The Visual World of French Theory
In the 1960s and 1970s, there were remarkable encounters between the most prominent French philosophers and contemporary artists, particularly members of the Narrative Figuration movement. Passages from critical texts arising from those encounters serve as the focus in each chapter of this illustrated study, which explores, among others, the meetings of Jean-Paul Sartre and Robert Lapoujade; Louis Althusser and Lucio Fanti; and Jacques Derrida and Valerio Adami.
When Constructivism emerged after the 1917 Revolution in Russia, its central aesthetic principles concerned the nature of materials, konstruktsiya (constructedness), efficiency and rationality. In this study, Taylor examines the legacy of Constructivism, tracing a path from the Cubists in Paris and Tatlin, Malevich and Rodchenko in Russia to artists such as Anish Kapoor, Amy Sillman and Tomma Abts working in the 21st century. With 144 illustrations.
British and Irish Art 1945–1951
From War to Festival
After the Second World War, according to received opinion, control of the art world passed from rich individuals to state-run bodies. This groundbreaking study demolishes that idea. Its detailed analysis of letters, committee minutes and newspaper reports demonstrates how an Oxbridge elite retained power in the new institutions. Illustrated with works by Francis Bacon, Jack Yeats, Lucian Freud, Graham Sutherland and others, it shows how artists fought to survive against powerful individuals who could make or break reputations.
Paul Klee on Modern Art
Originally the basis for a lecture at a museum opening in 1924, this short treatise was written while Paul Klee was teaching at the Bauhaus. Writing almost in note form, and in reference to his own work, he analyses the creative process (‘a glimpse of the painter’s workshop’), the relationship of art and nature, and line, tone value and colour. The essay is presented here with an introduction by Herbert Read and around 20 drawings by Klee.
The Performance of Style
Most associated with the music of artists such as David Bowie, glam was an extravagant and subversive movement of the early 1970s that has received much attention recently for its influence on later music and fashion and for the wider social impact of its experiments with androgyny and artifice. This catalogue, published to accompany the exhibition at the Tate, Liverpool, presents a collection of illustrated essays exploring the music, fashion, art and politics of glam.