the leading artists from the last half century. This book comprises his personal memories of artists including Henry Moore, Oskar Kokoschka, Barbara Hepworth and Graham Sutherland; shorter pieces on his ‘brief encounters’ with, among others, Picasso and Giacometti; and ‘strange encounters’ such as the odd episode involving Stephen Ward.
New Underground Art
Graffiti and street art have been at the heart of visual subcultures for the past thirty years. However, as time progresses the new wave of artists are moving in fresh directions. Corporate giants have been quick to jump on the graffiti bandwagon, perceiving it as a shortcut to youth culture. Even street stickers have been highjacked by the multinationals for advertising. Frustrated by wholesale corporate theft of the scene, the latest generation of street artists are employing different techniques in their work, different means of dissemination, different materials, different ways of getting their work noticed. Using the detritus of the urban environmentadvertising, fly-tipped rubbish, street signsthe new scene is subverting the streetscape in 3D to shock, educate, and entertain. This book documents the new graffiti with photographs of the work and interviews with major players around the world.
The Art and Work of Superblast
Berlin based graphic designer superblast was immersed in the world of punk rock and skateboarding when he discovered graffiti in 1990 and quickly became addicted to the energy and vitality of the street art underground. As a logical evolution of writing with spraypaint, he started a career as graphic designer in 1999. While studying graphic design, he freelanced for several urban brands, had solo and collective art shows. In 2004 he honed his skills in the beautiful craft of creating letters, by attending lessons in Fontdesign from the world-famous Luc(as) de Groot. His unique iconic style and use of color in illustrations, lettering and wall pieces lead him to projects with some of the most interesting and innovative artists and companies in his field. Most notable are his collaborations with Playstation Portable, Ecko Unltd, Volkl Skateboards, Montana Cans, and many more. Superblast has designed clothing, graphics, magazine ads, and skateboard decks. Neo Utopia The Art & Work of Superblast is a fascinating career retrospective from a
Los Angeles Graffiti
In the land of Hollywood, gang wars and beach bums, Los Angeles graffiti teems with the city's myriad cultural influences. From intricately tagged walls that seem to grow out of blooming roadside flower beds to spray-painted palm trees, Los Angeles Graffiti illustrates how the landscape of America's anti-city has fomented a distinct brand of graffiti, recognized the world over. Compiled by Roger Gastman, author of Freight Train Graffiti and co-founder (with Shepard Fairey) of Swindle magazine, this colorful book benefits from Gastman's long-term, intimate involvement with L.A. graffiti writers. Recruiting friends and graffiti legends, like SABER and RETNA, Los Angeles Graffiti documents the history of the unique, world-class graffiti scene that thrives in Los Angeles. In particular, the interview with L.A. graffiti luminary POWER breathes history into these photographs of work created by the famous, infamous, and anonymous.