Paths to Abstraction: 1867-1917
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From Whistler renaming one of his earlier paintings Symphony in White, No. III to works by Kandinsky, Marc, Malevich and Klee, this volume of superbly illustrated essays and the exhibition it accompanied reflect on the concept of abstraction and the diverse routes travelled by artists towards the non-objective. Over 140 works are reproduced and discussed in four essays and the catalogue of the exhibition by its curator, Terence Maloon.