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Described by reviewers as 'iconoclastic', 'provocative' and 'a biographic coup', this life of Gershwin challenges the carefully guarded image of the composer cultivated by his family following his death. Using information from his sister Frances (who eventually deviated from this 'party line'), Joan Peyser paints an acerbic portrait of Gershwin's mother and delves into the evidence about such controversial issues as his alleged fathering of a son with a song girl.
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