The freshness and spontaneity of Edward Wesson’s watercolours and oils, described by Alwyn Crawshaw in his introduction as ‘paintings done with a relaxed and happy brush’, are as popular now as they were in his lifetime. With four brief memoirs of the artist by friends and colleagues, this book presents over 125 reproductions of lesser-known works in private collections and Wesson’s own teaching slides, which he used in lectures and demonstrations.