Edward Bawden and Eric Ravilious
Published in association with the Fry Art Gallery in Saffron Walden, this book originally accompanied an exhibition of the design work of Edward Bawden and Eric Ravilious. A short essay on the two artists introduces over 100 reproductions of their work in a great range of media, including wallpaper design, book jackets and illustration, posters and ceramics, for clients including Wedgwood, Kew Gardens and the Golden Cockerel Press.
Your Loving Friend, Stanley
The Great War Correspondence Between Stanley Spencer and Desmond Chute
While serving as an orderly at a military hospital during World War I, the artist Stanley Spencer met Desmond Chute, the aesthetic son of a Bristol theatre family, who introduced him to classical literature and the Confessions of St Augustine. These 31 letters document their friendship, Spencer’s combat in Macedonia, and his evocative memories of the village of Cookham. Illustrated with facsimiles and Spencer’s own drawings, they shed light on his artistic development.
Leonardo da Vinci Drawings
Masterpieces of Art
A painter, inventor, architect, military engineer and musician, Leonardo da Vinci (1452–1519) was also a prolific draughtsman and, as Susan Grange argues, ‘it is through his drawings that we can find the most direct access to his genius’. Her illustrated essay introducing the scope and depth of Leonardo’s drawings accompanies 85 full-page reproductions of his studies for paintings, inventions, maps, anatomical drawings and observations of the natural world. From the Masterpieces of Art series.
A Life in Pictures
From his ‘lucky, lucky childhood’, a war baby growing up in his mother’s sweet shop, to experiencing ‘another burst of wonder’ as a grandfather, Michael Foreman tells the story of his life in prose suited to readers young and old, and in pictures from the books he has illustrated. Tracing his career through those story books, Foreman describes his collaborations with writers, especially Terry Jones and Michael Morpurgo, who has written the foreword for this charmed life in pictures – and stories.
The Mackintosh Style
Decor & Design
Elizabeth Wilhide begins this study of Charles Rennie Mackintosh (1868–1928) and his achievements in architecture and design by looking at how influences such as the Arts and Crafts and Aesthetic movements were forged into a new style and a ‘unique vocabulary of design and decoration’. The book goes on to give a detailed and richly illustrated account of buildings and interiors by Mackintosh, including The Glasgow School of Art, Windyhill, The Hill House and the Willow Tea Rooms.
The world of fantasy artists Boris Vallejo and Julie Bell is one of muscle-bound heroes, beautiful - and also muscle-bound - women, dragons and monsters in other-worldly and often violent landscapes. In this volume the two artists present 145 reproductions of recent, previously unpublished images, and chapters telling their own stories and discussing elements of their art. With the book, inside the back cover, there is a set of ten limited edition art prints.
The Tragedy of a Pre-Raphaelite Supermodel
A tall, slim redhead, lacking curves, Lizzie was the antithesis of mid-19th-century beauty. Spotted working as a milliner’s assistant, she became a muse for the Pre-Raphaelites and – immortalized in Millais’s Ophelia – one of the most famous faces of her day. This biography takes us from her humble beginnings through her marriage to Rossetti and on to her ultimate tragic end, examining her own poetic and artistic abilities along the way.
The Photographs of Paul Nash
Paul Nash was 41 in 1930 when his wife Margaret gave him a Kodak pocket camera; between then and his death in 1946, Nash took around 1,200 photographs. Some were snapshots, some were studies for paintings, most display what fellow artist John Piper described as Nash’s ‘economical and obsessive’ eye. This book explores this aspect of the artist’s work, with 138 photographs depicting subjects as varied as standing stones, wrecked aircraft, fallen trees and the White Horse at Uffington.
Water Lilies & The Garden of Giverny
In 1883, Claude Monet sailed his studio boat down the Seine and came upon a farmhouse in the tiny hamlet of Giverny. It was here that he would spend the rest of his life, creating the gardens and lily ponds that inspired his best-known works. Richly illustrated with many of his paintings, this magnificent book explores his life and art, his subtle mastery of light, and the creation of the Grandes Decorations that now hang in the Orangerie in Paris.
The Art Deco Jester King
While the work of Paris (1894-1945) fits the category of Art Deco, it has an idiosyncratic style that can be ghoulish and even grotesque in his depiction of clowns, jesters, devils and temptresses. In this volume, the story of the artist’s life is illustrated with photographs and his own sketches, while the plates that follow show the broad range of his work, from comical porcelain dogs to a woodcut self-portrait, bronze and ivory decorated lamps and statuettes.
