In a career spanning over 50 years Ivor Abrahams (1935–2015) used a variety of unusual materials to create witty and irreverent sculptures that explored the suburban dream and how nature and manmade objects coalesce. This monograph contains hundreds of images, including his multimedia Parliament of Owl sculptures, which epitomize his ability to tread the border between art and kitsch, an interview with the artist and a biography he compiled himself.