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For half a century, Diana Athill edited, coaxed, nursed and, at times, coerced a succession of novelists from Jean Rhys to Timothy Mo into producing their finest work. Elegant, clear-sighted and self- deprecating, her memoirs offer a wise and often very funny account of a life in publishing; a life in which the parade of literary luminaries takes second place to Athill's sheer love of language and literature. 
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