Master of Art Deco
Born in Romania, Demetre Chiparus studied in Paris and stayed on to experience the cultural explosion of the inter-war years. He became an iconic Art Deco sculptor, his delicate figurines – which depict elaborately dressed dancers, children and animals – enjoying great popularity. Charting his life and influences, and the materials and foundries he used, this volume, originally launched in 1993, includes colour plates of his work, recently discovered pieces and updated information, alongside a selection of his paintings.
The Royal Portrait
Image and Impact
What constitutes a royal portrait? Jennifer Scott discusses visual portrayals of kings, queens, princes and princesses, from the portrait of Richard II by an anonymous 14th-century artist to Annie Leibovitz’s photograph of Elizabeth II in 2007. Illustrated with 157 examples, including works by great artists from Hans Holbein to Lucien Freud, the study explores the factors that contribute to a royal portrait: its accuracy of appearance, the artist’s aspirations, and the intended location and audience of the work.
The Comic Art of Thomas Rowlandson
Portly squires and foppish dandies, Jane-Austenesque heroines and their grotesque chaperones, dashing young officers and corrupt politicians… Thomas Rowlandson (1757–1827) skewered the follies and vices of his age better than any satirist since Hogarth. This catalogue brings together 100 of his scabrous engravings, largely from the Royal Collections. Mercilessly lampooning King George III, his troublesome offspring, and politicians such as William Pitt, they form a rogues’ gallery of Georgian England, and remain an inspiration to cartoonists today.
This study of the Genoese artist Giovanni Benedetto Castiglione (1609–1664) is the result of a collaboration between the Denver Art Museum and the Royal Collection, with its unrivalled holdings of Castiglione’s works in the Royal Library at Windsor Castle. Reproducing over 90 paintings and dry-brush drawings and illustrating a further 30 details, the catalogue offers a new appraisal of the artist’s works, his life and volatile personality, and his position within 17th-century art.
Edward Lear's Nonsense Birds
Coming to life in just a few, seemingly effortless lines and the occasional wash of colour, Edward Lear’s nonsense birds have personality, attitude and, quite often, very human traits. Drawing on the British Library collections, this book presents birds from several of Lear’s original nonsense books, and includes stories, limericks, birds for learning colours and birds for learning the alphabet.
George Smart the Tailor of Frant
Artist in Cloth & Velvet Figures
Using off-cuts from his tailoring fabrics, George Smart created works now recognized as folk art. Exhibited at Tate Britain in 2014, this subsequent publication showcases 70 of Smart’s artworks, and pieces together a biography of the artist’s scantly recorded life.
‘Thomas Gainsborough lived as if electricity shot through his sinews and crackled at his finger ends.’ A gentle, empathetic family man, he also had a volatile streak that could lead him to slash his paintings, and a loose way of talking that shocked society. This biography reveals how an easygoing Suffolk lad was propelled to the highest echelons of Georgian Bath and London by his vast natural talent, and explores the contradictions of this complex and charismatic painter.
Themes and Variations
Thomas Gainsborough (1727–1788) earned his living and his fame through portraiture, but enjoyed and valued painting landscape above the ‘curs’d face business’. Published to accompany the first exhibition devoted solely to his landscape paintings and drawings, and illustrated with 35 finished works and 23 drawings and variations, this volume reveals the themes to which Gainsborough returned again and again, among them the ‘modesty of nature’, ‘quietness and ease’ and evening light.
Animal Prints from the British Museum
A rampaging elephant, a giant fish, an amorous goat and a monstrous pig are some of the fabled creatures featured in this collection of British Museum prints from the 15th to the early 19th century. The prints, which include woodcuts, engravings and etchings by Lucas Cranach the Elder, Goya, Stubbs and Bewick, are accompanied by insightful commentary on the history and symbolism of the depicted beasts.
The Chapel of St John the Baptist in the Church of São Roque
The Commission, The Building, The Collections
Commissioned by King John V of Portugal, the Chapel of St John the Baptist was built in Rome in 1747 before being dismantled and shipped to Lisbon, where it was reassembled in the church of São Roque. This comprehensive survey incorporates new research into the extraordinary circumstances of its design and construction, while its generous selection of colour photographs showcases the chapel’s architecture, statuary, metalwork and mosaics, alongside its rich collections of silverware, fabrics and antiquarian books.
The Hardy Family of Artists
Frederick Daniel, George, Heywood, James and Their Descendants
From James Hardy senior (1801–1879), who painted portrait miniatures in the 1820s, the traditions and skills of painting were handed down through generations of the Hardy family, whose members included some of the leading genre and animal painters of the 19th and early 20th centuries. Drawing on a collection of unpublished letters, documents and photographs inherited from the artists’ descendants, Kimber Hardy presents the first comprehensive assessment of their work.