Greasepaint and Cordite
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During the course of the Second World War, the Entertainments National Services Association put on countless productions for the troops across the world, offering everything from music hall turns to Laurence Olivier. The enormous number of shows meant that the talent was spread thinly and performances were often delivered in difficult circumstances and inhospitable climes. Drawing on interviews with surviving ENSA performers, this book tells the colourful story of this most unusual and complex theatrical enterprise.